Requiem brings Agneta & Cie’s dancers together in a sculpted exploration of connection, sound and movement. Bodies become instruments and rhythm, composing an embodied, silent score that shifts between whispered intimacy and surging collective gestures. The choreography treats dance as shared memory, privileging breath, timing and close listening; sparse lights and close physicality shape a contemplative yet visceral atmosphere that invites communal attention and emotional resonance.
Led by Dany Cerane (guitar) and Julien Portenguen (vocals), Diggin’ is an indie‑soul collective from Lausanne that unfolds with four to six musicians, including Gabriel Scheder (drums) and Simon Palluel (bass). Drawing on Nick Hakim, Skinshape and Yellow Days, the band blends retro textures and lo‑fi modernity into a warm, intimate sound. Recent albums New, Again and Viewpoints map a path from dusky R&B to artful soul, carried by nuanced arrangements and a subtly soulful vocal presence.
Mikaîl Aslan leads his ensemble in a programme of songs in Zazaki, Kurdish and Turkish, where the plucked tenbûr and bağlama resonate with classical guitar, duduk, saxophone and percussion. Featuring Cem Erdost İleri (tenbûr, voice), Erdi Aslan (duduk, sax, flute), Olcay Bozkurt (bass, voice) and Sitar Sertaç Şanlı (percussions, voice), the music blends Anatolian traditions and contemporary arrangements. The repertoire moves between intimate storytelling and sweeping, river-like passages, evoking memory, migration and cultural dialogue.
Jean Felzine, a singer-songwriter from Clermont-Ferrand, brings a cinematic, American-inflected pop that oscillates between raw honesty and careful craft. Drawing on 50s rock, French chanson and electronic loops, his Vostok Session performance reframes songs from his solo album Chord Memory alongside material from past projects and collaborations. His voice navigates intimate, nostalgic tones and playful pop hooks, while understated arrangements evoke warm, retro-tinged atmospheres that invite focused listening and quiet reflection.
Kohan and Jordan present a musical suite that blurs composition and improvisation. Claude Jordan (flutes) and Eduardo Kohan (tenor saxophone, bass clarinet, piano) weave arrangements of original pieces, altered songs and reimagined classical repertoire into a porous, bricolage-like soundscape. Sparse textures give way to sudden cascades, intimate dialogues and playful timbres, inviting attentive listening and surprise. The duo’s interplay foregrounds timbral contrast and conversational phrasing, producing an atmosphere at once contemplative, whimsical and vividly physical.
Tess Giordano is a singer-songwriter who accompanies herself on guitar and piano. At 17 she brings a clear, intimate vocal presence to songs that blend pop sensibility with contemplative textures. Her single “Promises” has been played on Couleur 3, and she has performed at festivals including Montreux Jazz Off, La Folle Semaine and Gena Festival. As a composer she has contributed to Compagnie Confiture’s musical and the play Quand viendra la vague, and co-wrote a song for the TV series L’Appel de la forêt. Her live set favors close, acoustic moments and warm, lyrical storytelling.
Ray Cooney’s zany crime comedy follows Yvon, who accidentally swaps his accountant’s satchel on a commuter train and discovers millions. Urged to escape to Buenos Aires and start anew, his plan unravels under the stubborn refusal of his wife, intrusive friends, a dubious policeman, a pedantic commissioner, an irascible taxi driver and a determined killer intent on reclaiming the money. Fast-paced and farcical, the staging mixes sharp physical comedy with escalating misunderstandings, generating tense humor and breathless momentum.
In French.
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