Tomorrow Comes Today presents a carefully curated exhibition of contemporary visual work that interrogates temporality and the persistence of memory. Through painting, installation, photography and mixed-media practice, the show examines how everyday objects and fleeting moments accumulate meaning. The works employ layered surfaces, found materials and projected imagery to collapse past and future, inviting sustained attention to material process and embodied perception.
Carlo D’Anselmi presents paintings that emerge from imagination, assembling figures, animals and landscapes into dreamlike compositions defined by colour, textured surfaces and a quietly emotive atmosphere. The exhibition considers painting as a silent language that unfolds through attention, light and time, while mountains assert themselves through scale and presence. Developed during the artist’s first stay in Switzerland overlooking the French Alps, the works respond to shifting rhythms and seasonal transformations in the landscape.
Ben Thouard is an ocean artist and one of the world’s foremost surf photographers. In his work water becomes a darkroom, an underwater camera obscura that reveals a singular, immersive vision. This exhibition presents previously unseen photography born of a near-daily practice: a language of water and light. Between organic forms, deep textures and shifts of shadow and clarity, Thouard’s images move between abstraction and contemplation, offering a sensory experience that explores the movements and metamorphoses of liquid matter.
Opening : 25 June, 18:00 – 21:00
A contemporary publishing space presents a concentrated selection of artist books, fanzines and posters exhibited alongside curated holdings from its library. The presentation focuses on the material and graphic languages of small‑press production: experimental typography, hand-assembled multiples, risography and letterpress techniques. Works map networks of collaboration, DIY distribution and archival strategies, inviting close reading of visual narratives and the book as an object and medium within contemporary artistic practice.
Opening: Thursday 21 May, 18:00
collectif_fact is composed of Annelore Schneider (born 1979 in Neuchâtel, Switzerland) and Claude Piguet (born 1977 in Neuchâtel, Switzerland). Living and working between London and Geneva, they create mainly video-based works that deconstruct cinematic codes and popular culture stereotypes. Their practice explores notions of (anti-)spectacle, simulacra, and appropriation through fragmented narratives combining dialogue, quotations, music, and references to classic cinema.
Opening: Thursday 21 May, 18:00
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
Gérard de Palézieux’s illustrated books are presented in a curated selection of some fifty volumes showcasing original prints—etchings and lithographs—that reveal the artist’s draughtsmanship and graphic sensibility. The presentation focuses on the dialogue between image and text, highlighting sequence, typography and the hand of the illustrator. Many volumes come from the library of a prominent European bibliophile; a new catalogue accompanies the selection, documenting plates, editions and printing techniques.
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