Directed by Robert Sandoz, this choral re-reading of Molière’s Dom Juan transposes the tragedy to a Day of the Dead setting in Mexico. A compact ensemble confronts cowardice, individualism and cynicism through tight, kinetic staging and ritualised tableaux. The production blends dark humour with a spectral visual language, where communal dynamics amplify moral unraveling and emotional tension. Sparse gestures and vivid imagery invite reflection on complicity and desire.
In French.
Part of Recluses Fest #10, this evening brings a rare tribute to Parabellum alongside performances by Ring of Cash and Vikie. Former members of Parabellum reunite with guests and local scene stalwarts to revisit cult anthems with raw intensity and communal fervour. Ring of Cash blends power-folk-rock energy with Juliette Canouet’s captivating voice, supported by Mika Garcia, Jean-Philippe Soler and Xa Mesa. Vikie opens with a punk-tinged, politically charged chanson, creating an exhilarating, sweat-soaked atmosphere.
Improoo is a festival of long-form improvisation that lets stories breathe and unfold in real time. Performances range from half-hour episodes to hour-long narratives and beyond, driven by a tight ensemble of improvisers who build sustained dramatic arcs, shifting tones and unexpected emotional turns. The creative approach privileges listening, risk and theatrical economy, offering immersive, spontaneous storytelling rooted in theatrical craft and collective play.
In French.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
Created and performed by Elina Kulikova and Dima Efremov, TRILOGIE DE LA GUERRE interweaves three musical-performance pieces responding to exile, the war in Ukraine and repression in Russia. Kulikova’s chapters evoke classical and folk song, transforming lament into a ritualised, sensory mourning; Efremov’s contribution uses sound art and electro textures to shift perspective and map clandestine networks of resistance. Together the trilogy forms a compact dramaturgy of intimacy, unease and fragile hope, immersive and politically charged.
Quatuor Terpsycordes overturns chamber music conventions by forging a direct, living relationship with the audience. Combining boldness and sensitivity, the quartet moves fluidly through repertoire from pre-classical works to contemporary creations, searching constantly for balance between tradition and freedom. Their Haydn cycle on period instruments and a recent album have crystallized this rigorous, inspired approach. Violinists Girolamo Bottiglieri and Raya Raytcheva, violist Caroline Cohen-Adad and cellist Florestan Darbellay shape luminous textures and intense chamber dialogue, inviting deep listening and vibrant emotional exchange.
Dive into the heart of GIFF NIGHTS, the unmissable nighttime event where the Geneva International Film Festival fuses cinema, digital creation, and electronic music. Set against a spectacular backdrop brought to life by audiovisual performances and vibrant DJ sets, these extraordinary evenings transform the space into a unique, immersive, and festive experience—the perfect setting to gather, dance, and celebrate contemporary culture long into the night.
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