Don’t just like it, live it!

25 – 29 March

Follow Baby Tyler’s hilarious adventures as a tiny hero navigates a world built for grown-ups. Actress and puppeteer Ingrid Hansen turns everyday objects into lively puppets, animating a mischievous finger puppet live on camera and projecting the action onstage. The contemporary tale balances laughter and tenderness as Baby Tyler discovers resilience, problem‑solving and when to ask for help. Bright visuals, playful sounds and surprising interactions invite young audiences to imagine and empathize.

In French. Kids ages 5 and up.

Wednesday 25 March, 18:30

Adèle Yon, author of Mon vrai nom est Elisabeth (2025) and a researcher in film studies, began writing during her PhD within the SACRe research-creation laboratory. Born in 1994 in Paris, she investigates, writes and cooks.

Her reading and conversation with Emmanuelle Pireyre examine the book’s hybrid forms—autobiographical narrative, road trip and essay—while investigating a family lobotomy in 1950. Yon explores archives, testimony and memory to address heredity, violence against women, twentieth-century psychiatric practices and the secrets of a bourgeois family, revealing personal and historical entanglements.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

24 – 29 March

La Cour des Contes is a storytelling festival held each spring in Plan-les-Ouates (Geneva), celebrating oral narration as a vital force for social connection and cultural dialogue. Since 1995, the festival has brought together storytellers from across the world, and the 2026 edition invites audiences to journey through epics and great narratives spanning continents and centuries — from Ireland, Mali, Algeria and Australia to closer shores. Blending classic tales with contemporary voices, performances, family shows and workshops, the festival affirms storytelling as a shared, intimate and deeply human art form.

Wednesday 25 March, 17:15

Martine Ostorero and Cyril Dépraz lead a commented listening of excerpts from the RTS podcast In the Terrible Time of the Witches (9 episodes, 2022), guiding reflections on the series’ research and narrative approach.

The session examines why witch-hunting was particularly fierce in Switzerland for over two centuries, investigating how judicial systems produced enemies, the mechanisms of accusation and persecution, and the human toll. It discusses broader themes of legal culture, collective violence and historical memory.

In French.

Wednesday 25 March, 19:30

The Orchestre Concertus, joined by the Ensemble Vocal Orphée and soloists under the baton of Matthieu Schweyer, will perform works by Antonio Vivaldi at Victoria Hall. The program includes “The Four Seasons,” “Concerto for Four Violins,” and the “Magnificat.”

25 – 29 March

Follow Baby Tyler’s hilarious adventures as a tiny hero navigates a world built for grown-ups. Actress and puppeteer Ingrid Hansen turns everyday objects into lively puppets, animating a mischievous finger puppet live on camera and projecting the action onstage. The contemporary tale balances laughter and tenderness as Baby Tyler discovers resilience, problem‑solving and when to ask for help. Bright visuals, playful sounds and surprising interactions invite young audiences to imagine and empathize.

In French. Kids ages 5 and up.

Wednesday 25 March, 18:30

Adèle Yon, author of Mon vrai nom est Elisabeth (2025) and a researcher in film studies, began writing during her PhD within the SACRe research-creation laboratory. Born in 1994 in Paris, she investigates, writes and cooks.

Her reading and conversation with Emmanuelle Pireyre examine the book’s hybrid forms—autobiographical narrative, road trip and essay—while investigating a family lobotomy in 1950. Yon explores archives, testimony and memory to address heredity, violence against women, twentieth-century psychiatric practices and the secrets of a bourgeois family, revealing personal and historical entanglements.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

24 – 29 March

La Cour des Contes is a storytelling festival held each spring in Plan-les-Ouates (Geneva), celebrating oral narration as a vital force for social connection and cultural dialogue. Since 1995, the festival has brought together storytellers from across the world, and the 2026 edition invites audiences to journey through epics and great narratives spanning continents and centuries — from Ireland, Mali, Algeria and Australia to closer shores. Blending classic tales with contemporary voices, performances, family shows and workshops, the festival affirms storytelling as a shared, intimate and deeply human art form.

Wednesday 25 March, 17:15

Martine Ostorero and Cyril Dépraz lead a commented listening of excerpts from the RTS podcast In the Terrible Time of the Witches (9 episodes, 2022), guiding reflections on the series’ research and narrative approach.

The session examines why witch-hunting was particularly fierce in Switzerland for over two centuries, investigating how judicial systems produced enemies, the mechanisms of accusation and persecution, and the human toll. It discusses broader themes of legal culture, collective violence and historical memory.

In French.

Wednesday 25 March, 19:30

The Orchestre Concertus, joined by the Ensemble Vocal Orphée and soloists under the baton of Matthieu Schweyer, will perform works by Antonio Vivaldi at Victoria Hall. The program includes “The Four Seasons,” “Concerto for Four Violins,” and the “Magnificat.”

25 – 29 March

Follow Baby Tyler’s hilarious adventures as a tiny hero navigates a world built for grown-ups. Actress and puppeteer Ingrid Hansen turns everyday objects into lively puppets, animating a mischievous finger puppet live on camera and projecting the action onstage. The contemporary tale balances laughter and tenderness as Baby Tyler discovers resilience, problem‑solving and when to ask for help. Bright visuals, playful sounds and surprising interactions invite young audiences to imagine and empathize.

In French. Kids ages 5 and up.

Wednesday 25 March, 18:30

Adèle Yon, author of Mon vrai nom est Elisabeth (2025) and a researcher in film studies, began writing during her PhD within the SACRe research-creation laboratory. Born in 1994 in Paris, she investigates, writes and cooks.

Her reading and conversation with Emmanuelle Pireyre examine the book’s hybrid forms—autobiographical narrative, road trip and essay—while investigating a family lobotomy in 1950. Yon explores archives, testimony and memory to address heredity, violence against women, twentieth-century psychiatric practices and the secrets of a bourgeois family, revealing personal and historical entanglements.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

24 – 29 March

La Cour des Contes is a storytelling festival held each spring in Plan-les-Ouates (Geneva), celebrating oral narration as a vital force for social connection and cultural dialogue. Since 1995, the festival has brought together storytellers from across the world, and the 2026 edition invites audiences to journey through epics and great narratives spanning continents and centuries — from Ireland, Mali, Algeria and Australia to closer shores. Blending classic tales with contemporary voices, performances, family shows and workshops, the festival affirms storytelling as a shared, intimate and deeply human art form.

Wednesday 25 March, 17:15

Martine Ostorero and Cyril Dépraz lead a commented listening of excerpts from the RTS podcast In the Terrible Time of the Witches (9 episodes, 2022), guiding reflections on the series’ research and narrative approach.

The session examines why witch-hunting was particularly fierce in Switzerland for over two centuries, investigating how judicial systems produced enemies, the mechanisms of accusation and persecution, and the human toll. It discusses broader themes of legal culture, collective violence and historical memory.

In French.

Wednesday 25 March, 19:30

The Orchestre Concertus, joined by the Ensemble Vocal Orphée and soloists under the baton of Matthieu Schweyer, will perform works by Antonio Vivaldi at Victoria Hall. The program includes “The Four Seasons,” “Concerto for Four Violins,” and the “Magnificat.”

Saturday 28 March, 09:30

This practical course provides an introduction to seed saving and propagation for home gardeners. It explores how to choose easy heirloom and open-pollinated varieties, basic techniques for collecting, cleaning and storing seeds, and simple methods to maintain varietal traits. The session examines crop-specific tips for beans, tomatoes and salad greens, and addresses the ecological and food‑security benefits of seed autonomy, helping participants gain skills to produce and preserve seeds at home.

In French.

28 – 29 March

Climb aboard for a bumpy tractor trailer ride through rows of vines and hunt for hidden Easter eggs among the green leaves. Search, listen to bird song and feel the breeze while following clues. After the hunt, children join Easter craft workshops to paint, glue and decorate small treasures, and little ones have a quiet play corner. Sounds, colors and movement make this a hands-on outdoor adventure that sparks curiosity and creativity.

Kids ages 3–10.

25 – 28 March

“Bowling Club Fantasy” by Julie Bugnard and Isumi Grichting at Maison Saint-Gervais takes you into a bowling club setting where a meeting between a music industry mogul and an artist unfolds in unexpected ways. The regulars’ conversations, film dialogues on the TV, and bar sounds spark parallel narratives, creating a tapestry of everyday life. The creators, inspired by American objective poetry, independent cinema, and lo-fi music, delve into the coexistence of different worlds.

In French.

28 March – 7 April

Dash through winding alleys on a chocolate rescue mission with Pak’alapin. Search for hidden Pak’Potes and magic eggs tucked into shop windows, follow clues in your game booklet, and collect sweet surprises. Dress up and become a little detective, spotting bright colors, curious sounds, and secret signs. The trail mixes playful puzzles, movement, and tasting treats, ending with a friendly meeting with Pak’alapin and plenty of chocolate.

Kids ages 4–10.

Saturday 28 March, 14:30

Race across imaginary continents to find the legendary Egg of the Five Worlds. Solve clever riddles, search colorful spaces, and match secret clues that lead from Europe to Asia, Africa, the Americas and Oceania. Move between lively scenes filled with strange sounds, bright colors and curious objects. Teams observe, puzzle and cooperate, using imagination and attention to uncover the egg. The adventure finishes with a gentle tasting moment to share discoveries.

Kids ages 6 and up.

Saturday 28 March, 15:30

Camille Jaccard, Doctor of History and Philosophy, presents research on 19th-century Geneva where emerging psychology engaged notably with occult studies.

The lecture examines the scientific interest in “magical thinking” that animated the Laboratory of Psychology, considers Jean Piaget’s work on childhood, and reviews psychoanalytic investigations of neurosis alongside local studies of spiritist trance and talismans preserved in museum collections and their scientific reception.

In French.

25 – 29 March

Follow Baby Tyler’s hilarious adventures as a tiny hero navigates a world built for grown-ups. Actress and puppeteer Ingrid Hansen turns everyday objects into lively puppets, animating a mischievous finger puppet live on camera and projecting the action onstage. The contemporary tale balances laughter and tenderness as Baby Tyler discovers resilience, problem‑solving and when to ask for help. Bright visuals, playful sounds and surprising interactions invite young audiences to imagine and empathize.

In French. Kids ages 5 and up.

Wednesday 25 March, 18:30

Adèle Yon, author of Mon vrai nom est Elisabeth (2025) and a researcher in film studies, began writing during her PhD within the SACRe research-creation laboratory. Born in 1994 in Paris, she investigates, writes and cooks.

Her reading and conversation with Emmanuelle Pireyre examine the book’s hybrid forms—autobiographical narrative, road trip and essay—while investigating a family lobotomy in 1950. Yon explores archives, testimony and memory to address heredity, violence against women, twentieth-century psychiatric practices and the secrets of a bourgeois family, revealing personal and historical entanglements.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

24 – 29 March

La Cour des Contes is a storytelling festival held each spring in Plan-les-Ouates (Geneva), celebrating oral narration as a vital force for social connection and cultural dialogue. Since 1995, the festival has brought together storytellers from across the world, and the 2026 edition invites audiences to journey through epics and great narratives spanning continents and centuries — from Ireland, Mali, Algeria and Australia to closer shores. Blending classic tales with contemporary voices, performances, family shows and workshops, the festival affirms storytelling as a shared, intimate and deeply human art form.

Wednesday 25 March, 17:15

Martine Ostorero and Cyril Dépraz lead a commented listening of excerpts from the RTS podcast In the Terrible Time of the Witches (9 episodes, 2022), guiding reflections on the series’ research and narrative approach.

The session examines why witch-hunting was particularly fierce in Switzerland for over two centuries, investigating how judicial systems produced enemies, the mechanisms of accusation and persecution, and the human toll. It discusses broader themes of legal culture, collective violence and historical memory.

In French.

Wednesday 25 March, 19:30

The Orchestre Concertus, joined by the Ensemble Vocal Orphée and soloists under the baton of Matthieu Schweyer, will perform works by Antonio Vivaldi at Victoria Hall. The program includes “The Four Seasons,” “Concerto for Four Violins,” and the “Magnificat.”

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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