Zarna Garg delivers an intimate stand-up show that blends humour and personal insight, exploring identity, family and cultural contrasts with warm wit and precise timing. Her performance balances observational jokes with heartfelt anecdotes, creating moments that are both uproarious and reflective. The act relies on sharp storytelling and audience rapport to turn everyday details into vivid, relatable scenes, offering an evening of laughter tempered with thoughtful perspective.
Led by singer George Beaver and musical director Zoé Jalabert, this concert brings together a pop‑rock band and a classroom orchestra. Performers include Matthieu Rouselle (drums), Enrico Chizzolini and Bastien Dériaz (electric guitars), Simon Tissot (bass) and a string and wind section featuring Guillaume Chambaud, Lucie Menier, Matthias Ernst and Marion Hugon. Through original compositions the programme fuses contemporary energy and classical technique, alternating raw electric textures with warm orchestral colours to create a jubilant, communal sound.
“Chaos Ballad” by Samir Kennedy at Maison Saint-Gervais immerses the audience in an intense performance blending concert, wild cabaret, and prophetic nightmare. With elaborate makeup and costumes, Kennedy embodies a melancholic, decadent clown, navigating between majesty and vulnerability. The performance features a defiant dance symbolizing the struggle against terror, absurdity, and the monotony of the world, creating a captivating and apocalyptic atmosphere.
Adapted by Peter Hall from George Orwell’s novel, Animal Farm is staged by Year 11 theatre students. The production channels the fable’s political bite through stripped-back staging and physical ensemble work, exploring leadership, propaganda and the corrupting nature of power. The ensemble transforms animals into archetypes, using movement, chorus and concentrated tableaux to build tense, often unsettling atmospheres. The staging balances dark satire with moments of fragile humanity, inviting reflection on authority and collective responsibility.
In English.
Madame Butterfly, an opera by Giacomo Puccini with a libretto by Luigi Illica and Giuseppe Giacosa, returns to the Grand Théâtre de Genève in a fresh production. The opera tells the heartrending story of Cio-Cio-San, a geisha who sacrifices everything for her love for an American sailor. Directed by Barbora Horáková and featuring video art by Diana Markosian, this production weaves an intergenerational and intercontinental narrative, exploring themes of tradition and personal expectations. With Corinne Winters as the lead and Stephen Costello as Pinkerton, attendees can expect a remarkable performance, all under the musical direction of Antonino Fogliani.
Led by Émile Parisien’s incisive saxophone, Floating brings together pianist Yaron Herman, tabla master Prabhu Edouard and American double bassist Joe Sanders in a quartet that blends jazz improvisation with Indian rhythmic colours. Herman’s agile piano and Parisien’s lyricism meet Edouard’s eclectic percussive palette and Sanders’s resonant bass to create shifting textures and spontaneous alchemy. Swiss pianist Manon Mullener opens with a solo set rooted in jazz and Afro‑Cuban rhythms, highlighting melodic poise. The programme also unveils the first names and visuals for JazzContreBand 2026.
Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
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