Directed by Jean Bellorini in collaboration with Yang Hua Theatre, this staging reimagines Antoine de Saint-Exupéry’s Le Petit Prince with the title character portrayed by a Chinese actor. The production blends French and Mandarin dialogue with live music by singers from China’s independent scene. Actors François Deblock and Marc Plas perform alongside a cast that shifts between a childlike prince, an ancient reciter of poems and fantastical cosmic inhabitants. The staging mixes song, poetry and intimate theatricality, exploring friendship and human connection.

In French and Mandarin.

Conceived by choreographer Michèle Anne De Mey and filmmaker Jaco Van Dormael, Kiss & Cry stages a miniature film set where a cast animates objects, tabletop décors and memories to weave five love stories about Gisèle. The piece blends dance, puppet-like hand choreography and live filmmaking into a poetic, inventive performance that favors intimacy, tactile staging and cinematic surprise. The result is tender, wry and sensorial, inviting close attention to gesture and memory.

In French.

Led by Aramis Monroy, Hélio Monroy and Nelson Gómez, El Mariachi Mezcal teams with Geneva Camerata soloists to unleash a riotous celebration of Mexican song. From intimate serenades and tender boleros to thunderous rancheras, vibrant strings and the rhythmic guitarrón propel the ensemble. The sound is raw, colourful and theatrical; vocal harmonies cut through warm textures, creating a festive, sometimes bittersweet atmosphere that moves between exuberant revelry and nostalgic longing.

Directed by Robert Sandoz, this choral re-reading of Molière’s Dom Juan transposes the tragedy to a Day of the Dead setting in Mexico. A compact ensemble confronts cowardice, individualism and cynicism through tight, kinetic staging and ritualised tableaux. The production blends dark humour with a spectral visual language, where communal dynamics amplify moral unraveling and emotional tension. Sparse gestures and vivid imagery invite reflection on complicity and desire.

In French.

Brigitte Rosset performs a solo piece directed by Christian Scheidt that unfolds from family memories, notebooks and old recordings. Through a plunge into childhood, the piece assembles an intimate, funny and tender kaleidoscope that reflects on memory, gratitude and the passage from one life stage to another. Sparse staging and an expressive performance conjure everyday detail and emotion, blurring reminiscence and present feeling.

In French.