Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Geneva-based artist of Turkish origin Ibo Art offers a sensitive exploration of waste transformed into living, symbolic forms. Blending painting, sculpture and installation, he reclaims construction debris, plastic flowers refreshed with acrylic, and found materials to fashion islands, micro‑houses and human figures. The post‑industrial installations deploy vivid colour and vegetal motifs to question consumption, value and belonging. The work reveals how discarded matter can assert presence, evoke resilience, and be reimagined as contemporary relics.

Svitlana Anoshkina and Sergo Verbicki present a dialogical exhibition reflecting on proximity, distance and divergent life trajectories. Anoshkina’s sensitive, luminous paintings, shaped by exile and movement between Kyiv and Warsaw, emphasize light, color and interior states.

Verbicki’s ceramic pieces are raw, material-driven explorations of tension, fracture and transformation, evoking anchoring and memory. Without unifying their languages, the works respond through contrast—fragility and density, color and matter—asking what sustains shared ways of inhabiting the world when separated.

Opening: Wednesday 20 May, 18:00
Closing event: Sunday 31 May, 17:00