Don’t just like it, live it!
Jackie Reem Salloum’s documentary traces the rise of Palestinian hip hop in the late 1990s through intimate portraits of artists such as DAM, Mahmood Shalabi (MWR), Abeer Al Zinati, Arapeyat and Palestinian Rapperz. Shot with observational empathy, the film blends road-like encounters and performance footage to capture anger, resilience and lyrical dissent against occupation, inequality and gender discrimination. Raw, rhythmic and compassionate, it foregrounds music as a vehicle of identity, resistance and communal longing.
Original version with French subtitles
Directed and choreographed by Nicolas Barry, La Demande d’asile stages the brutality of the asylum procedure through the bodies and voices of two performers, Sophie Billon and Nangaline Gomis. Blending dance and theatre, the piece makes administrative violence tangible and centres the specific difficulties faced by LGBTQIA+ people when forced to narrate their histories and identities under interrogation. Sparse scenography and intense physicality probe memory, vulnerability and survival.
In French.
Directed by Janaina Leite, this daring staging draws loosely on Georges Bataille’s L’Histoire de l’œil to examine the porous border between theatre and pornography. Fifteen performers, professional and amateur — including sex workers — enact a dark fable where live music, theatrical storytelling and explicit scenes interweave to probe shame, desire, taboo and compulsion. The production treats transgression with care, prioritizing consent and reflection while balancing the vulgar and the sublime.
In Portuguese. Subtitles in French and English.
JOUBe (Romain Joubert) stages an electro, dance‑driven performance that converts his bicycle into a musical instrument. The live set blends field recordings gathered on the road, intimate testimonies and improvised electronic beats to build a roaming dancefloor experience. Minimalist textures, pulsing rhythms and playful sonic bricolage invite physical movement and collective listening, shifting between introspective passages and euphoric bursts. The project balances technological curiosity with human stories, creating a cinematic, mobile club atmosphere.
Francesco Pennacchio, photographer and author of Unlike Flowers, speaks with Fred Stauffer, Curator at the Geneva Botanic Garden, and Danaé Panchaud, Director of the Centre de la photographie Genève, about archives and memory.
The session examines how family photographs, field herbarium specimens and layered photographic reconstructions function as repositories of life, methods for processing grief, and instruments of scientific understanding. Pennacchio discusses retracing his mother’s routes and superimposing archival images with new photographs to reconstruct shared memories and reveal the epistemic value of archives.
Medieval Crack is a performative choreography by Collectif Foulles that collapses medieval imagery into a living, queer‑inflected spectacle. Conceived and choreographed by the collective (Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Emma Saba and Fabio Zoppelli) and performed by Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Clovis Maillet and Fabio Zoppelli, the work unfreezes sacred tableaux through pop‑medieval songs, spoken interventions and dances that shift from ritual to concert. The piece probes historical fissures to reveal other narratives, bodies and modes of existence.
In French.
Be part of the community launch of the Journal des Cropettes, a collective publication featuring Imaginarium, cartographie populaire, portraits and other local contributions. The artist Ghostape will present a sound collection created with children during workshop sessions, and the association will announce the winner of the drawing competition. Families, neighbours and newcomers are warmly invited to share stories, meet contributors and celebrate creative connections across generations.
Jackie Reem Salloum’s documentary traces the rise of Palestinian hip hop in the late 1990s through intimate portraits of artists such as DAM, Mahmood Shalabi (MWR), Abeer Al Zinati, Arapeyat and Palestinian Rapperz. Shot with observational empathy, the film blends road-like encounters and performance footage to capture anger, resilience and lyrical dissent against occupation, inequality and gender discrimination. Raw, rhythmic and compassionate, it foregrounds music as a vehicle of identity, resistance and communal longing.
Original version with French subtitles
Directed and choreographed by Nicolas Barry, La Demande d’asile stages the brutality of the asylum procedure through the bodies and voices of two performers, Sophie Billon and Nangaline Gomis. Blending dance and theatre, the piece makes administrative violence tangible and centres the specific difficulties faced by LGBTQIA+ people when forced to narrate their histories and identities under interrogation. Sparse scenography and intense physicality probe memory, vulnerability and survival.
In French.
Directed by Janaina Leite, this daring staging draws loosely on Georges Bataille’s L’Histoire de l’œil to examine the porous border between theatre and pornography. Fifteen performers, professional and amateur — including sex workers — enact a dark fable where live music, theatrical storytelling and explicit scenes interweave to probe shame, desire, taboo and compulsion. The production treats transgression with care, prioritizing consent and reflection while balancing the vulgar and the sublime.
In Portuguese. Subtitles in French and English.
JOUBe (Romain Joubert) stages an electro, dance‑driven performance that converts his bicycle into a musical instrument. The live set blends field recordings gathered on the road, intimate testimonies and improvised electronic beats to build a roaming dancefloor experience. Minimalist textures, pulsing rhythms and playful sonic bricolage invite physical movement and collective listening, shifting between introspective passages and euphoric bursts. The project balances technological curiosity with human stories, creating a cinematic, mobile club atmosphere.
Francesco Pennacchio, photographer and author of Unlike Flowers, speaks with Fred Stauffer, Curator at the Geneva Botanic Garden, and Danaé Panchaud, Director of the Centre de la photographie Genève, about archives and memory.
The session examines how family photographs, field herbarium specimens and layered photographic reconstructions function as repositories of life, methods for processing grief, and instruments of scientific understanding. Pennacchio discusses retracing his mother’s routes and superimposing archival images with new photographs to reconstruct shared memories and reveal the epistemic value of archives.
Medieval Crack is a performative choreography by Collectif Foulles that collapses medieval imagery into a living, queer‑inflected spectacle. Conceived and choreographed by the collective (Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Emma Saba and Fabio Zoppelli) and performed by Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Clovis Maillet and Fabio Zoppelli, the work unfreezes sacred tableaux through pop‑medieval songs, spoken interventions and dances that shift from ritual to concert. The piece probes historical fissures to reveal other narratives, bodies and modes of existence.
In French.
Be part of the community launch of the Journal des Cropettes, a collective publication featuring Imaginarium, cartographie populaire, portraits and other local contributions. The artist Ghostape will present a sound collection created with children during workshop sessions, and the association will announce the winner of the drawing competition. Families, neighbours and newcomers are warmly invited to share stories, meet contributors and celebrate creative connections across generations.
Jackie Reem Salloum’s documentary traces the rise of Palestinian hip hop in the late 1990s through intimate portraits of artists such as DAM, Mahmood Shalabi (MWR), Abeer Al Zinati, Arapeyat and Palestinian Rapperz. Shot with observational empathy, the film blends road-like encounters and performance footage to capture anger, resilience and lyrical dissent against occupation, inequality and gender discrimination. Raw, rhythmic and compassionate, it foregrounds music as a vehicle of identity, resistance and communal longing.
Original version with French subtitles
Directed and choreographed by Nicolas Barry, La Demande d’asile stages the brutality of the asylum procedure through the bodies and voices of two performers, Sophie Billon and Nangaline Gomis. Blending dance and theatre, the piece makes administrative violence tangible and centres the specific difficulties faced by LGBTQIA+ people when forced to narrate their histories and identities under interrogation. Sparse scenography and intense physicality probe memory, vulnerability and survival.
In French.
Directed by Janaina Leite, this daring staging draws loosely on Georges Bataille’s L’Histoire de l’œil to examine the porous border between theatre and pornography. Fifteen performers, professional and amateur — including sex workers — enact a dark fable where live music, theatrical storytelling and explicit scenes interweave to probe shame, desire, taboo and compulsion. The production treats transgression with care, prioritizing consent and reflection while balancing the vulgar and the sublime.
In Portuguese. Subtitles in French and English.
JOUBe (Romain Joubert) stages an electro, dance‑driven performance that converts his bicycle into a musical instrument. The live set blends field recordings gathered on the road, intimate testimonies and improvised electronic beats to build a roaming dancefloor experience. Minimalist textures, pulsing rhythms and playful sonic bricolage invite physical movement and collective listening, shifting between introspective passages and euphoric bursts. The project balances technological curiosity with human stories, creating a cinematic, mobile club atmosphere.
Francesco Pennacchio, photographer and author of Unlike Flowers, speaks with Fred Stauffer, Curator at the Geneva Botanic Garden, and Danaé Panchaud, Director of the Centre de la photographie Genève, about archives and memory.
The session examines how family photographs, field herbarium specimens and layered photographic reconstructions function as repositories of life, methods for processing grief, and instruments of scientific understanding. Pennacchio discusses retracing his mother’s routes and superimposing archival images with new photographs to reconstruct shared memories and reveal the epistemic value of archives.
Medieval Crack is a performative choreography by Collectif Foulles that collapses medieval imagery into a living, queer‑inflected spectacle. Conceived and choreographed by the collective (Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Emma Saba and Fabio Zoppelli) and performed by Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Clovis Maillet and Fabio Zoppelli, the work unfreezes sacred tableaux through pop‑medieval songs, spoken interventions and dances that shift from ritual to concert. The piece probes historical fissures to reveal other narratives, bodies and modes of existence.
In French.
How We Come Together is a one-day workshop led by the Asian Futures Collective that brings together interventions on cultural and community practices of Asian diasporas. Through workshops, performance-lectures, research sharing, listening rituals and a film screening, the programme explores ancestral memory, embodied knowledge, more-than-human kinship and collective learning. Sessions propose varied formats and lengths; some include an online discussion and a screening in Thai with English subtitles.
Junee is a delicate yet powerful musical duo formed in 2020 by Fhunyue Gao and Zoé Sjollema. Their debut album, Océan Oublié / Assordante (Stone Pixels), unfolds two complementary faces: the pop-tinged, melancholic Océan Oublié and the experimental, organic Assordante. Composed across Geneva, Lucerne and Fribourg and recorded with Augustin Sjollema, the project blends theremin, modular analogue synthesis, violin, synth and voices to build cinematic, theatre-like soundscapes that oscillate between intimacy and theatrical density.
Atelier Grrr leads a hands-on scenography workshop that invites participants to become young scenographers by exploring the forest as a creative stage. The session investigates how we perceive outdoor spaces through all senses and how to design temporary installations that respond to nature. Participants experiment with listening, imagining and collective play, focusing on process and care rather than final outcomes. The workshop encourages playful collaboration and attentive stewardship of natural environments.
Join neighbours for a lively community flea market celebrating local connections and shared treasures. Stalls brim with second‑hand finds while the programme features street theatre, a central stage, live music and dance, circus acts, and a family‑friendly bike parcours. A food stand offers street food from around the world and a refreshment bar will be open. Everyone is welcome — families, students, longtime residents and newcomers — and volunteers are invited to help keep the event welcoming and safe.
Festi’Terroir is a community food festival celebrating local producers and artisans. Everyone is welcome to meet farmers, artisans, restaurateurs and craft producers, taste regional specialties, and discover sustainable food traditions. Together we share stories, sample products, and support local craftsmanship in a friendly, inclusive atmosphere. Participants will leave with new connections, a deeper appreciation of local flavours, and inspiration to explore Geneva’s culinary heritage.
Mitsune brings together four musicians wielding the shamisen, blending ancient Japanese folk song with psychedelic textures and rock energy. Powerful vocals, near-ritual rhythms and vivid arrangements transform traditional narratives into a contemporary sonic ritual. Based in Berlin and composed of artists from several countries, the ensemble circulates Japanese traditions through an amplified, visually charged sound. Line-up: Shiomi Kawaguchi (shamisen, shinobue, voice), Youka Snell (shamisen, voice), Daigo Nakai (bass, voice), Petros Tzekos (percussion).
Acid Coco blends Caribbean rhythms and tropical Andean currents into a vibrant live set that crosses cumbia, champeta, reggaeton and electronic music. The group layers propulsive percussion, warm melodic lines and shimmering electronic textures to summon a festive yet nuanced sound world. The performance favours danceable grooves, call-and-response vocals and sudden dynamic shifts, moving between intimate, rhythmic passages and exuberant collective bursts that invite movement and shared celebration.
Be part of the community launch of the Journal des Cropettes, a collective publication featuring Imaginarium, cartographie populaire, portraits and other local contributions. The artist Ghostape will present a sound collection created with children during workshop sessions, and the association will announce the winner of the drawing competition. Families, neighbours and newcomers are warmly invited to share stories, meet contributors and celebrate creative connections across generations.
Jackie Reem Salloum’s documentary traces the rise of Palestinian hip hop in the late 1990s through intimate portraits of artists such as DAM, Mahmood Shalabi (MWR), Abeer Al Zinati, Arapeyat and Palestinian Rapperz. Shot with observational empathy, the film blends road-like encounters and performance footage to capture anger, resilience and lyrical dissent against occupation, inequality and gender discrimination. Raw, rhythmic and compassionate, it foregrounds music as a vehicle of identity, resistance and communal longing.
Original version with French subtitles
Directed and choreographed by Nicolas Barry, La Demande d’asile stages the brutality of the asylum procedure through the bodies and voices of two performers, Sophie Billon and Nangaline Gomis. Blending dance and theatre, the piece makes administrative violence tangible and centres the specific difficulties faced by LGBTQIA+ people when forced to narrate their histories and identities under interrogation. Sparse scenography and intense physicality probe memory, vulnerability and survival.
In French.
Directed by Janaina Leite, this daring staging draws loosely on Georges Bataille’s L’Histoire de l’œil to examine the porous border between theatre and pornography. Fifteen performers, professional and amateur — including sex workers — enact a dark fable where live music, theatrical storytelling and explicit scenes interweave to probe shame, desire, taboo and compulsion. The production treats transgression with care, prioritizing consent and reflection while balancing the vulgar and the sublime.
In Portuguese. Subtitles in French and English.
JOUBe (Romain Joubert) stages an electro, dance‑driven performance that converts his bicycle into a musical instrument. The live set blends field recordings gathered on the road, intimate testimonies and improvised electronic beats to build a roaming dancefloor experience. Minimalist textures, pulsing rhythms and playful sonic bricolage invite physical movement and collective listening, shifting between introspective passages and euphoric bursts. The project balances technological curiosity with human stories, creating a cinematic, mobile club atmosphere.
Francesco Pennacchio, photographer and author of Unlike Flowers, speaks with Fred Stauffer, Curator at the Geneva Botanic Garden, and Danaé Panchaud, Director of the Centre de la photographie Genève, about archives and memory.
The session examines how family photographs, field herbarium specimens and layered photographic reconstructions function as repositories of life, methods for processing grief, and instruments of scientific understanding. Pennacchio discusses retracing his mother’s routes and superimposing archival images with new photographs to reconstruct shared memories and reveal the epistemic value of archives.
Medieval Crack is a performative choreography by Collectif Foulles that collapses medieval imagery into a living, queer‑inflected spectacle. Conceived and choreographed by the collective (Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Emma Saba and Fabio Zoppelli) and performed by Collin Cabanis, Auguste de Boursetty, Délia Krayenbühl, Clovis Maillet and Fabio Zoppelli, the work unfreezes sacred tableaux through pop‑medieval songs, spoken interventions and dances that shift from ritual to concert. The piece probes historical fissures to reveal other narratives, bodies and modes of existence.
In French.
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Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
Located in the heart of Geneva’s international district, the Portail des Nations is a space dedicated to dialogue, cooperation, and global issues. Through exhibitions, talks, and cultural events, it offers visitors an entry point into the major challenges shaping our world and Geneva’s role as a hub for international governance.
Nestled in the Geneva countryside, the Collection du Crest showcases a remarkable selection of modern and contemporary art. Through temporary exhibitions and its private collection, this unique venue offers an intimate encounter with artistic creation, in dialogue with the history and landscape of the estate.
Discover one of the world’s most remarkable libraries and museums, home to an exceptional collection of manuscripts, rare books, and historical documents spanning over 5,000 years of human history. Located in Cologny overlooking Lake Geneva, the Fondation Martin Bodmer offers a unique journey through literature, philosophy, religion, science, and the arts, bringing together some of humanity’s most significant written treasures.
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