20 – 24 May

LABO IBO

Geneva-based artist of Turkish origin Ibo Art offers a sensitive exploration of waste transformed into living, symbolic forms. Blending painting, sculpture and installation, he reclaims construction debris, plastic flowers refreshed with acrylic, and found materials to fashion islands, micro‑houses and human figures. The post‑industrial installations deploy vivid colour and vegetal motifs to question consumption, value and belonging. The work reveals how discarded matter can assert presence, evoke resilience, and be reimagined as contemporary relics.

Rue de la Truite 4,
1205 Genève
Photo Credit: DR
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Photo Credit: DR

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6 – 25 May

Carlo D’Anselmi presents paintings that emerge from imagination, assembling figures, animals and landscapes into dreamlike compositions defined by colour, textured surfaces and a quietly emotive atmosphere. The exhibition considers painting as a silent language that unfolds through attention, light and time, while mountains assert themselves through scale and presence. Developed during the artist’s first stay in Switzerland overlooking the French Alps, the works respond to shifting rhythms and seasonal transformations in the landscape.

30 April – 4 July

Curator Danniel Tostes brings together works by several generations of artists to examine community as a space of connection, resistance and collective creation. The exhibition assembles photography, installation, sculpture and mixed-media projects that forge dialogues between historical and contemporary practices. Through gestures, archival fragments and collaborative processes, the show investigates memory, solidarity and the forms that communal artistic practices take across time.

Opening : Thursday 30 April, 18:00 (Salle Saint Ours)

7 May – 10 January

This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.

Opening : Wednesday, May 6 at 16:00
Curator-led tours (In French) : 9 – 10 May, 14 June

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

24 April – 3 January

An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.

Opening : Thursday 23 April, 18:00

Guided Tours (in French)

  • Sunday 26 April, 11:00
  • Sunday 3 May, 11:00
  • Sunday 7 June, 11:00
  • Sunday 14 June, 11:00

 

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

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