Uptown Geneva is a large event center located just steps from Cornavin train station in the heart of Geneva. Set in a former multiplex transformed into a cultural venue, it brings together multiple performance halls, flexible spaces, lounges, and reception areas, hosting concerts, theatre, club nights, conferences, and private events. With modern technical facilities and high versatility, Uptown Geneva stands out as a dynamic urban hub for cultural, corporate, and entertainment formats.
Trois femmes au bord de la crise de mère is a poignant theatrical exploration of motherhood, identity and frustration. Through intimate dialogues and heightened physicality, the piece balances sharp humour with moments of quiet intensity. Sparse staging and focused lighting carve out private spaces that reveal hidden desires and generational tensions. The ensemble’s interactions shift between satire and tenderness, inviting reflection on daily labor, emotional limits and the resilient bonds that hold family life together.
In French.
Ados en vacances parents en souffrance! examines the fraught terrain between adolescence and parenthood through a charged theatrical language. The ensemble navigates moments of teenage restlessness, family tension and tender vulnerability, combining sharp dialogue with physical staging to probe miscommunication and fragile bonds. The production balances humour and melancholy, using intimate scenes and dynamic rhythm to reveal how holidays can expose deeper fractures within family life.
In French.
Dakha Brakha fuse traditional Ukrainian folk motifs with contemporary rhythms and theatrical staging. Their performance blends raw vocal harmonies, percussive drive and eclectic instruments to create an intense, immersive soundscape. The quartet’s dynamic interplay moves from intimate, haunting songs to explosive, dance‑charged climaxes, delivering a powerful emotional arc and vivid sonic textures that engage both body and imagination. Their stagecraft balances ritual intensity with playful unpredictability.
Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.
In French.
Directed by Gloria Grossrieder and Anne Probst, Nelly is a light operetta by Marcel Lattès that mixes romance and mistaken identities. The company’s ensemble — including Hannah Butterworth, Christophe Bitar and Gloria Grossrieder — is supported by a full orchestra under the direction of Maximilien Estrampes. Alice Tchamkerten’s sets and Alicia Roch’s costumes shape a stylish, period-tinted world, while Vincent Miche’s lighting accentuates the comedy’s playful rhythms and coquettish charm.
In French.
An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.
In French.
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