Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.
Mitchell Anderson presents a new edition and bodies of work examining the legacy of post‑war astronautics. Drawing on graphite relics from a V‑2 rocket, children’s drawings and mural motifs, the exhibition stages colour‑in pages alongside wall drawings and hybrid objects that hover between craft and ready‑made. Mixed‑media pieces employ encaustic, embroidery and hand‑written texts to interrogate the rocket as an icon that condenses both promise and violence, situating technological histories within intimate material registers.
Painter André Kasper revisits classical and contemporary traditions in a body of oil paintings, watercolours and works on paper shaped by extended stays in Rome. His canvases — landscapes, ruins and figurative scenes — favour composed structures and a luminous handling that anchors each work’s narrative. Accustomed to large formats, he has recently explored smaller, more impulsive studies that foreground colour purity and gesture. The exhibition reflects Kasper’s dialogue with Caravaggio, Corot and Flemish affinities while tracing personal and art-historical continuities.
German artist Gerhard Hotter (born 1954) presents a survey of works that unfolds across five decades, exploring play as a mode of learning and experimentation. Early paintings from the 1980s evoke inner labyrinths populated by chess pieces, playing cards and miniature toys; later works evolve into modular constructions inspired by Bauhaus toys, privileging pure form, volume, colour and combinable structures. Hotter employs Langford sequences as compositional tools, situating his practice within concrete art where order becomes an active, playful principle. Recent pieces expand this enquiry through relief, light and spatial interventions.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.
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