17 September – 31 October

Lilian Bourgeat

Lilian Bourgeat creates hyperrealistic sculptures that magnify everyday objects into monumental forms. Meticulous attention to surface, material and colour transforms benches, rain boots and soda cans into seductive yet unsettling sculptures. By altering scale while preserving recognizable details, his pieces oscillate between functionality and absurdity, displacing the viewer and inviting fresh perceptions of ordinary gestures and urban routines. The work interrogates how familiar objects shape memory, use and the boundaries between the banal and the monumental.

Opening: Thursday 17 September, 18:00

Rue des Bains 22,
1204 Genève
Photo Credit: DR
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Photo Credit: DR

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28 October – 16 January 2028

Compagnie de 1602 presents a centenary exhibition that unveils the behind-the-scenes life of a long-standing civic tradition.
Through costumes, ceremonial objects, musical gestures and archival memories, the display juxtaposes individual passions with the collective narrative of communal celebration. The presentation foregrounds performative ritual, material culture and intergenerational transmission, revealing how public pageantry sustains identity and belonging. It evokes the sustained energy of popular commemoration and the work required to keep ceremonial histories alive.

Opening: Tuesday 27 October, 18:00 – 20:00

17 September – 7 November

An exhibition presenting work by Garry Fabian Miller, Ptolemy Mann and Marit Tingleff, curated by Sarah Griffin. Across photography, weaving and ceramics, the show explores the darkroom, the dye lab and the kiln as sites of material transformation. The artists draw on deep embodied knowledge and long practice, using process, environment and material behaviour to shape outcomes. The works probe attention to texture, colour and time, revealing subtle relations between technique and the natural conditions that inform each practice.

Opening: Thursday 17 September, 18:00

Permanent exhibition

Science with a lake view. Hidden inside the elegant Villa Bartholoni, this small museum is packed with historic instruments linked to astronomy, electricity, microscopy, and meteorology. A charming detour through Geneva’s surprisingly rich scientific past — with Parc Mon-Repos right outside.

5 November – 5 December

Close Encounter brings together French artist and draughtsman Jérôme Zonder and Swiss sculptor Jan Steenman in a focused dialogue on portraiture, the body, and material presence. Zonder’s small-format drawings, made with pencil, graphite, and charcoal, hover between likeness, caricature, and abstraction, while his fingertips leave visible traces in the pigment. Steenman’s ceramic sculpture Numinous explores a hidden human presence absorbed within form. Together, their works shift between recognition and estrangement, rewarding close and sustained looking.

Opening: (AVV) 5 November, 16:00

15 October – 14 November

This presentation honours Marguerite Roesgen-Champion, the Geneva-born composer, pianist and harpsichordist, through an exhibition and related programme. Archival manuscripts, scores and recordings illuminate her compositional voice, keyboard repertoire and chamber works. The displays emphasise contrapuntal clarity, timbral detail and performance practice, situating her within the circle of contemporary harpsichordists. Curatorial texts and integrated media explore her contribution to Swiss musical life and interpretive traditions.

1 November – 3 January

ECAL presents a selection of glass pieces created through a workshop at Musée Ariana, where fifteen students from the Master in Design for Luxury and Craftsmanship collaborated with Swiss manufacturer Niesenglass. Working with a mobile furnace, they explored several glassmaking techniques and developed original, experimental objects. The exhibition highlights process as much as result, revealing how material expertise, risk, and improvisation can shape contemporary design in dialogue with craftsmanship and innovation.

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