The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
Three artists—Adriana Passini, Frédérique Haessig and Érica Mugny—present a collective exhibition that traces a dialogue between poetry and the natural world. Passini’s delicate engravings, Haessig’s carved stone sculptures and Mugny’s mixed-media paintings explore gesture, texture and material memory. The show foregrounds traditional print and sculptural techniques alongside painterly surfaces, and references several illustrated volumes produced in collaboration with the artists, offering a thoughtful encounter with form and narrative.
Opening: Friday 5 June, 18:30
Fertile Hybridations explores the many forms of encounters and interweavings between humans, non-humans, knowledge systems, and temporalities.
Visitors are invited to inhabit the space, to question, to connect with these artist-researchers and designers, and—like them—to attempt to engage in dialogue and move beyond anthropocentrism, the idea that humans are at the center of everything. Instead, the exhibition encourages recognizing forms of intelligence or agency in other species, and building new relationships and exchanges.
Through this evolving exhibition, enriched by the intersection of art, design, and science, HiFlow becomes a living laboratory—a space for fertile alliances…
Meeting: Tuesday 16 June, 9:00 – 13:00 (in French)
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
Swiss artist Étienne Krahenbühl presents a contemplative exhibition of sculptural and mixed-media works that explore forms in motion and the generative forces of life. From earth and world emerge cracks, shifts and breaths that shape tensions and connections, underscoring our relationship with matter, nature and the human. The works mark passages between worlds and, through resonance, invite emotional and intellectual reflection on respect, singularity and coexistence.
Opening: Thursday 7 May, 17:00
Patterns explores the repetition and assembly of everyday industrial objects — trinkets, cups, CDs, rollers, sponges, pens, combs, buttons, sweets — organised into handcrafted systems of duplication constrained by physical properties. The works, presented as floor installations and photographic prints, emphasise how form, weight, volume, materiality and colour determine compositional logic, subverting original function. The new photographic series pttrnb2026 / Top Shots, made in dialogue with Boris Rabusseau, foregrounds motif structure over object recognition.
Opening: Thursday 21 May, 18:00
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