The Cathédrale Saint-Pierre, once a Roman Catholic cathedral, became a place of Protestant worship during the Reformation. today, it stands as an iconic symbol of the city, dominating Geneva’s skyline from the heart of the old town. From the cathedral’s north tower, one is treated to an incredible panoramic view of the city and the lake. The cathedral also houses a vast archaeological site filled with treasures dating back to antiquity.
There’s another Geneva beneath the Old Town. Descend under St Peter’s Cathedral to walk through more than 2,000 years of history, from pre-Christian remains to the city’s earliest churches. It’s one of those places you can walk past a hundred times without guessing what lies beneath.
Explore centuries of layered history and discover hidden viewpoints in a compact, dramatic setting. Climb narrow stairways to reach vantage points, enjoy sweeping panoramas, and sense the architecture’s textures and echoes. Guided visits and school groups are available by reservation; some areas have limited access and adapted entry at the base of the north tower. The atmosphere blends curiosity and quiet reverence, ideal for curious visitors who relish a tactile, slightly adventurous cultural stop.
Led by conductor Gonzalo Alarcon Burriel, this Advent concert brings together the University of Geneva choir and orchestra in a programme of seasonal choral and orchestral repertoire. Mezzo-soprano Léonie Cachelin, who also prepared the choir, and organist-arranger Vincent Thévenaz contribute solo moments and refined accompaniments. The evening balances rich vocal textures, luminous organ colours and orchestral warmth, offering a contemplative and uplifting sound world that honours sacred and traditional Christmas music.
Part of a special Bach series, this presentation of the Christmas Oratorio focuses on cantatas 1, 3, 5 and 6, bringing out the work’s radiance, fervour and power. Soloists Werner Güra (Evangelist), Rachel Redmond (soprano), Charles Sudan (alto) and Stephan MacLeod (bass) are joined by Gli Angeli Genève under the direction of Stephan MacLeod, offering a finely detailed, expressive reading that balances choral grandeur with intimate vocal writing.
Performed by Gli Angeli Genève, this triptych of Leçons de ténèbres presents three consecutive late-night programmes centred on Marc-Antoine Charpentier’s music, with complementary pieces by Marin Marais. Each evening unfolds a gradual descent into shadow: light fades, a low voice emerges and the repertoire shapes a slow, contemplative progression from intimate austerity to richer textures. The staging uses subtle illumination and focused sonorities to heighten the sacred, meditative atmosphere and reveal hidden details of the music.
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