Ensemble Sinfonietta Bern presents a concert tribute to composer Howard Shore, exploring the majestic, cinematic soundscapes of The Lord of the Rings. Soprano Sarah Pagin lends luminous vocal lines that evoke Elvish laments and ancient chants, weaving with the orchestra’s rich textures. The programme balances sweeping leitmotifs and intimate, atmospheric moments, marrying orchestral power with an otherworldly vocal presence to create an immersive sonic journey into Tolkien’s mythic landscapes.
Composed and performed by Vittorio Montalti, Blue Electricity investigates technological surveillance and the erosion of freedom through tense, immersive sound. Metallic percussion, transformed everyday objects and electronic textures blur acoustic and processed timbres, while reactive lighting shapes the performance’s spatial sculpting. The ensemble — Eklekto, Romane Bouffioux, Louis Delignon, Corentin Marillier and Fabien Perreau — executes The Smell of Blue Electricity (2021), a quartet-percussion and live electronics piece that folds theatrical tension into a collective sonic experience.
With razor-sharp wit and neon-pink hair, comedian Sarah Mottet questions whether looking woke and queer is enough to be a good person. This debut solo show mixes personal stories, quick improvisation and pointed social satire to include everyone — except cyclists and property managers. Touring stages from Romandie to Quebec, Mottet blends warm vulnerability and biting humour to turn identity politics into intimate, laugh-out-loud reflections.
In French.
Astral Festival Geneva – Equinox Night brings an all-night electronic journey through house, tech house, melodic techno and techno. The programmed lineup mixes international DJs — including Carlos Pulido — with local selectors, weaving pulsing rhythms and warm melodic threads. Production favors immersive lighting and a taut sound design that shapes a charged, communal atmosphere, shifting from intimate grooves to euphoric peaks. The event reads as a choreography of sound and movement, inviting dancers to lose and find themselves in waves of rhythm.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
Directed by Jérôme Bel, this collectively created theatre piece is written and performed by children aged 8 to 14. The work unfolds through improvisation, playful imagination and a celebration of creative freedom, inviting an immediate, joyful stage presence. The ensemble’s spontaneous scenes and open-ended dramaturgy emphasize collaboration and risk, offering spectators an intimate encounter with youthful authorship and theatrical experiment.
In French.
Festival d’automne presents a programme of intimate organ and ensemble concerts exploring timbre, ritual and storytelling. Highlights include the electro-acoustic duo “Tuyaux et ondes” with Jacques Tchamkerten (ondes Martenot) and Vincent Thévenaz (organ), a narrated Mexican legend featuring Zeltzin Pérez and Diego Galicia Suárez, and a musical portrait celebrating Lionel Rogg with Anne Page, David Titterington, Alessio Corti and the choir Cantus Laetus led by Natacha Casagrande. The series favours reflective atmospheres and virtuosic instrumental colour.
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