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Don’t miss out: Events running for less than two weeks

Tuesday 31 March, 16:15

Isabelle Marthot-Santaniello from the University of Basel showcases the latest developments in computer vision applied to paleography, specifically focusing on Greek papyri. This event, co-organized by the Bibliothèque de Genève and the Digital Humanities Chair at the University of Geneva, features a one-hour presentation followed by an interactive discussion.

In French.

Tuesday 31 March, 18:00

This educational escape game explores botanical knowledge and historical research as players investigate a family’s old study to identify a plant described in a 1715 letter used to treat malaria. Participants examine clues, classify specimens, and apply basic pharmacological reasoning and observational skills to reconstruct how the plant’s compounds could combat disease. The session emphasizes taxonomy, analytical thinking, teamwork and the role of traditional botanical knowledge in medical discovery.

In French.

Tuesday 31 March, 18:00

Barrie Kosky’s staging of Wagner’s Siegfried follows the mythic hero’s journey with ruthless clarity. Set to Wagner’s towering score and conducted by Antonio Pappano, the production balances blistering orchestral power with lingering moments of lyric intimacy. Andreas Schager inhabits the title role with fearless strain, joined by Christopher Maltman, Peter Hoare and Elisabet Strid in vividly drawn portraits. The drama moves through shattered steel, dragon-scorched confrontation and the hushed reverie of a sleeping Valkyrie, evoking both wonder and brooding mysticism.

Sung in German with French subtitles

Tuesday 31 March, 12:30

Brigitte Rosset, Geneva-born actress, comédienne and columnist, has performed across the francophone world for more than thirty years. A mother of three, she moves between solo shows, ensembles and dramatic repertoire, and has received major Swiss honours including the Prix SSA de l’humour (2025) and the Prix suisse de la scène (2015). In conversation with Céline Argento, Rosset discusses her career, creative process and her new book Merci, examining memory, family relationships and the healing — or not — power of humour.

In French.

Tuesday 31 March, 19:00

Panelists: Yves Daccord, president of La Tour en communs (ex-Tour RTS); Antonio Hodgers, former Geneva State Councillor; Gilles Marchand, director, Initiative Media and Philanthropy (Unige) and ex-SSR/RTS director; Riccardo Ramacci, head of media programme, Mercator Foundation.

They examine the surge of philanthropic funding in Swiss journalism, examining governance, independence, ethics and long-term sustainability. The discussion investigates whether foundations rescue a failing business model or entrench powerful private influence, and considers implications for editorial autonomy and the future of public-interest reporting.

In French.

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

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Events running for an extended period

17 March 2025 – 1 September 2026

The Biopark is temporarily hosting Janus, a unique two-headed Greek tortoise, during the renovation of the Museum. Each head of this male tortoise has its own independent brain, which sometimes makes its movements challenging. In captivity, Janus receives attentive care, resulting in an impressive lifespan of 26 years.

28 March – 10 May

MAMCO presents Dial‑A‑Poem Switzerland, a telephone-based poetic broadcasting project inspired by John Giorno. The installation transforms a decommissioned phone booth into a listening station, gathering recorded voices from across Switzerland’s linguistic regions. The programme features contributions by poets and artists exploring language, public space and oral transmission, alternating recorded and live readings. Conceived with Giorno Poetry Systems, the project foregrounds voice as material and communal listening as a poetic practice.

12 March – 8 May

Out of the Blue brings together Norwegian ceramicist Heidi Bjørgan and textile artist Kari Dyrdal in a sustained dialogue between ceramics and woven textiles. Bjørgan reworks familiar jug and vessel archetypes until they appear melted or imploded, using multiple firings and distinctive glazes to expose cracks, shifts and unpredictable reactions. Dyrdal examines memory, pattern and structure through handwoven, hand‑dyed pieces that marry traditional craft with digital processes, yielding tactile and conceptual depth.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

19 February – 9 May

Zoe A. Keller and Batia Suter present a collaborative project that reframes the Eranos archives—about 3,000 archetypal images compiled by Olga Fröbe-Kapteyn and held at the Warburg Institute—as material for critical and photographic inquiry.
Taking the form of a critical essay and a photographic installation, the work questions and re-signifies these images, confronting their entanglement with universalist and violent ideologies. The artists propose the notion of the ‘anarchétype’ to reveal archetypal figures as unstable cultural constellations.

29 January – 25 October

John M Armleder is invited for the museum’s sixth Carte Blanche, presenting over 500 works in a thematic traversal that juxtaposes heritage and contemporary creation. The installation-driven exhibition stages dialogues between animals, abstract painting, musical instruments and lighting, using assemblage, ephemeral structures and situational interventions to encourage wandering and reinterpretation. Paintings, sculptures and installations are layered and superimposed to prompt new readings of the collection and to foreground process, chance and visual play.

5 March – 4 April

Clara Roumégoux examines production relations and the pressure to be productive through a concise series of works. Addressing food, design and sleep, she subverts everyday objects so they become signifiers of our era. Through moving image, print, installation and playful references to painting, her practice blurs domesticity and industry, care and efficiency. The exhibition questions habitual assumptions and evokes the subtle social forces that shape everyday routines and bodily rhythms.

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Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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