Don’t just like it, live it!

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

18 – 26 May

Victoire Cathalan presents a series of paintings that trace the porous boundary between human presence and forested life. Through layered oils and textured surfaces, her canvases evoke arboreal forms, bodily traces and the regenerative forces of the living world. The exhibition invites sustained looking at the vegetal as subject and collaborator, exploring scale, gesture and the interdependence of bodies and trees through a subtle palette and material intensity.

Opening Wednesday 20 May.

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

20 May – 23 June

Seven emerging designers transform parking bays into site-specific installations that imagine alternative uses for reclaimed urban space. Combining design, planting and crafted structures, the works explore collective wellbeing, ecological practice and public appropriation of infrastructure. Installations range from modular seating and planted interventions to sculptural landscapes that reframe parking as communal terrain. The project foregrounds collaboration between landscape and design, inviting reflection on everyday spatial commons and small-scale ecological strategies.

Opening (booking required): Tuesday 26 May, 12:00

12 March – 14 June

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00

22 May – 11 July

Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.

Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

18 – 26 May

Victoire Cathalan presents a series of paintings that trace the porous boundary between human presence and forested life. Through layered oils and textured surfaces, her canvases evoke arboreal forms, bodily traces and the regenerative forces of the living world. The exhibition invites sustained looking at the vegetal as subject and collaborator, exploring scale, gesture and the interdependence of bodies and trees through a subtle palette and material intensity.

Opening Wednesday 20 May.

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

20 May – 23 June

Seven emerging designers transform parking bays into site-specific installations that imagine alternative uses for reclaimed urban space. Combining design, planting and crafted structures, the works explore collective wellbeing, ecological practice and public appropriation of infrastructure. Installations range from modular seating and planted interventions to sculptural landscapes that reframe parking as communal terrain. The project foregrounds collaboration between landscape and design, inviting reflection on everyday spatial commons and small-scale ecological strategies.

Opening (booking required): Tuesday 26 May, 12:00

12 March – 14 June

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00

22 May – 11 July

Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.

Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

18 – 26 May

Victoire Cathalan presents a series of paintings that trace the porous boundary between human presence and forested life. Through layered oils and textured surfaces, her canvases evoke arboreal forms, bodily traces and the regenerative forces of the living world. The exhibition invites sustained looking at the vegetal as subject and collaborator, exploring scale, gesture and the interdependence of bodies and trees through a subtle palette and material intensity.

Opening Wednesday 20 May.

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

20 May – 23 June

Seven emerging designers transform parking bays into site-specific installations that imagine alternative uses for reclaimed urban space. Combining design, planting and crafted structures, the works explore collective wellbeing, ecological practice and public appropriation of infrastructure. Installations range from modular seating and planted interventions to sculptural landscapes that reframe parking as communal terrain. The project foregrounds collaboration between landscape and design, inviting reflection on everyday spatial commons and small-scale ecological strategies.

Opening (booking required): Tuesday 26 May, 12:00

12 March – 14 June

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00

22 May – 11 July

Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.

Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.

Saturday 30 May, 20:00

Led by vocalist Theresa Thomason and pianist Samuel Colard, Black Church traces the arc of American gospel from enslaved spirituals to contemporary expressions. Drawing on Henry Louis Gates Jr.’s book, the programme interweaves luminous singing, call-and-response textures and deep-rooted rhythms. Sociologist Philippe Gonzalez contributes contextual reflection, while the Église protestante de Genève and Éditions Labor et Fides frame the project as cultural and historical exploration.

27 May – 7 June

Diane Givry presents a body of black-and-white photographs made over the past five years in medium and large formats. Portraits, nudes, plants and landscapes encounter one another through a pronounced materiality and the analogue silver grain of the photographic technique. The works explore sensual resonances between flesh and vegetation, treating fragments of bodies and skins—carnal or vegetal—as components of an integrated whole. The exhibition evokes tactility, presence and the porous boundaries between human and botanical forms.

Opening: Wednesday 27 May, 18:30

Saturday 30 May, 15:30

Béatrice Kremer-Cochet and Gilbert Cochet are naturalists and photographers who introduced rewilding to France. Béatrice is an expert at the Regional Scientific Council for Natural Heritage and vice‑president of Forêts Sauvages; Gilbert is attached to the Muséum national d’histoire naturelle.

They present an illustrated panorama of European initiatives that document the spontaneous return of wildlife—bisons, bears, eagles, sturgeons and seals—to abandoned territories. The lecture examines examples of rewilding projects, maps their impact across ecosystems, and discusses prospects for harmonious coexistence between humans and recovering wild species.

In French.

Saturday 30 May, 19:30

Led by the energetic conductor P.-A. Krummenacher, the Union Accordéoniste Mixte of Geneva brings 25 accordionists on a program that ranges from cosmic soundscapes to earthy dances. Arrangements weave themes by John Williams, Hans Zimmer and Bear McCreary with pieces by Alexander Borodin, Richard Galliano and Michael Nyman, alternating cinematic swell and intimate chamber textures. Attention to dynamics and ensemble colour creates a vivid, theatrical sound world that shifts between soaring horizons and close, rhythmic clarity.

20 – 31 May

Svitlana Anoshkina and Sergo Verbicki present a dialogical exhibition reflecting on proximity, distance and divergent life trajectories. Anoshkina’s sensitive, luminous paintings, shaped by exile and movement between Kyiv and Warsaw, emphasize light, color and interior states.

Verbicki’s ceramic pieces are raw, material-driven explorations of tension, fracture and transformation, evoking anchoring and memory. Without unifying their languages, the works respond through contrast—fragility and density, color and matter—asking what sustains shared ways of inhabiting the world when separated.

Opening: Wednesday 20 May, 18:00
Closing event: Sunday 31 May, 17:00

29 – 31 May

Italian guitarist Carlo Marchione, guest artist and specialist in transcription and arrangement for the classical guitar, leads a weekend of concerts, masterclasses and a conference with HEM guitar students. Across sessions he examines strategies for transcription and arranging repertoire for guitar, demonstrating techniques and pedagogical approaches for adapting music from other media. The programme balances performance and hands-on learning, offering participants insight into artistic and technical decisions in arrangement practice.

In French.

19 – 31 May

Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.

It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.

In French.

18 – 26 May

Victoire Cathalan presents a series of paintings that trace the porous boundary between human presence and forested life. Through layered oils and textured surfaces, her canvases evoke arboreal forms, bodily traces and the regenerative forces of the living world. The exhibition invites sustained looking at the vegetal as subject and collaborator, exploring scale, gesture and the interdependence of bodies and trees through a subtle palette and material intensity.

Opening Wednesday 20 May.

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

20 May – 23 June

Seven emerging designers transform parking bays into site-specific installations that imagine alternative uses for reclaimed urban space. Combining design, planting and crafted structures, the works explore collective wellbeing, ecological practice and public appropriation of infrastructure. Installations range from modular seating and planted interventions to sculptural landscapes that reframe parking as communal terrain. The project foregrounds collaboration between landscape and design, inviting reflection on everyday spatial commons and small-scale ecological strategies.

Opening (booking required): Tuesday 26 May, 12:00

12 March – 14 June

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00

22 May – 11 July

Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.

Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

Array

– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

Array

With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

Array

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