“Paix” by Tiphanie Bovay-Klameth at Maison Saint-Gervais is a solo performance where she portrays all the characters in a work centered around the theme of peace. This production pays tribute to the spirit of community involvement and illustrates a diverse group coming together despite their differences. It delves into group dynamics and the individual’s role, while emphasizing the significance of popular culture as a vehicle for peace in an uncertain world.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Brigade financière stages a tense, chamber drama by Hugues Leforestier that confronts the logic of contemporary finance. Under Antony Mettler’s direction, Christian Gregori and Maria Mettral embody a sharp, cerebral duel between a financial crimes commissioner and an accused executive. Christian Gregori also signs scenography and costumes while Florian Cuellar sculpts the lighting. The production blends police-procedural suspense with satirical intelligence, probing power, privilege and the contradictions of today’s economic system.
In French.
Organist Vincent Thévenaz presents an inaugural recital showcasing the restored Metzler organ. With refined technique and a nuanced touch, Thévenaz explores a programme that highlights the instrument’s tonal range and historical character. The performance balances luminous baroque textures with expansive romantic sonorities, offering a contemplative yet vivid musical journey that reveals the instrument’s recent restoration and acoustic presence and craftsmanship.
Text by Alain Guyard, Sacco & Vanzetti is a tense two-hander performed by Jean‑Pierre Bugnon and Sylvain Bugnon under the direction of Pierre Lericq. The piece reconstructs the 1927 trial and execution of Nicola Sacco and Bartolomeo Vanzetti, exploring themes of injustice, xenophobia and political manipulation. Sparse staging, precise physicality and a gallery of corrupt witnesses and officials create a claustrophobic atmosphere that interrogates power, prejudice and the costs of dissent.
In French.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Le train, directed by Joséphine de Weck and produced by Opus 89, stages a tense solo journey of a woman fleeing a controlling relationship. The text, breathless and fragmentary, follows her search for refuge as it probes longing, codependence and the politics of care. The staging is intimate and sensory, combining sparse language with live sound. The programme also includes a writing workshop and a concert by L’Amour du ciel.
In French.
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