Don’t just like it, live it!

Tuesday 12 May, 19:30

An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.

In French.

Tuesday 12 May, 18:00

Speakers include Flávio Borda D’Água (Conservateur, Bibliothèque de Genève), Estelle Fallet (Conservatrice, Musée d’art et d’histoire), Olivier Fichot (commissaire-priseur, Genève Enchères) and Patrick Bungener (Adjoint scientifique, Jardin Botanique de Genève). The session is moderated by journalist Huma Khamis Madden.

The roundtable examines the ethical and scientific challenges of auctioning cultural and scientific objects, using Rousseau’s herbarium as a case study. Participants investigate how high market prices restrict access to collections, explore best practices for preservation and scholarly access, and discuss ways to reconcile collectors’ interests with institutional and public research needs.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

28 April – 23 June

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

Tuesday 12 May, 16:15

Elodie Paupe and Jean-Claude Rebetez spotlight criminal archives from the Ancien Régime through a digital transcription platform. This innovative project is co-organized by the Library of Geneva and the Digital Humanities Chair at the University of Geneva.

In French.

Tuesday 12 May, 19:30

The concert “Dans le vent des mondes” features Michel Tirabosco on the pan flute along with the Bella Terra Ensemble. With Sophie Tirabosco on guitar and vocals, Michèle Lubicz on the duduk, Nicolas Curti/Ted Beaubrun on percussion, David Perrenoud on bass guitar, Stéphane Mayer on piano, and Giacomo Grandi on cello, this performance offers a musical journey bridging the southern landscapes and vibrant gypsy rhythms.

Tuesday 12 May, 19:30

An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.

In French.

Tuesday 12 May, 18:00

Speakers include Flávio Borda D’Água (Conservateur, Bibliothèque de Genève), Estelle Fallet (Conservatrice, Musée d’art et d’histoire), Olivier Fichot (commissaire-priseur, Genève Enchères) and Patrick Bungener (Adjoint scientifique, Jardin Botanique de Genève). The session is moderated by journalist Huma Khamis Madden.

The roundtable examines the ethical and scientific challenges of auctioning cultural and scientific objects, using Rousseau’s herbarium as a case study. Participants investigate how high market prices restrict access to collections, explore best practices for preservation and scholarly access, and discuss ways to reconcile collectors’ interests with institutional and public research needs.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

28 April – 23 June

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

Tuesday 12 May, 16:15

Elodie Paupe and Jean-Claude Rebetez spotlight criminal archives from the Ancien Régime through a digital transcription platform. This innovative project is co-organized by the Library of Geneva and the Digital Humanities Chair at the University of Geneva.

In French.

Tuesday 12 May, 19:30

The concert “Dans le vent des mondes” features Michel Tirabosco on the pan flute along with the Bella Terra Ensemble. With Sophie Tirabosco on guitar and vocals, Michèle Lubicz on the duduk, Nicolas Curti/Ted Beaubrun on percussion, David Perrenoud on bass guitar, Stéphane Mayer on piano, and Giacomo Grandi on cello, this performance offers a musical journey bridging the southern landscapes and vibrant gypsy rhythms.

Tuesday 12 May, 19:30

An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.

In French.

Tuesday 12 May, 18:00

Speakers include Flávio Borda D’Água (Conservateur, Bibliothèque de Genève), Estelle Fallet (Conservatrice, Musée d’art et d’histoire), Olivier Fichot (commissaire-priseur, Genève Enchères) and Patrick Bungener (Adjoint scientifique, Jardin Botanique de Genève). The session is moderated by journalist Huma Khamis Madden.

The roundtable examines the ethical and scientific challenges of auctioning cultural and scientific objects, using Rousseau’s herbarium as a case study. Participants investigate how high market prices restrict access to collections, explore best practices for preservation and scholarly access, and discuss ways to reconcile collectors’ interests with institutional and public research needs.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

28 April – 23 June

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

Tuesday 12 May, 16:15

Elodie Paupe and Jean-Claude Rebetez spotlight criminal archives from the Ancien Régime through a digital transcription platform. This innovative project is co-organized by the Library of Geneva and the Digital Humanities Chair at the University of Geneva.

In French.

Tuesday 12 May, 19:30

The concert “Dans le vent des mondes” features Michel Tirabosco on the pan flute along with the Bella Terra Ensemble. With Sophie Tirabosco on guitar and vocals, Michèle Lubicz on the duduk, Nicolas Curti/Ted Beaubrun on percussion, David Perrenoud on bass guitar, Stéphane Mayer on piano, and Giacomo Grandi on cello, this performance offers a musical journey bridging the southern landscapes and vibrant gypsy rhythms.

14 – 17 May

Reserved for previous participants of the Grand Chantier, this workshop deepens marionette staging and performance practice. Facilitated by Chine Curchod and Joël Hefti. Using puppets supplied by the TMG and excerpts from classical and contemporary texts, participants will investigate spatial composition, scenographic devices and dramaturgy, and refine ensemble manipulation and character work. The atelier emphasizes practical exercises, collective exploration and staged fragments to advance technical control and theatrical storytelling.

In French.

Saturday 16 May, 18:30

Five students from eMa’s PréPro course present a series of thirty-minute sets that map emerging musical voices. Performers include Matilde De Quarti (vocals, acoustic guitar) with cello and piano textures, Léa Gamba (guitar, vocals and loopers), an electronic set by ELIA (piano, machines) with guests, and the bands burn the calendar and Concorde blending indie rock, electro and alternative sounds. The first edition foregrounds original songs, inventive covers and intimate sonic exploration, moving between fragile balladry and charged, rhythmic grooves.

Saturday 16 May, 21:00

Led by bassist John Hébert, this quartet navigates the tension between jazz tradition and adventurous exploration. Hébert’s compositions foreground dissonance and spontaneous interplay woven into melody and groove, informed by his apprenticeship with pianist Andrew Hill. Tenor saxophonist Ohad Talmor, pianist Mathieu Rossignelly and drummer Domenic Egli respond with attentive dialogue, shaping a collective sound that values listening, empathy and risk. The music unfolds as demanding, communal invention, where improvisation converts each encounter into a shared, kinetic experience.

15 & 16 May, 21:00

Thibaud Agoston offers a frank, intimate stand-up that navigates love, friendship, sexuality and loss through the frame of a recent breakup. In this third and most personal show he mixes sharp observation and self-deprecating humour to transform sadness into laugh-out-loud moments. A leading figure of Swiss stand-up, Agoston brings experience from radio and televised columns and major comedy festivals to a compact, emotionally charged hour on stage.

In French.

7 – 16 May

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

Tuesday 12 May, 19:30

An intimate musical tribute that reimagines the songs of Francis Cabrel through acoustic arrangements and thoughtful reinterpretation. The performance blends close-knit ensemble playing with sparse staging to foreground lyrical nuance and emotional resonance. Textures shift between folk intimacy and orchestral warmth, inviting reflection on memory, longing and small-town stories. The production favors subtle dynamics and poetic phrasing, intimately.

In French.

Tuesday 12 May, 18:00

Speakers include Flávio Borda D’Água (Conservateur, Bibliothèque de Genève), Estelle Fallet (Conservatrice, Musée d’art et d’histoire), Olivier Fichot (commissaire-priseur, Genève Enchères) and Patrick Bungener (Adjoint scientifique, Jardin Botanique de Genève). The session is moderated by journalist Huma Khamis Madden.

The roundtable examines the ethical and scientific challenges of auctioning cultural and scientific objects, using Rousseau’s herbarium as a case study. Participants investigate how high market prices restrict access to collections, explore best practices for preservation and scholarly access, and discuss ways to reconcile collectors’ interests with institutional and public research needs.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

28 April – 23 June

Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.

Tuesday 12 May, 16:15

Elodie Paupe and Jean-Claude Rebetez spotlight criminal archives from the Ancien Régime through a digital transcription platform. This innovative project is co-organized by the Library of Geneva and the Digital Humanities Chair at the University of Geneva.

In French.

Tuesday 12 May, 19:30

The concert “Dans le vent des mondes” features Michel Tirabosco on the pan flute along with the Bella Terra Ensemble. With Sophie Tirabosco on guitar and vocals, Michèle Lubicz on the duduk, Nicolas Curti/Ted Beaubrun on percussion, David Perrenoud on bass guitar, Stéphane Mayer on piano, and Giacomo Grandi on cello, this performance offers a musical journey bridging the southern landscapes and vibrant gypsy rhythms.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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