Dylan Moran brings his distinctive comedic voice to the stage, blending dry observational wit, surreal riffs and sharp social commentary. His delivery oscillates between playful absurdity and introspective reflection, carried by a relaxed yet precise stage presence. The performance offers a flowing series of stand-up pieces that probe modern life, relationships and the absurdities of everyday routines, inviting laughter and quiet recognition in equal measure.
In English.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
Presented by Kemayah, this live set blends neo-soul warmth with world-music rhythms, weaving intimate vocal lines and resonant grooves. The performance favors close, tactile moments and expansive melodic currents, inviting listeners into a relaxed, summery soundscape. Subtle arrangements and rhythmic nuance shift mood between languid sweetness and rhythmic pulse, creating a convivial evening of layered textures and emotional clarity. The evening highlights the immediacy of live connection.
Directed by Oscar Gómez Mata and Bastien Semenzato, this staging brings together 16 young performers from La Manufacture’s promotion O to tackle Hamlet in its entirety. Combining tragic force with mordant, absurd humour, the piece explores how the past splashes into the present and how institutions unravel. Using the jeu bouffon — masks, exaggeration and the subversion of power — the ensemble shifts between farce, violent outbursts and intimate doubt as the prince teeters between thought and action.
In French.
Directed by Françoise Courvoisier, Les Glycines is a new creation by the TAC ensemble that examines the theme of madness through comic and reflective lenses. Performers including Nicole Aubert, Loulou Morisod, Catherine Vaucher, Zamila Yunus, Patrice von Büren, Claude Morex and Daniel Mouchet use improvised confidences to weave reality and fantasy. The staging blends intimacy and humour, shaping a tailored theatrical work for this company. Produced by Les Amis – Le Chariot.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
An open-air musical gathering bringing together musicians across blues, rock, pop and Latin traditions. Performers trade improvisation and tight arrangements as warm evening light and the slow descent of the sun shape the sound. The programme moves from intimate acoustic textures to high-energy electric sets, with vocalists and instrumentalists creating moments of communal celebration and introspection. The event favours conviviality and sensory richness, where rhythm, harmony and the taste of local wines mingle to form a relaxed, festive atmosphere.
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