Don’t just like it, live it!

23 June – 4 July

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

1 – 12 July

Join a playful builder who improvises a strange home in a garden. With brave, clever ropes and found objects she moves from one idea to the next, sometimes wild, sometimes stubborn, slowly assembling a surprising structure. Children will watch materials cooperate or resist, feel the rhythm of making, and wonder whether everything will collapse or turn into accidental genius. A lively, physical performance that celebrates imagination, trial and joyful experimentation.

In French. Ages 6 and up.

Wednesday 1 July, 21:00

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

Wednesday 1 July, 19:00

Conceived and performed by Alexandre Pateau, La Panne transforms Dürrenmatt’s black comedy into a gastrotheatrical solo that turns a dinner table into a tribunal. Pateau inhabits every role, blending sharp comic timing with moral unease as three former lawyers re‑try history’s great cases over a feast. Sound designer Clément Rousseaux and props designer Nicola Sartorio shape a tactile, immersive stage world. The piece oscillates between farce and cruelty, probing justice, guilt and complicity in intimate, sensory detail.

In French.

Wednesday 1 July, 20:00

Young artists from the Geneva International String Academy present an evening of chamber music showcasing works by Johann Sebastian Bach, Heinrich Wilhelm Ernst, György Kurtág, Gaspar Cassadó, Paul Hindemith, Bohuslav Martinů and Felix Mendelssohn Bartholdy. The program blends Baroque clarity, Romantic virtuosity and modern string colour, offering intimate textures and fiery solos. Expect refined ensemble playing, expressive phrasing and moments of daring technique as emerging musicians explore contrasting eras and emotional landscapes.

24 June – 2 July

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

23 June – 4 July

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

1 – 12 July

Join a playful builder who improvises a strange home in a garden. With brave, clever ropes and found objects she moves from one idea to the next, sometimes wild, sometimes stubborn, slowly assembling a surprising structure. Children will watch materials cooperate or resist, feel the rhythm of making, and wonder whether everything will collapse or turn into accidental genius. A lively, physical performance that celebrates imagination, trial and joyful experimentation.

In French. Ages 6 and up.

Wednesday 1 July, 21:00

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

Wednesday 1 July, 19:00

Conceived and performed by Alexandre Pateau, La Panne transforms Dürrenmatt’s black comedy into a gastrotheatrical solo that turns a dinner table into a tribunal. Pateau inhabits every role, blending sharp comic timing with moral unease as three former lawyers re‑try history’s great cases over a feast. Sound designer Clément Rousseaux and props designer Nicola Sartorio shape a tactile, immersive stage world. The piece oscillates between farce and cruelty, probing justice, guilt and complicity in intimate, sensory detail.

In French.

Wednesday 1 July, 20:00

Young artists from the Geneva International String Academy present an evening of chamber music showcasing works by Johann Sebastian Bach, Heinrich Wilhelm Ernst, György Kurtág, Gaspar Cassadó, Paul Hindemith, Bohuslav Martinů and Felix Mendelssohn Bartholdy. The program blends Baroque clarity, Romantic virtuosity and modern string colour, offering intimate textures and fiery solos. Expect refined ensemble playing, expressive phrasing and moments of daring technique as emerging musicians explore contrasting eras and emotional landscapes.

24 June – 2 July

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

23 June – 4 July

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

1 – 12 July

Join a playful builder who improvises a strange home in a garden. With brave, clever ropes and found objects she moves from one idea to the next, sometimes wild, sometimes stubborn, slowly assembling a surprising structure. Children will watch materials cooperate or resist, feel the rhythm of making, and wonder whether everything will collapse or turn into accidental genius. A lively, physical performance that celebrates imagination, trial and joyful experimentation.

In French. Ages 6 and up.

Wednesday 1 July, 21:00

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

Wednesday 1 July, 19:00

Conceived and performed by Alexandre Pateau, La Panne transforms Dürrenmatt’s black comedy into a gastrotheatrical solo that turns a dinner table into a tribunal. Pateau inhabits every role, blending sharp comic timing with moral unease as three former lawyers re‑try history’s great cases over a feast. Sound designer Clément Rousseaux and props designer Nicola Sartorio shape a tactile, immersive stage world. The piece oscillates between farce and cruelty, probing justice, guilt and complicity in intimate, sensory detail.

In French.

Wednesday 1 July, 20:00

Young artists from the Geneva International String Academy present an evening of chamber music showcasing works by Johann Sebastian Bach, Heinrich Wilhelm Ernst, György Kurtág, Gaspar Cassadó, Paul Hindemith, Bohuslav Martinů and Felix Mendelssohn Bartholdy. The program blends Baroque clarity, Romantic virtuosity and modern string colour, offering intimate textures and fiery solos. Expect refined ensemble playing, expressive phrasing and moments of daring technique as emerging musicians explore contrasting eras and emotional landscapes.

24 June – 2 July

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

4 – 15 July

Philippe Muri, former sports columnist for the daily Le Matin and cultural journalist at Tribune de Genève, brings journalistic insight into sports and cultural history.

This humorous guided tour explores parallels between football and the Protestant Reformation, examining rituals, rivalries, iconoclasm and collective identity through provocative questions and historical anecdotes. It investigates how religious language, attire and conflicts mirror sporting culture and fandom and fan practices.

In French.

4 – 5 July

The Geneva Triathlon offers race formats for everyone! Whatever your age or skill level, whether you’re looking for victory or a challenge, there’s something for everyone!

Six race formats are on the program: Half, Standard, Short, Discovery and children’s races!

The events take place on a unique course in the heart of Geneva harbor, with the swim organized in Lake Geneva, the bike course running along the city center, and a final run on the banks of the lake. The course is marked by professionals and takes place on closed roads (except Half, which is partially closed).

​Thanks to the relay option, you can also participate in each adult race with your friends, colleagues, family, or even your training partners. Form a team of two or three now and take turns swimming, cycling, and running to share a great time together.

Saturday 4 July, 22:00

Ernesto Daranas’ intimate social drama centers on Carmela, a devoted schoolteacher in Havana who fights for her pupils, including Chala, an eleven-year-old street-smart boy. With a blend of sharp humour and raw emotion, the film paints a vivid portrait of childhood, education and resilience amid Cuba’s urban realities. Shot with a naturalistic eye, the narrative balances tenderness and social critique. Awarded Best Film at Havana and New York festivals in 2014, it confirms Daranas’ humane, observational approach to storytelling.

Saturday 4 July, 21:00

Célia Wa is a singer, flautist and multi-instrumentalist from Paris with deep ties to Guadeloupe. She forges a Karibfutursound where Caribbean traditional rhythms—especially gwo ka—meet electronics, soul, jazz and hip‑hop. Her flute winds luminous lines through textured percussion, machines and bass, weaving ancestral grooves into contemporary club-inflected spaces. In collaboration with Maquis Dékalé, the project balances rooted tradition and futuristic dancefloor energy.

25 June – 8 July

Inspired by the literary world of Leonora Miano, this series of paintings portrays a fictional people embodying a utopian vision of Pan-Africanism. Through richly imagined figures and narratives, Ismaël Touré explores identity as plural, fluid, and deeply rooted in a shared collective memory.

Opening: Thursday 25 June, 18:30

4 – 5 July

La Cité Bleue invites you on a timeless journey with La Nuit Bleue Orientale, a 12-hour musical marathon from July 4 to 5, 2026.
Curated by Franco-Iranian percussionist Keyvan Chemirani, this enchanting night brings together artists from diverse backgrounds to explore musical traditions from Persia, the Levant, and the Mediterranean. The program alternates captivating concerts with restful pauses, blending ancient instruments with contemporary expression, improvisation with traditional repertoire.
To enrich the experience, the Café des artistes will offer teas and pastries from various Eastern cultures—deepening the immersion in this unforgettable celebration of sound and spirit.

23 June – 4 July

But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.

They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”

In French.

1 – 12 July

Join a playful builder who improvises a strange home in a garden. With brave, clever ropes and found objects she moves from one idea to the next, sometimes wild, sometimes stubborn, slowly assembling a surprising structure. Children will watch materials cooperate or resist, feel the rhythm of making, and wonder whether everything will collapse or turn into accidental genius. A lively, physical performance that celebrates imagination, trial and joyful experimentation.

In French. Ages 6 and up.

Wednesday 1 July, 21:00

Conducted by Zofia Kiniorska, the Orchestre de la Suisse Romande unfolds a richly coloured soundscape across four 20th-century works from the Russian, French and Swiss repertoire. Prokofiev’s Classical Symphony playfully upends 18th-century conventions, combining wit with razor‑sharp energy. Frank Martin’s Concerto for Seven Wind Instruments offers lucid, finely balanced polyphony where instrumental lines converse with clarity. Ravel’s writing turns more sensual in Le Tombeau de Couperin before the virtuosic brilliance of Tzigane closes the programme in a whirlwind of raw energy.

Wednesday 1 July, 19:00

Conceived and performed by Alexandre Pateau, La Panne transforms Dürrenmatt’s black comedy into a gastrotheatrical solo that turns a dinner table into a tribunal. Pateau inhabits every role, blending sharp comic timing with moral unease as three former lawyers re‑try history’s great cases over a feast. Sound designer Clément Rousseaux and props designer Nicola Sartorio shape a tactile, immersive stage world. The piece oscillates between farce and cruelty, probing justice, guilt and complicity in intimate, sensory detail.

In French.

Wednesday 1 July, 20:00

Young artists from the Geneva International String Academy present an evening of chamber music showcasing works by Johann Sebastian Bach, Heinrich Wilhelm Ernst, György Kurtág, Gaspar Cassadó, Paul Hindemith, Bohuslav Martinů and Felix Mendelssohn Bartholdy. The program blends Baroque clarity, Romantic virtuosity and modern string colour, offering intimate textures and fiery solos. Expect refined ensemble playing, expressive phrasing and moments of daring technique as emerging musicians explore contrasting eras and emotional landscapes.

24 June – 2 July

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

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