Don’t just like it, live it!
Organized in collaboration with the University of Geneva’s Institute of Art History, the congress highlights the vitality and diversity of contemporary art historical research through a dynamic program of roundtables, thematic sessions, academic presentations, and interdisciplinary exchanges. Exploring the evolving relationship between universities, museums, heritage institutions, and the art market, the event emphasizes innovation in methodologies and digital practices while fostering dialogue around current artistic, cultural, and societal questions. Enriched by exhibitions, visits, and special events across Geneva’s cultural institutions, the congress offers an engaging platform for reflection, collaboration, and the celebration of art history in all its contemporary dimensions.
Singer-songwriter Zora offers an intimate acoustic set that unfolds like a suspended reverie. Her warm voice and pared-down guitar trace delicate melodies, exploring longing and quiet joy through spare, lyrical songs. The performance favors close listening, with subtle dynamics and moments of hush that invite reflection. Sparse arrangements and natural resonance create a fragile, luminous atmosphere, transporting listeners into a contemplative evening of honest storytelling and soft, emotive soundscapes.
In French.
The 72nd Entretiens sur l’Antiquité classique brings together leading international scholars for an in-depth exploration of the death penalty in ancient Greece and Rome. Through a series of lectures and discussions, the symposium examines the legal, political, philosophical, religious, and social dimensions of capital punishment across the ancient world, offering fresh perspectives on justice, power, gender, rhetoric, and resistance. Organized by the Fondation Hardt, this renowned academic gathering fosters dialogue between specialists while welcoming all those with an interest in classical studies, ancient history, archaeology, and the enduring questions raised by antiquity.
Booking: admin@fondationhardt.ch or +41 22 736 31 04
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
Directed by Ernst Zürcher and Jean-Pierre Duval, this documentary investigates a wild forest revered by ancient cultures and a source of inspiration for contemporary artists. Combining naturalistic cinematography and reflective interviews, it traces the relationship between humans and the woodland, and asks how to restore the Earth’s lost harmony. The film’s intimate visuals and measured pace offer a lyrical, sensory portrait of trees as living monuments and carriers of cultural memory.
Screening followed by a discussion with the two filmmakers, Ernst Zürcher, forestry engineer and author of Les Arbres, entre visible et invisible, and Jean-Pierre Duval, photographer, filmmaker and founder of Agence MUSEO.
Juliette Pym (bass) and Bonella Holloway (keys) form Générique Mardi, a duo channeling the raw energy of no wave through hushed, bittersweet melodies and spoken-word passages. Their intimate set balances shadowy atmospheres and brittle pop textures, unfolding small, domestic crises into charged miniatures. Sparse arrangements leave space for tension and wit, where melodic hooks hover between nostalgia and unease. The performance favors subtle dynamics and close attention to timbre, inviting attentive listening.
Organized in collaboration with the University of Geneva’s Institute of Art History, the congress highlights the vitality and diversity of contemporary art historical research through a dynamic program of roundtables, thematic sessions, academic presentations, and interdisciplinary exchanges. Exploring the evolving relationship between universities, museums, heritage institutions, and the art market, the event emphasizes innovation in methodologies and digital practices while fostering dialogue around current artistic, cultural, and societal questions. Enriched by exhibitions, visits, and special events across Geneva’s cultural institutions, the congress offers an engaging platform for reflection, collaboration, and the celebration of art history in all its contemporary dimensions.
Singer-songwriter Zora offers an intimate acoustic set that unfolds like a suspended reverie. Her warm voice and pared-down guitar trace delicate melodies, exploring longing and quiet joy through spare, lyrical songs. The performance favors close listening, with subtle dynamics and moments of hush that invite reflection. Sparse arrangements and natural resonance create a fragile, luminous atmosphere, transporting listeners into a contemplative evening of honest storytelling and soft, emotive soundscapes.
In French.
The 72nd Entretiens sur l’Antiquité classique brings together leading international scholars for an in-depth exploration of the death penalty in ancient Greece and Rome. Through a series of lectures and discussions, the symposium examines the legal, political, philosophical, religious, and social dimensions of capital punishment across the ancient world, offering fresh perspectives on justice, power, gender, rhetoric, and resistance. Organized by the Fondation Hardt, this renowned academic gathering fosters dialogue between specialists while welcoming all those with an interest in classical studies, ancient history, archaeology, and the enduring questions raised by antiquity.
Booking: admin@fondationhardt.ch or +41 22 736 31 04
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
Directed by Ernst Zürcher and Jean-Pierre Duval, this documentary investigates a wild forest revered by ancient cultures and a source of inspiration for contemporary artists. Combining naturalistic cinematography and reflective interviews, it traces the relationship between humans and the woodland, and asks how to restore the Earth’s lost harmony. The film’s intimate visuals and measured pace offer a lyrical, sensory portrait of trees as living monuments and carriers of cultural memory.
Screening followed by a discussion with the two filmmakers, Ernst Zürcher, forestry engineer and author of Les Arbres, entre visible et invisible, and Jean-Pierre Duval, photographer, filmmaker and founder of Agence MUSEO.
Juliette Pym (bass) and Bonella Holloway (keys) form Générique Mardi, a duo channeling the raw energy of no wave through hushed, bittersweet melodies and spoken-word passages. Their intimate set balances shadowy atmospheres and brittle pop textures, unfolding small, domestic crises into charged miniatures. Sparse arrangements leave space for tension and wit, where melodic hooks hover between nostalgia and unease. The performance favors subtle dynamics and close attention to timbre, inviting attentive listening.
Organized in collaboration with the University of Geneva’s Institute of Art History, the congress highlights the vitality and diversity of contemporary art historical research through a dynamic program of roundtables, thematic sessions, academic presentations, and interdisciplinary exchanges. Exploring the evolving relationship between universities, museums, heritage institutions, and the art market, the event emphasizes innovation in methodologies and digital practices while fostering dialogue around current artistic, cultural, and societal questions. Enriched by exhibitions, visits, and special events across Geneva’s cultural institutions, the congress offers an engaging platform for reflection, collaboration, and the celebration of art history in all its contemporary dimensions.
Singer-songwriter Zora offers an intimate acoustic set that unfolds like a suspended reverie. Her warm voice and pared-down guitar trace delicate melodies, exploring longing and quiet joy through spare, lyrical songs. The performance favors close listening, with subtle dynamics and moments of hush that invite reflection. Sparse arrangements and natural resonance create a fragile, luminous atmosphere, transporting listeners into a contemplative evening of honest storytelling and soft, emotive soundscapes.
In French.
The 72nd Entretiens sur l’Antiquité classique brings together leading international scholars for an in-depth exploration of the death penalty in ancient Greece and Rome. Through a series of lectures and discussions, the symposium examines the legal, political, philosophical, religious, and social dimensions of capital punishment across the ancient world, offering fresh perspectives on justice, power, gender, rhetoric, and resistance. Organized by the Fondation Hardt, this renowned academic gathering fosters dialogue between specialists while welcoming all those with an interest in classical studies, ancient history, archaeology, and the enduring questions raised by antiquity.
Booking: admin@fondationhardt.ch or +41 22 736 31 04
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
Directed by Ernst Zürcher and Jean-Pierre Duval, this documentary investigates a wild forest revered by ancient cultures and a source of inspiration for contemporary artists. Combining naturalistic cinematography and reflective interviews, it traces the relationship between humans and the woodland, and asks how to restore the Earth’s lost harmony. The film’s intimate visuals and measured pace offer a lyrical, sensory portrait of trees as living monuments and carriers of cultural memory.
Screening followed by a discussion with the two filmmakers, Ernst Zürcher, forestry engineer and author of Les Arbres, entre visible et invisible, and Jean-Pierre Duval, photographer, filmmaker and founder of Agence MUSEO.
An audiovisual projection followed by a conversation with the creative team behind the stage work PESSOA – Since I’ve Been Me, this program pays tribute to Robert Wilson, a pivotal figure in theatre and the visual arts. Through archival footage and testimonies it traces Wilson’s singular aesthetic and his collaborations with artists such as Philip Glass, Heiner Müller, Tom Waits, Susan Sontag and Laurie Anderson. The session explores his visual language, theatrical architecture and lasting influence on contemporary performance.
Discover the stained-glass heritage of Plan-les-Ouates during a cultural walk on Saturday, September 12, 2026, from 10:00 am to 11:30 am. The tour highlights the spiritual and artistic heritage of the commune through works by stained-glass artists Jacques Wasem and Paul Monnier. The tour will be led by Elodie Sierro, art historian and cultural mediator.
Departure from Église Saint-Bernard de Menthon
FURTHER AFIELD
Created and directed by Juliette Navis, this theatrical piece is the second in a triptych that interrogates three pop‑culture icons confronting existential crises. Through a fictional Céline Dion—at the height of fame and adulation—the work probes finitude and how one faces disappearance. The staging blends satire and intimacy, confronting taboos of money, death and sex with poetic choreography and sharp dramaturgy.
In French.
Sweetease is a contemporary performance that explores intimacy, desire and the bittersweet edges of human connection. Through a subtle interplay of voice, movement and light, the piece builds textured atmospheres that shift between tenderness and unease. Staging privileges close-up moments and economical gestures, inviting the audience into an intimate emotional landscape where memory and longing surface in slow, deliberate layers.
An evening of salsa by the water, moving to vibrant Latin rhythms that set feet and hips in motion. Pulsing beats and syncopated steps create energetic partner dancing, while the shoreline breeze adds a bright edge to every turn. The atmosphere blends rhythmic intensity and joyful social exchange, encouraging fluid movement, connection and playful improvisation. This open-air dance experience balances challenge and ease, turning each sequence into a small celebration of rhythm and motion.
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Explore local heritage during the European Heritage Days with open historic sites, hands-on workshops and continuous film screenings. Discover the city’s visual memory through an outdoor art exhibition and an illustrated historical and architectural walk. Activities invite people of all ages to share memories, learn about preservation and connect with neighbours. Organized by the canton under the theme ‘Heritage at Risk’, the programme welcomes everyone to engage in collective reflection and celebrate shared cultural identity.
Juliette Pym (bass) and Bonella Holloway (keys) form Générique Mardi, a duo channeling the raw energy of no wave through hushed, bittersweet melodies and spoken-word passages. Their intimate set balances shadowy atmospheres and brittle pop textures, unfolding small, domestic crises into charged miniatures. Sparse arrangements leave space for tension and wit, where melodic hooks hover between nostalgia and unease. The performance favors subtle dynamics and close attention to timbre, inviting attentive listening.
Organized in collaboration with the University of Geneva’s Institute of Art History, the congress highlights the vitality and diversity of contemporary art historical research through a dynamic program of roundtables, thematic sessions, academic presentations, and interdisciplinary exchanges. Exploring the evolving relationship between universities, museums, heritage institutions, and the art market, the event emphasizes innovation in methodologies and digital practices while fostering dialogue around current artistic, cultural, and societal questions. Enriched by exhibitions, visits, and special events across Geneva’s cultural institutions, the congress offers an engaging platform for reflection, collaboration, and the celebration of art history in all its contemporary dimensions.
Singer-songwriter Zora offers an intimate acoustic set that unfolds like a suspended reverie. Her warm voice and pared-down guitar trace delicate melodies, exploring longing and quiet joy through spare, lyrical songs. The performance favors close listening, with subtle dynamics and moments of hush that invite reflection. Sparse arrangements and natural resonance create a fragile, luminous atmosphere, transporting listeners into a contemplative evening of honest storytelling and soft, emotive soundscapes.
In French.
The 72nd Entretiens sur l’Antiquité classique brings together leading international scholars for an in-depth exploration of the death penalty in ancient Greece and Rome. Through a series of lectures and discussions, the symposium examines the legal, political, philosophical, religious, and social dimensions of capital punishment across the ancient world, offering fresh perspectives on justice, power, gender, rhetoric, and resistance. Organized by the Fondation Hardt, this renowned academic gathering fosters dialogue between specialists while welcoming all those with an interest in classical studies, ancient history, archaeology, and the enduring questions raised by antiquity.
Booking: admin@fondationhardt.ch or +41 22 736 31 04
Samar Haddad King’s Shabaab blends dance, theatre and puppetry to trace the intimate bond between two Palestinian friends, Mohamed and Mahmoud. Through movement, dialogue and a haunting puppet by Sipho Ngxola, the piece reconstructs memories, imagined futures and the silences carved by colonial violence. The choreography explores youth, tenderness and forms of resistance, creating a fragile space where friendship becomes a means of survival and poetic witness.
In English and Arabic with French surtitles.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
Directed by Ernst Zürcher and Jean-Pierre Duval, this documentary investigates a wild forest revered by ancient cultures and a source of inspiration for contemporary artists. Combining naturalistic cinematography and reflective interviews, it traces the relationship between humans and the woodland, and asks how to restore the Earth’s lost harmony. The film’s intimate visuals and measured pace offer a lyrical, sensory portrait of trees as living monuments and carriers of cultural memory.
Screening followed by a discussion with the two filmmakers, Ernst Zürcher, forestry engineer and author of Les Arbres, entre visible et invisible, and Jean-Pierre Duval, photographer, filmmaker and founder of Agence MUSEO.
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Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
Located in the heart of Geneva’s international district, the Portail des Nations is a space dedicated to dialogue, cooperation, and global issues. Through exhibitions, talks, and cultural events, it offers visitors an entry point into the major challenges shaping our world and Geneva’s role as a hub for international governance.
Nestled in the Geneva countryside, the Collection du Crest showcases a remarkable selection of modern and contemporary art. Through temporary exhibitions and its private collection, this unique venue offers an intimate encounter with artistic creation, in dialogue with the history and landscape of the estate.
Discover one of the world’s most remarkable libraries and museums, home to an exceptional collection of manuscripts, rare books, and historical documents spanning over 5,000 years of human history. Located in Cologny overlooking Lake Geneva, the Fondation Martin Bodmer offers a unique journey through literature, philosophy, religion, science, and the arts, bringing together some of humanity’s most significant written treasures.
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