Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

With Rien ne sert de courir, Didier Merlin presents suspended images that hover between snapshot and staged tableau. His enigmatic figures appear trapped beneath glossy glass, frozen between appearance and disappearance.
Working in reverse glass painting since the 1990s, he builds images backward; since 2019 acrylic glass and drypoint engraving have expanded scale and sharpened his line. The exhibition combines painting, engraving and hybrid techniques to explore mediation, fragmented narrative and the porous boundary between intimacy, collective memory and imagined reality.

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

The In Between presents a group of artists whose work probes intermediate spaces and moments of suspension. Through immersive installations and sensory, audiovisual strategies, the works examine tensions between certainty and doubt, stillness and motion, isolation and collective action. The exhibition stages an open, exploratory journey where friction and imagination become modalities for inquiry. It reveals how uncertainty can generate creative forms of perception and collaboration, inviting reflection on how we act, perceive and come together.