Don’t just like it, live it!

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

Friday 10 April, 21:00

Rash Panzer have been playing hard, powerful rock since 1979. Onstage they deliver relentless guitar-driven energy, raw riffs and propulsive rhythms that push toward catharsis. The quartet’s sound emphasizes muscular grooves, gritty vocals and an unpolished intensity that favors sweat and crowd momentum over refinement. Presented by BAG within the ‘Beyond the Blues’ concert series, the performance promises a visceral, communal experience that foregrounds physicality and sonic impact.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

Friday 10 April, 21:00

Rash Panzer have been playing hard, powerful rock since 1979. Onstage they deliver relentless guitar-driven energy, raw riffs and propulsive rhythms that push toward catharsis. The quartet’s sound emphasizes muscular grooves, gritty vocals and an unpolished intensity that favors sweat and crowd momentum over refinement. Presented by BAG within the ‘Beyond the Blues’ concert series, the performance promises a visceral, communal experience that foregrounds physicality and sonic impact.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

Friday 10 April, 21:00

Rash Panzer have been playing hard, powerful rock since 1979. Onstage they deliver relentless guitar-driven energy, raw riffs and propulsive rhythms that push toward catharsis. The quartet’s sound emphasizes muscular grooves, gritty vocals and an unpolished intensity that favors sweat and crowd momentum over refinement. Presented by BAG within the ‘Beyond the Blues’ concert series, the performance promises a visceral, communal experience that foregrounds physicality and sonic impact.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

7 – 19 April

Eric Eriston Winarto presents a body of small oil paintings that treat the Swiss landscape as memory and pictorial research. Executed largely in A4 format, these fragmentary paintings—hills veiled in smoke, metallic roads, nocturnal scenes with phantom headlights, bluish forests—oscillate between observation and abstraction. Drawing on the legacy of Turner and Hodler, Winarto probes perception, tension and balance, using controlled yet enigmatic brushwork to suggest storms, glaciers and mist. The project questions how intimate, poetic images emerge from fleeting atmospheric states.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

11 March – 12 April

Curated loop of films by Tabarak Allah Abbas and Roman Selim Khereddine. Tabarak Allah Abbas blends painterly composition and intimate animation to probe belonging and exile — from a three-part family chronicle of second-generation immigrants to a dystopian, cyborg-infused refugee voyage. Roman Selim Khereddine uses stark observational imagery and still frames from racetracks to examine hierarchical, exploitative relationships between humans and animals and the rhythms of late-capitalist spaces. Together the works balance lyric memory and forensic observation, alternately tender, uncanny and unsparing.

7 March – 12 April

The Festival du Film Vert is the leading documentary film festival dedicated to ecology and environmental issues in French-speaking Switzerland. Founded in 2006, it showcases Swiss and international films that address climate and environmental challenges and highlight concrete solutions. Designed as a decentralized, multi-site event, the festival prioritizes local access and complements screenings with discussions involving filmmakers, experts, and engaged voices, encouraging reflection and inspiring audiences to take action.

7 – 17 April

Make a pocket almanac full of stories, drawings, crosswords, recipes and collectible postcards. In a series of workshops, participants experiment with printmaking techniques, play creative writing games and learn simple bookmaking methods to shape their own small journal. Sessions encourage playful collaboration, colourful illustrations and hands‑on discovery as children turn ideas into a printed object to share with family.

Kids ages 6–12.

9 – 12 April

Produced by the Madre de la Culebra company, this music, circus and dance performance imagines a world emptied of sound after music has been stolen. Two courageous performers, dancers and acrobats, embark on a quest to reclaim melody, encountering unexpected figures along the way. They fuse contemporary dance, acrobatics, floorwork and folk steps around the Chinese pole, creating gravity-defying tableaux. On-stage musicians supply original compositions, while the staging probes identity, power and the fragile interplay of sound and movement.

7 – 12 April

Directed by Richard Gauteron and written by Hervé Devolder, Succès Reprise is a delightfully cunning vaudeville that folds theatre into life. Three actors rehearse a hit play in which a woman leaves her husband for his lover, while offstage romantic entanglements mirror and complicate those roles. The piece balances sharp comedy, backstage intrigue and thorny financial stakes, staging mise en abyme with precision and warmth. Produced by Théâtre Marathon, it arrives as a celebrated Off d’Avignon success.

In French.

Friday 10 April, 21:00

Rash Panzer have been playing hard, powerful rock since 1979. Onstage they deliver relentless guitar-driven energy, raw riffs and propulsive rhythms that push toward catharsis. The quartet’s sound emphasizes muscular grooves, gritty vocals and an unpolished intensity that favors sweat and crowd momentum over refinement. Presented by BAG within the ‘Beyond the Blues’ concert series, the performance promises a visceral, communal experience that foregrounds physicality and sonic impact.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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