Don’t miss out: Events running for less than two weeks
A family tour of the “Observatoires” exhibition by John M Armleder invites participants, aged 6 and above with an accompanying adult, to explore a captivating world filled with animals, light and mirror reflections, and astonishing installations.
In French.
Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.
In French.
“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.
In French.
Presented as part of Antigel Festival, Jeff Tweedy offers a rare solo performance that foregrounds songwriting, storytelling and an intimate stage presence. The Wilco leader distils decades of Americana into spare, resonant arrangements, where lyrical wit and melancholic warmth alternate. Lighting and sound sculpt close, reflective atmospheres that highlight his voice and guitar, inviting attentive listening and quiet emotion. This concert traces his singular career through pared-back melodies and candid narration, revealing the timeless potency of contemporary American songwriting.
“Knuet” is an immersive musical installation crafted for the delight of the tiniest audience. It introduces a captivating realm of ropes and play, where little ones can venture through cords, strings, tunnels, woven cradles, and swings. Accompanied by two musicians and a dancer, this experience blends improvisation with interaction, offering a joyful and liberating adventure.
Kids ages 8 months to 3 years.
Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.
In French.
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Events running for an extended period
The International Red Cross and Red Crescent Museum presents the Prix Art Humanité, featuring works by five HEAD – Genève alumni exploring themes of sharing, engagement, and humanity. The exhibition also includes the first International Prize, by Lebanese artist Mohamad Khamis. Visitors can vote for their favourite project, with the Public Prize awarded during the ceremony.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
La Cuisine des Collectionneurs is a convivial, evolving exhibition where contemporary art meets gastronomy. The project invites four collectors to curate walls from their personal collections. It blends scenography, shared collecting, and a collective display, extended into the kitchen through an ephemeral menu inspired by their worlds. Conceived as a living space, the exhibition unfolds with talks, meals, and gatherings over time, celebrating exchange, generosity, and the pleasure of art—on the walls and on the plate.
ELLES brings together powerful contemporary Aboriginal women artists whose work bridges ancestral storytelling and modern abstraction. Featuring major figures such as Emily Kam Kngwarray and Mirdidingkingathi Juwarnda Sally Gabori, alongside artists from the Bérengère Primat Collection / Fondation Opale, the exhibition at the Musée Rath highlights symbolic, vibrant works rooted in land, memory, and spirituality. Between tradition and contemporary expression, these intimate visual cartographies celebrate the deep connection between culture, nature, and creation.
Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.
This interactive memory challenge invites participants to test their memory while exploring practical ways to preserve biodiversity based on Geneva’s municipal strategy. Players match “before-and-after” images that illustrate individual and institutional actions, and each correct pair reveals concise information explaining the measure. The activity examines themes such as habitat restoration, species-friendly practices, urban greening and policy responses, helping participants understand the impact and rationale behind everyday and organisational conservation choices.
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