Colombian artist Rubén Barrios‑Rodríguez develops an interdisciplinary practice spanning drawing, photography, photo‑performance, video, performance, installation and object-making. In Désirs brutes the male body becomes a territory where desire, eroticism, constraint, vulnerability and resistance intersect. Through homoerotic imagery, naked bodies, masks, harnesses and deliberate references to football, the artist interrogates patriarchal and heteronormative models and the social codes that shape masculine behaviour. The works repurpose sporting objects and rituals to juxtapose traditional notions of virility with fragility, desire, pain and forms of resistance.

Opening: 12 November, 18:00

Françoise Deladoëy assembles cut-and-paste collages combining watercolor, graphite and mixed media to probe contemporary upheavals and imagine alternative possibilities.
Using images and fragments sourced from the press, she composes visual landscapes where disparate realities collide and metamorphose. The works fuse the living and the mechanical, beauty and unease, highlighting environmental crisis, technological shifts and resource exhaustion. Collage becomes a transformative method that both records fragmentation and opens an imaginative space where new narratives, spiritual questions and other forms of coexistence might be envisioned.

Opening: 18 October, 18:00

Ségolène Romier revisits her practice as a filmmaker while opening a new chapter that foregrounds drawing and material experimentation. Her films, presented across a cluster of televisions, form a living retrospective populated by characters, objects and bodies. Drawing, long confined to sculptural preparation, moves to the fore on cardboard, producing fragmented forms and a kaleidoscopic self‑portrait in which the body appears in pieces between representation and disappearance. The exhibition contemplates passage, creative continuity and the shifting modalities of image and object.

Opening: Wednesday 30 September, 18:00
Closing: Sunday 11 October, 17:00