
Uptown Geneva is a large event center located just steps from Cornavin train station in the heart of Geneva. Set in a former multiplex transformed into a cultural venue, it brings together multiple performance halls, flexible spaces, lounges, and reception areas, hosting concerts, theatre, club nights, conferences, and private events. With modern technical facilities and high versatility, Uptown Geneva stands out as a dynamic urban hub for cultural, corporate, and entertainment formats.
Nos voisins artificiels stages a tense, intimate theatrical exploration of human relationships in the age of technology. A focused ensemble navigates shifting boundaries between empathy and estrangement through precise physicality, fragmented dialogue and luminous stagecraft. The piece blends dark humour with moments of quiet vulnerability, relying on carefully designed lighting and minimalist sets to heighten emotional textures. Audience members are invited to witness ambiguous intimacy and the uncanny rhythms of contemporary coexistence.
In French.
Julien Sigalas revisits the songs of Georges Brassens in an intimate, poetic show alongside multi-instrumentalist Francis Colaud. The duo reimagines classics and lesser-known pieces with wit and musical inventiveness, blending humour and lyrical intimacy while remaining faithful to Brassens’s spirit. The performance intersperses anecdotes about the songwriter’s life and craft, creating a warm, conversational atmosphere that highlights vocal nuance, acoustic arrangements and subtle theatricality.
In French.
Dylan Moran brings his distinctive comedic voice to the stage, blending dry observational wit, surreal riffs and sharp social commentary. His delivery oscillates between playful absurdity and introspective reflection, carried by a relaxed yet precise stage presence. The performance offers a flowing series of stand-up pieces that probe modern life, relationships and the absurdities of everyday routines, inviting laughter and quiet recognition in equal measure.
In English.
An immersive, interactive courtroom drama that casts the audience as jurors in the high-stakes heist of Lana Tonneti’s 20-million‑dollar necklace. Participants analyse testimony, inspect evidence and hunt for inconsistencies as the ensemble unfolds a tense, cinematic narrative. The staging blends close-up theatricality with investigative gameplay, creating an intense, suspenseful atmosphere where moral doubt and collective decision-making are central. Audience choices shape the outcome, making each performance urgent and unpredictable.
In French.
Anthony Kavanagh returns with a polished stand-up evening that mixes sharp social observation, warm storytelling and physical comedy. On stage he navigates identity, family and contemporary life with infectious energy and precise timing, inviting laughter that often shifts into quieter reflection. The show balances wit and sincerity, offering moments of absurdity alongside pointed critique, and showcases Kavanagh’s ability to connect intimately with audiences through voice, gesture and character-driven sketches.
In French.
A comic lecture-show that makes the DISC method accessible through four colourful characters: Roger (the Dominant), Justine (the Influential), Virginie (the Stable) and Bernard (the Conscientious). Blending theatre and practical pedagogy, the performance uses humour and concrete tools to illuminate behavioural styles and improve interpersonal and professional communication. Adaptable for corporate conferences or public audiences, it balances lively sketches with clear takeaways to help participants recognise their patterns and communicate more effectively.
In French.
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Culture, curated weekly.
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