Brigitte Rosset performs a solo piece directed by Christian Scheidt that unfolds from family memories, notebooks and old recordings. Through a plunge into childhood, the piece assembles an intimate, funny and tender kaleidoscope that reflects on memory, gratitude and the passage from one life stage to another. Sparse staging and an expressive performance conjure everyday detail and emotion, blurring reminiscence and present feeling.
In French.
The Mosaic Season presents the artistic expertise of its teachers, offering them a stage to share their work as artists, dancers, actors, musicians, performers and composers. This season invites audiences to five encounters celebrating diversity, exchange and creation, from Cuban rhythms to European baroque, from contemporary harp to jazz-tinged percussion and the sonic energies of Vertixe Sonora Ensemble. Intimate formats emphasise collaboration, timbral exploration and creative dialogue.
Part of Recluses Fest #10, this evening brings a rare tribute to Parabellum alongside performances by Ring of Cash and Vikie. Former members of Parabellum reunite with guests and local scene stalwarts to revisit cult anthems with raw intensity and communal fervour. Ring of Cash blends power-folk-rock energy with Juliette Canouet’s captivating voice, supported by Mika Garcia, Jean-Philippe Soler and Xa Mesa. Vikie opens with a punk-tinged, politically charged chanson, creating an exhilarating, sweat-soaked atmosphere.
Directed by Jean Bellorini in collaboration with Yang Hua Theatre, this staging reimagines Antoine de Saint-Exupéry’s Le Petit Prince with the title character portrayed by a Chinese actor. The production blends French and Mandarin dialogue with live music by singers from China’s independent scene. Actors François Deblock and Marc Plas perform alongside a cast that shifts between a childlike prince, an ancient reciter of poems and fantastical cosmic inhabitants. The staging mixes song, poetry and intimate theatricality, exploring friendship and human connection.
In French and Mandarin.
Le dîner de cons is a sharp, character-driven comedy that exposes social hypocrisy through absurd situations and incisive dialogue. This staging explores timing, comic rhythm and human vulnerability, using restrained sets and dynamic ensemble acting to amplify the play’s wit and emotional undercurrent. Audiences can expect physical comedy, precise timing and moments of surprising tenderness that reveal deeper reflections on pride and compassion.
In French.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
Presented within the Emerentia festival, this evening gathers three original short dance pieces by Shereya, Joce and Uma. Inspired by literary short stories, the program uses compact narrative forms to probe storytelling through movement, confronting the codes and bodies of institutional contemporary dance. Each 30-minute piece shifts tone and atmosphere, alternating intimate gestures and bold choreographic risk to explore memory, desire and afterlives of the party. The work favours concentrated dramaturgy and physical immediacy.
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