Halle Nord is a contemporary art space located in the heart of Geneva, within the historic Halles de l’Île building. Dedicated to current artistic practices, it features an open program bringing together emerging and established artists while supporting a wide diversity of creative approaches. Designed as a showcase for the local art scene, it stands out for its “Capsules”—glass display spaces accessible at all times—that make art visible to the public day and night. Both a platform for exhibition and a creative laboratory, Halle Nord plays a key role in Geneva’s cultural landscape.
On the occasion of her first institutional solo exhibition in Geneva, Marisa Cornejo presents El Taller de la Fragilidad, bringing together new sculptures, drawings, and installations. Born in Chile and based in Switzerland, the artist draws on her experience of exile to explore the relationships between memory, displacement, absence, and repair. Several of the works have been created especially for Halle Nord, examining the forms of resilience that emerge from uprootedness. Recipient of the Fondation Francine Delacrétaz Prize (2023) and a Swiss Art Award (2024), Marisa Cornejo’s practice spans sculpture, drawing, installation, performance, and archival research.
Opening: 3 September, 18:00
Guided tour: 11 September, 18:00
Reading by Pedro Jimenéz Morrás: 11 September, 18:30
Ianne Kenfack Kitio continues her inquiry into representations of Black femininity and the construction of identity. In this photographic work, produced as a cyanotype, she treats the image as a space of transformation rather than a fixed depiction. The piece links material and concept: its blue evokes Ndop indigo textiles of the Grassfields and the artist’s Bamiléké heritage, while the cyanotype’s gradual emergence mirrors identity as an ongoing process of thresholds and metamorphosis.
Opening: 3 September, 18:00
Ciel Sourdeau’s eight-minute, seventeen-second video unfolds as a subversive tutorial: part gore, part experimental film, it repurposes pedagogical forms into an improvised, transgressive bricolage. Mixed by Adrien Kessler, the piece layers tactile sound and rough-edged visuals to probe bodies, identity and the limits of instruction. Its stripped, confrontational aesthetic alternates shock and dark humour, inviting a re-examination of learning rituals and the politics of representation through intimate, unsettling imagery.
Opening: 3 September, 18:00
Artist Hunter Longe presents a sculptural installation exploring temporalities that outlast human experience. Overworked and found materials—shaped by erosion, human interventions and geological forces—form mutable constellations where micro- and macro-temporalities meet. The show stages collaborative works including a sound composition with Janiv Oron and ritual-inflected poems by CAConrad, amplifying poetic and material registers. Longe treats found objects as offerings from deep time, repositioning them to shift our perception of duration and agency.
Opening: Thursday 29 October, 18:00
Monika Emmanuelle Kazi extends her exploration of movable partitions in a new installation that treats architectural panels as porous membranes. The work comprises four movable “walls” that serve both as screens and receptacles, staging a scenography in perpetual transformation. Kazi archives personal and familial narratives within these partitions, allowing gestures and performative interventions to animate shifting configurations. The installation foregrounds material histories and the entanglement of private stories with broader collective trajectories.
Opening: Thursday 17 December, 18:00
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