Frankenstein was born in Cologny through the pen of Mary Shelley in 1818, telling the story of Dr. Victor Frankenstein and his creation. The Founders reinterpret this literary classic, turning the monster into a silent hero. In this unique theatrical performance at Maison Saint-Gervais, the performers rely on non-verbal gestures to construct both the space and the narrative.

Laure Hirsig introduces “Zone” at Maison Saint-Gervais, drawing inspiration from the works of Louis Calaferte and Tarjei Vesaas. This adaptation delves into the complexities of adolescence, highlighting its secrets and raw intensity. Five performers portray feverish and awkward adolescent mutants, navigating between inhibition and a longing for self-exposure. “Zone” establishes an enclosed yet transparent space, mirroring a wild psyche on the brink of eruption.

In French.

Jonathan Capdevielle directs Dimitri Doré at Maison Saint-Gervais in “DAINAS”, a fictional solo performance that delves into the actor’s transition from childhood to adolescence. Drawing inspiration from his search for a missing part of his identity, the show weaves together memories, Latvian folklore, and myths to craft a captivating and syncretic imaginative world.

In French.

“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.

In French.

“The Selfie Concert” by Ivo Dimchev at Maison Saint-Gervais is an interactive performance where the artist sings only when spectators take a selfie with him. This concept challenges the notions of narcissism and the interdependence between stars and fans, raising questions about perception and existence. The show highlights our mutual need for both the artist and audience to bring the event to life.

“Unearth” by Jefta van Dinther at Maison Saint-Gervais offers an immersive experience with ten dancers, integrating a cappella singing and fluid movements. Seated on cushions, the audience intensely feels the choreographic and vocal vibrations. This performance delves into the aesthetic possibilities of body and voice, delivering a captivating and surprising show in perfect harmony.