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Don’t miss out: Events running for less than two weeks

Tuesday 12 May, 18:00

Speakers include Flávio Borda D’Água (Conservateur, Bibliothèque de Genève), Estelle Fallet (Conservatrice, Musée d’art et d’histoire), Olivier Fichot (commissaire-priseur, Genève Enchères) and Patrick Bungener (Adjoint scientifique, Jardin Botanique de Genève). The session is moderated by journalist Huma Khamis Madden.

The roundtable examines the ethical and scientific challenges of auctioning cultural and scientific objects, using Rousseau’s herbarium as a case study. Participants investigate how high market prices restrict access to collections, explore best practices for preservation and scholarly access, and discuss ways to reconcile collectors’ interests with institutional and public research needs.

In French.

Tuesday 12 May, 20:00

Orson Welles’s noir masterpiece charts a tense moral descent on a border town after a murder. Anchored by Welles’s bold camera work and Anthony Quinn and Charlton Heston’s charged performances, the film blends long takes, chiaroscuro lighting and a claustrophobic atmosphere to probe corruption, obsession and justice. Presented in the original version with subtitles, this screening accompanies a wider retrospective that reassesses Welles’s formal innovation and enduring influence on cinema.

Followed by a talk with Anca Visdei (author of Orson Welles biography). In French.

Tuesday 12 May, 19:30

An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.

In French.

Tuesday 12 May, 18:30

This book is a short work intended to shed light on certain geopolitical realities and the disconnect observed among some decision-makers, who are more concerned with their own future than with the specific nature of each crisis. Most of the time, this translates into sending in the military, even when there is no legitimacy. “No one likes armed missionaries,” as Saint-Just already observed. The text is illustrated with quotations, examples of deadly wars devoid of strategic importance, and a range of political arguments. This short work is the result of nearly 30 years spent in the upper echelons of public life, primarily at the Ministry of Defense. Pierre Conesa

In French.

26 May, 9 & 23 June

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

In French.

Tuesday 12 May, 12:30

Journalist Patrick Ferla leads a conversation with Jean Liermier, an experienced theatre director reflecting on his long tenure and creative approach. The discussion traces Liermier’s staging choices, visual and sound strategies, and the playful reinvention of season presentations. Attendees will gain insight into the director’s methods, memorable productions and the role of surprise and memory in theatrical curation. The session emphasises artistic process, theatrical language and the relationship between director and audience.

In French.

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Events running for an extended period

8 May – 30 August

Five Mini Shows presents distinct exhibitions across separate rooms, bringing together major figures of Australian Aboriginal painting alongside contemporary painting, installation, drawing and sculpture. Works by Clifford Possum Tjapaltjarri, Mirdidingkingathi Juwarnda Sally Gabori and Gabriella Possum Nungurrayi sit next to new and historical painting by John Armleder, expansive installations by Chiharu Shiota, sculptural interventions by Balint Zsako and drawing-based work by Rachel Marks. The programme explores materiality, relational display and dialogues between indigenous traditions and contemporary abstraction.

8 May – 5 June

Dream Up brings together modern, post‑war and contemporary works that materialize imagination, memory, fantasy and inner vision across painting, sculpture and mixed media. The presentation juxtaposes iconic figures—Pablo Picasso, Marc Chagall, Willem de Kooning, Jean Dubuffet, Roy Lichtenstein, Yayoi Kusama, Niki de Saint Phalle, Tom Wesselmann, Manolo Valdés and Jaume Plensa—with contemporary voices including Andy Denzler, Fred Eerdekens and Feng Xiao‑Min. New works created for the occasion converse with historical pieces to generate poetic, visually intense dialogues.

17 March 2025 – 1 September 2026

The Biopark is temporarily hosting Janus, a unique two-headed Greek tortoise, during the renovation of the Museum. Each head of this male tortoise has its own independent brain, which sometimes makes its movements challenging. In captivity, Janus receives attentive care, resulting in an impressive lifespan of 26 years.

6 May – 4 June

Leila Alaoui’s photography presents a humane, boundary-crossing vision that interrogates identity, migration and the lives of migrant workers. This exhibition brings together iconic series, rarely seen photographs and coherent photographic ensembles to reveal the dignity of her subjects and the visual language that frames their stories. Through portraiture and documentary practice, Alaoui explores gender, displacement and cultural interconnection with formal rigor and emotional clarity, forging intimate encounters that bridge histories and territories.

Opening: Wednesday 6 May, 18:30

May 2026

CineGlobe is a singular science film festival held at CERN, exploring the fertile ground where science, technology and culture meet. Rather than focusing on traditional science fiction or didactic documentaries, it showcases inventive films that draw inspiration from scientific ideas and use storytelling to spark curiosity, reflection and debate. Each edition is guided by a broad thematic thread, offering a bold and imaginative look at contemporary issues — from climate change to digital societies — while celebrating creativity, narrative power and fresh perspectives on science.

20 February – 29 November

Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.

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Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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