The AMR is a prominent jazz club located in the heart of Geneva’s vibrant Pâquis district. For the past half-century, this dynamic association has been dedicated to promoting jazz and improvised music, catering to a diverse and intergenerational audience. Each year, the AMR schedules an impressive roster of over 200 concerts, alongside the organization of two annual festivals, as well as many workshops and classes.
Led by pianist and researcher Thomas Florin, Dig Dug Dug presents its second album, a refined showcase of the trio’s musical complicity. The ensemble, piano (Thomas Florin), double bass (Bänz Oester) and drums (Samuel Dühsler), blends irresistible swing with textured sonic exploration. Their interplay balances deep introspection and spontaneous energy, unfolding a shared language rooted in swing traditions yet rich with personal timbres. The music alternates between buoyant grooves and intimate, shimmering passages, inviting attentive listening.
This four-evening concert cycle stages a collision between nostalgic anachronism and urgent futurity, producing jolting aesthetic shocks. Musicians move between written material and wild improvisation, blending kitsch textures, dazzling contrasts and incandescent timbres. Florence Melnotte (kaoscilator, piano, synthesizer, vocals), Sylvain Fournier (drums, vocals) and Louis Billette (saxophones, flugelhorn, vocals) shape a sound-world where intimacy and chaos entwine, inviting listeners into a luminous, unpredictable musical theatre.
Since its founding, La Fanfare du Loup has served as a musical laboratory where diverse traditions and practices meet. For this project the ensemble invites Finnish saxophonist and composer Esa Pietilä, whose exploratory voice reframes genre boundaries. The large ensemble, including Christophe Berthet (sax), Théo Duboule (guitar), Aïda Diop (percussion), Marie Mercier (clarinets) and others, trades tight horn figures, shimmering textures and improvisatory flights, creating dense, evolving soundscapes that blend composition and collective spontaneity.
Casimir Liberski (piano) and Yoshida Tatsuya (drums) forge volatile, ever-shifting soundscapes that move between explosive improvisation, progressive punk energy and electroacoustic experimentation. After touring Japan in 2024 with guests such as Otomo Yoshihide and Akira Sakata, the duo unveils material from their new album Harmolodic Tamagotchi, recorded live across Japan. Performances alternate dense, percussive textures and lyrical pianistic passages, creating an unpredictable, visceral listening experience that balances tension and playful abandon.
Led by pianist Gabriel Zufferey, the quartet explores jazz as a living, intergenerational conversation. Drawing on spontaneity and ancestral avant-gardes, the music moves between luminous improvisation and intimate interplay: Domi Chansorn’s drums propel rhythmic waves while Alex Allflatt’s bass and Killian Perret-Gentil’s guitar weave harmonic threads. The repertoire favors reappropriation of collective languages, yielding moments of warmth, tension and release that invite attentive listening and communal resonance.
Led by saxophonist and vocalist Alexandra Grimal, REWILD assembles a cross-genre ensemble at the meeting point of contemporary jazz, contemporary classical, experimental and improvised music. Trumpeter Susana Santos Da Silva, guitarists Fred Frith and Marc Ducret, and drummer Gerry Hemingway contribute original scores and singular timbres, creating a constantly evolving sound world. Textures shift between thrusting improvisation and fragile, sculpted passages, privileging raw sonority, subtle interplay and extended techniques to shape an intense, immersive sonic landscape.
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