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Don’t miss out: Events running for less than two weeks

3 – 7 March

Emma Saba and Jeanne Pâris revive the lyric repertoire in a subversive, celebratory performance. Playing with time and inheritance, Saba reworks early arias into electric fragments, laughter and amplified sighs. The piece interrogates the politics of the voice as opera sheds its white pageant to become raw material, desire, anger and tenderness. Part performance, part concert, Jalousie des tempêtes stages a ritual of dismantling and rejoicing, where vocal technique meets bodily intensity and theatrical invention.

Thursday 5 March, 18:30

Co-authors Frédéric Wilner and Moataz Madi helm a probing documentary that follows the University of Geneva’s archaeological mission at Saqqâra. Their camera traces the unearthing of a tomb attributed to the vizier Ouni, raising questions about its ownership and purpose. The film blends measured investigative pacing with textured imagery of dust, stone and inscription, exploring themes of memory, legacy and the politics of archaeological narrative. Intimate interviews and revelatory finds create a contemplative, suspenseful atmosphere that foregrounds the human stories behind ancient monuments.

In French.

4 – 5 March

In her debut choreographic work, international whacking icon Mounia Nassangar delves into the power of dance as a substitute for words when they fall short. Featuring five dancers with diverse backgrounds and bodies, this piece embodies the urgency and expression that arise from oppression, presenting a personal and evocative take on this cultural movement.

Thursday 5 March, 12:15

Too many interpretations of Trumpism have focused on Donald Trump or partisan maneuvers, overlooking the MAGA mass movement and its deep historical roots. This lecture proposes a new paradigm to better understand Trumpism, the history of the United States and the current era the country is traversing. It also offers concrete suggestions to counter the MAGA movement and discusses how Europeans can contribute to that struggle.

In French.

5 – 13 March

Festa Mediterranea gathers musicians, dancers and tradition-bearers from Southern Italy in a celebration of communal ritual and seasonal renewal. Rooted in popular cultures, the program threads fervor, humour and virtuosic technique through concerts, a communal bal and dance workshops. Textures of voice, percussion and folk stringed instruments conjure pastoral landscapes, proposing an ecology of sound where heritage is continuously reinvented. The experience is both exuberant and intimate, inviting shared movement and attentive listening.

4 & 5 March

The Orchestre de la Suisse Romande, joined by pianist Khatia Buniatishvili and conducted by Jonathan Nott, will perform Debussy’s “Images pour orchestre,” followed by Brahms’ Piano Concerto No. 2. Initially met with criticism, Debussy’s “Images” are now celebrated as a pinnacle of early 20th-century French music. Similarly, Brahms’ Concerto No. 2, once criticized, has won the favor of audiences worldwide.

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Events running for an extended period

28 January – 15 March

Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.

4 October 2025 – 23 May 2026

The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.

5 February – 4 June

Explore a community circular-economy hub through a guided tour that examines reuse, sharing and repair practices. Participants discover the reuse shop, objects library, repair workshop and craft studio and learn how these services extend product lifecycles and reduce waste. The session examines practical methods for material reuse, collaborative borrowing systems and basic repair workflows, offering concrete insights into local circular initiatives and ways individuals and organisations can apply these strategies.

In French.

17 September – 7 March

In Soft Gravity, Domum delves into the materiality and sensuality of forms through a multitude of contemporary voices in design and creation. Imagined as a sensitive constellation, the exhibition showcases suspended, fleshy, and sculptural shapes that intertwine. It invites visitors to an experience that balances between fragility and strength, memory and presence.

Opening: Thursday 13 November, 18:00 – 21:00

21 January – 22 March

Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.

23 January – 3 April

Mitchell Anderson presents a new edition and bodies of work examining the legacy of post‑war astronautics. Drawing on graphite relics from a V‑2 rocket, children’s drawings and mural motifs, the exhibition stages colour‑in pages alongside wall drawings and hybrid objects that hover between craft and ready‑made. Mixed‑media pieces employ encaustic, embroidery and hand‑written texts to interrogate the rocket as an icon that condenses both promise and violence, situating technological histories within intimate material registers.

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Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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