In a compact puppet-theatre setting, two performers compress Shakespeare’s Hamlet into a riotous, 60-minute spectacle. Pier Porcheron’s staging and writing drive a mix of object theatre, live sound and slapstick: one performer crafts music and soundscapes, the other animates an anarchic theatre of objects where forks, a kettle and even a drill become characters. With direction by Maïa Commère and object dramaturgy by Francis Monty, the piece blends black comedy, carnivalesque energy and sudden bloodiness in a festive, inventive show.

In French.

Le Truc sur le feu is a playful, offbeat fable that examines how the domestication of fire shaped human life. Written by Romane Nicolas, the piece stages two Paleolithic clans who wonder, clash and ignite as puppets by the Kokoschka tradition bring grotesque situations to life. With incisive humour and sharp theatricality, the show confronts ideas of progress, individuality versus community, animality and civilisation, offering a vividly staged reflection on the choices that set societies alight.

In French.

Rien is a poetic, clownish exploration of the human condition performed through table puppets and object theatre. Performed and manipulated by Aurélie Gourvès and Délia Sartor, the piece stages themes of possession, authority, false beliefs, rivalry, fear of the void and boredom with a minimal scenography by Henry Castres. Assistants Cristina Iosif and François Accard support the staging, while Émile Parisien provides the music. A tender, comic and slightly melancholic show for audiences from six years.

In French.

Adapted by Samuel Beck and Marie Godefroy, this contemporary puppet farce revives the Picard rod-puppet tradition of Polichinelle with mischievous energy and social bite. The piece follows Lafleur and Sandrine as they invent increasingly absurd schemes to avoid paying the rent, moving between slapstick, improvisation and sharp social observation. Performers Samuel Beck, Marie Godefroy and Mehdi Kabar bring vivid character work; Romain Landat (construction), Pauline Kocher (puppet costumes) and Luce Amoros (sets) shape a crafted, playful world.

In French.

Directed and performed by marionnettist Estelle Charlier with musician Martin Kaspar Orkestar, La Manékine is a dark, initiatory tale about a young woman sold to the devil who survives through purity but loses her hands. The staging blends live music, gaine and wearable puppets, masks and a chimera-like film projected behind the performers. The piece probes female emancipation, bodily reclamation and the invention of destiny with chiaroscuro intimacy and hope.

In French.