Thursday 25 September, 21:00

Tanaka / Morgan / Strønen

Booking Required

Ayumi Tanaka (piano), Thomas Morgan (double bass) and Thomas Strønen (drums) form a trio of distinct voices united by sensitivity and an intuitive musical rapport. They compose in the moment, weaving music that is at once lyrical and abstract—serene yet charged with tension. Their collaborative language is built on attentive listening and shared instinct, producing subtle, intimate performances in which every note and pause counts. For their debut on ECM the trio offers delicate, exploratory dialogue that unfurls gently.

Rue des Alpes 10,
1201 Genève

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Photo Credit: DR

24 September – 31 October

Nos voisins artificiels

Performances

Uptown

Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.

In French.

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24 – 27 September

Six heures plus tard

Performances

Théâtre Saint-Gervais

Written by Stéphane Bouquet, Six heures plus tard is an intimate stage performance for two performers that explores the fragile bonds between a man and a woman through poetic text, live-filmed images, spare lighting and pared-down stage presence. The piece treats silence as a shared, collective resource and recomposes itself according to each venue’s architecture and the state of the bodies, creating an unusual proximity and contemplative atmosphere.

In French.

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25 September, 18:00

Astral Festival Geneva – Equinox Night

Performances

Multiple locations

Astral Festival Geneva – Equinox Night brings an all-night electronic journey through house, tech house, melodic techno and techno. The programmed lineup mixes international DJs — including Carlos Pulido — with local selectors, weaving pulsing rhythms and warm melodic threads. Production favors immersive lighting and a taut sound design that shapes a charged, communal atmosphere, shifting from intimate grooves to euphoric peaks. The event reads as a choreography of sound and movement, inviting dancers to lose and find themselves in waves of rhythm.

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22 September – 29 November

La Demande en mariage et l’ours

Performances

Théâtre de Carouge

Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.

In French.

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24 – 25 September

Tout est calme dans les hauteurs

Performances

Château Rouge – Annemasse

FURTHER AFIELD

Directed by Jean‑François Sivadier, this blistering staging of Thomas Bernhard’s Maître dissects a privileged couple’s corrosive vanity and the ideological masks that sustain them. The production balances bitter comedy and dark drama, driven by a terse, language-centred aesthetic and an intense ensemble: Nicolas Bouchaud, Norah Krief, Frédéric Noaille, Juliette Bialek and Valérie de Champchesnel. The staging foregrounds verbal rhythm and theatrical momentum to unsettle and provoke reflection.

In French.

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15 September – 11 October

Oncle Vania

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.

In French.

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Tanaka / Morgan / Strønen