Don’t just like it, live it!

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

27 – 29 March

Spark a quiet revolution: a lively, joyful play by Lola Giouse about silence and children’s speech. A ten-year-old invited to speak on stage chooses to say nothing — a strike of words. Two adults fumble to understand and fill the silence. Funny, sharp and fiercely intelligent, the piece questions who gets to speak and gives voice to those who are silenced through movement, sound and comic exchanges.

In French. Kids ages 8 and up.

28 & 29 March

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

25 March – 5 April

Curator Christophe Piette presents a carte blanche program assembled from a moving-image archive, juxtaposing video works, digitized files and archival ephemera. The selection spans historical and contemporary practices, using screenings and installation formats to probe preservation, circulation and public access to media collections. Through an exchange between institutions across cities, the presentation questions how curatorial gestures reveal institutional histories, the materiality of moving images and the tensions between conservation and renewed public visibility.

In French.

24 – 29 March

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

27 – 29 March

Spark a quiet revolution: a lively, joyful play by Lola Giouse about silence and children’s speech. A ten-year-old invited to speak on stage chooses to say nothing — a strike of words. Two adults fumble to understand and fill the silence. Funny, sharp and fiercely intelligent, the piece questions who gets to speak and gives voice to those who are silenced through movement, sound and comic exchanges.

In French. Kids ages 8 and up.

28 & 29 March

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

25 March – 5 April

Curator Christophe Piette presents a carte blanche program assembled from a moving-image archive, juxtaposing video works, digitized files and archival ephemera. The selection spans historical and contemporary practices, using screenings and installation formats to probe preservation, circulation and public access to media collections. Through an exchange between institutions across cities, the presentation questions how curatorial gestures reveal institutional histories, the materiality of moving images and the tensions between conservation and renewed public visibility.

In French.

24 – 29 March

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

27 – 29 March

Spark a quiet revolution: a lively, joyful play by Lola Giouse about silence and children’s speech. A ten-year-old invited to speak on stage chooses to say nothing — a strike of words. Two adults fumble to understand and fill the silence. Funny, sharp and fiercely intelligent, the piece questions who gets to speak and gives voice to those who are silenced through movement, sound and comic exchanges.

In French. Kids ages 8 and up.

28 & 29 March

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

25 March – 5 April

Curator Christophe Piette presents a carte blanche program assembled from a moving-image archive, juxtaposing video works, digitized files and archival ephemera. The selection spans historical and contemporary practices, using screenings and installation formats to probe preservation, circulation and public access to media collections. Through an exchange between institutions across cities, the presentation questions how curatorial gestures reveal institutional histories, the materiality of moving images and the tensions between conservation and renewed public visibility.

In French.

24 – 29 March

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

27 – 29 March

Spark a quiet revolution: a lively, joyful play by Lola Giouse about silence and children’s speech. A ten-year-old invited to speak on stage chooses to say nothing — a strike of words. Two adults fumble to understand and fill the silence. Funny, sharp and fiercely intelligent, the piece questions who gets to speak and gives voice to those who are silenced through movement, sound and comic exchanges.

In French. Kids ages 8 and up.

28 & 29 March

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

25 March – 5 April

Curator Christophe Piette presents a carte blanche program assembled from a moving-image archive, juxtaposing video works, digitized files and archival ephemera. The selection spans historical and contemporary practices, using screenings and installation formats to probe preservation, circulation and public access to media collections. Through an exchange between institutions across cities, the presentation questions how curatorial gestures reveal institutional histories, the materiality of moving images and the tensions between conservation and renewed public visibility.

In French.

24 – 29 March

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

27 March – 2 April

Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.

In French.

27 – 29 March

Spark a quiet revolution: a lively, joyful play by Lola Giouse about silence and children’s speech. A ten-year-old invited to speak on stage chooses to say nothing — a strike of words. Two adults fumble to understand and fill the silence. Funny, sharp and fiercely intelligent, the piece questions who gets to speak and gives voice to those who are silenced through movement, sound and comic exchanges.

In French. Kids ages 8 and up.

28 & 29 March

Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

25 March – 5 April

Curator Christophe Piette presents a carte blanche program assembled from a moving-image archive, juxtaposing video works, digitized files and archival ephemera. The selection spans historical and contemporary practices, using screenings and installation formats to probe preservation, circulation and public access to media collections. Through an exchange between institutions across cities, the presentation questions how curatorial gestures reveal institutional histories, the materiality of moving images and the tensions between conservation and renewed public visibility.

In French.

24 – 29 March

Performed by Françoise Courvoisier (voice), pianist and composer Moncef Genoud, and saxophonist Valentin Conus, this project sets Henri Michaux’s poems against a sensual jazz soundscape. Genoud’s original compositions and borrowed motifs intertwine with Courvoisier’s vocal phrasing and Conus’s supple saxophone, leaving space for improvisation. The piece explores memory, fragility and shifting ground through fragmented text and elastic musical lines, creating an intimate, dreamlike atmosphere where language and music open doors to the imagination.

In French.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

Array

With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

Array

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