Don’t just like it, live it!

Wednesday 23 September, 19:00

Sun Tzu taught us the art of war. Renowned political scientist Bertrand Badie invites us to consider what we might gain if we finally learned the art of peace. Drawing on his latest book, The Art of Peace, he explores how dialogue, cooperation, and collective action can help shape a different approach to conflict and international relations.

The Geneva Peace Forum brings together decision-makers, experts, civil society and international organisations to reflect on today’s most pressing challenges around peace and conflict prevention.

In partnership with the Geneva Peace Forum.

In French.

19 – 27 September

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

Wednesday 23 September, 20:00

Presented by Horan Sounds, this two-part programme brings together the Rokh Quartet and the Sepidâr Ensemble to explore Persian classical repertoire and contemporary compositions. Sepidâr’s set, titled “Tendre tourmente”, interweaves delicate modal improvisations and rhythmic patterns with the quartet’s intimate string textures. The project frames heritage and renewal, highlighting musicians trained in Iran and their dialog with modern expression. Sparse, luminous sonorities and intricate ornamentation create a meditative yet electric atmosphere, transporting listeners into a nuanced sonic landscape.

Wednesday 23 September, 19:00

An invited artist curates a 90-minute listening set drawn from the MEG’s Marco Botta sound collection. Nearly 5,000 LPs—mostly from the 1960s and 1970s—are mined for hidden grooves, rare labels and global sound textures. The performance reanimates archival recordings into a live sonic narrative, folding analog warmth, surprising juxtapositions and tactile vinyl crackle into an intimate, exploratory experience. It foregrounds listening as an active, communal act and offers new perspectives on musical memory.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

Wednesday 23 September, 12:30

Philippe Charlier, forensic physician, anthropologist and director of research, presents an investigation into the circulating metaphysics of spirits in the vodun of Benin and the voodoo traditions of Haiti. Following the avenging deity Heviosso, the egungun dances of Benin and the flight of spirits associated with zombi phenomena in Haiti, he examines rituals that position these entities as intermediaries between the living, the souls and the ancestors.

In French.

Wednesday 23 September, 19:00

Sun Tzu taught us the art of war. Renowned political scientist Bertrand Badie invites us to consider what we might gain if we finally learned the art of peace. Drawing on his latest book, The Art of Peace, he explores how dialogue, cooperation, and collective action can help shape a different approach to conflict and international relations.

The Geneva Peace Forum brings together decision-makers, experts, civil society and international organisations to reflect on today’s most pressing challenges around peace and conflict prevention.

In partnership with the Geneva Peace Forum.

In French.

19 – 27 September

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

Wednesday 23 September, 20:00

Presented by Horan Sounds, this two-part programme brings together the Rokh Quartet and the Sepidâr Ensemble to explore Persian classical repertoire and contemporary compositions. Sepidâr’s set, titled “Tendre tourmente”, interweaves delicate modal improvisations and rhythmic patterns with the quartet’s intimate string textures. The project frames heritage and renewal, highlighting musicians trained in Iran and their dialog with modern expression. Sparse, luminous sonorities and intricate ornamentation create a meditative yet electric atmosphere, transporting listeners into a nuanced sonic landscape.

Wednesday 23 September, 19:00

An invited artist curates a 90-minute listening set drawn from the MEG’s Marco Botta sound collection. Nearly 5,000 LPs—mostly from the 1960s and 1970s—are mined for hidden grooves, rare labels and global sound textures. The performance reanimates archival recordings into a live sonic narrative, folding analog warmth, surprising juxtapositions and tactile vinyl crackle into an intimate, exploratory experience. It foregrounds listening as an active, communal act and offers new perspectives on musical memory.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

Wednesday 23 September, 12:30

Philippe Charlier, forensic physician, anthropologist and director of research, presents an investigation into the circulating metaphysics of spirits in the vodun of Benin and the voodoo traditions of Haiti. Following the avenging deity Heviosso, the egungun dances of Benin and the flight of spirits associated with zombi phenomena in Haiti, he examines rituals that position these entities as intermediaries between the living, the souls and the ancestors.

In French.

Wednesday 23 September, 19:00

Sun Tzu taught us the art of war. Renowned political scientist Bertrand Badie invites us to consider what we might gain if we finally learned the art of peace. Drawing on his latest book, The Art of Peace, he explores how dialogue, cooperation, and collective action can help shape a different approach to conflict and international relations.

The Geneva Peace Forum brings together decision-makers, experts, civil society and international organisations to reflect on today’s most pressing challenges around peace and conflict prevention.

In partnership with the Geneva Peace Forum.

In French.

19 – 27 September

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

Wednesday 23 September, 20:00

Presented by Horan Sounds, this two-part programme brings together the Rokh Quartet and the Sepidâr Ensemble to explore Persian classical repertoire and contemporary compositions. Sepidâr’s set, titled “Tendre tourmente”, interweaves delicate modal improvisations and rhythmic patterns with the quartet’s intimate string textures. The project frames heritage and renewal, highlighting musicians trained in Iran and their dialog with modern expression. Sparse, luminous sonorities and intricate ornamentation create a meditative yet electric atmosphere, transporting listeners into a nuanced sonic landscape.

Wednesday 23 September, 19:00

An invited artist curates a 90-minute listening set drawn from the MEG’s Marco Botta sound collection. Nearly 5,000 LPs—mostly from the 1960s and 1970s—are mined for hidden grooves, rare labels and global sound textures. The performance reanimates archival recordings into a live sonic narrative, folding analog warmth, surprising juxtapositions and tactile vinyl crackle into an intimate, exploratory experience. It foregrounds listening as an active, communal act and offers new perspectives on musical memory.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

Wednesday 23 September, 12:30

Philippe Charlier, forensic physician, anthropologist and director of research, presents an investigation into the circulating metaphysics of spirits in the vodun of Benin and the voodoo traditions of Haiti. Following the avenging deity Heviosso, the egungun dances of Benin and the flight of spirits associated with zombi phenomena in Haiti, he examines rituals that position these entities as intermediaries between the living, the souls and the ancestors.

In French.

25 – 26 September

CrabCore Fest is a Swiss rock and metal festival championing the local scene. Across two days it gathers a diverse lineup of bands from Switzerland and neighbouring France, spanning heavy riffs, melodic metal and experimental rock. Emphasis is on community-driven programming, energetic live performances and a grassroots atmosphere where emerging artists share the bill with seasoned acts. Stalls and food options accompany the stages, creating a convivial frame for loud, visceral music.

Saturday 26 September, 11:00

Explore the sounds of a full orchestra in this playful musical journey. Hear lively brass, whispering strings, glittering woodwinds and bold percussion as each family of instruments takes a turn. Follow themes and clever variations that show how notes can change into animals and characters. Imagine bears, butterflies, giants and fairies guided by bright melodies and shifting rhythms. Listen closely, spot different timbres, and let curiosity lead your questions and discoveries.

Kids ages 6 and up.

25 – 27 September

Festival d’automne presents a programme of intimate organ and ensemble concerts exploring timbre, ritual and storytelling. Highlights include the electro-acoustic duo “Tuyaux et ondes” with Jacques Tchamkerten (ondes Martenot) and Vincent Thévenaz (organ), a narrated Mexican legend featuring Zeltzin Pérez and Diego Galicia Suárez, and a musical portrait celebrating Lionel Rogg with Anne Page, David Titterington, Alessio Corti and the choir Cantus Laetus led by Natacha Casagrande. The series favours reflective atmospheres and virtuosic instrumental colour.

24 September – 3 October

Caramelo y Limón Festival celebrates ten years of Hispanic cinema, bringing together films, conversations and shared thrills on the big screen. Open to everyone, the programme features feature films and short films in their original languages with French subtitles, plus exhibitions and special screenings. Audiences can meet filmmakers, attend talks and discover diverse stories from Spanish-speaking cultures. Families and cinephiles are invited to connect through film and community.

Saturday 26 September, 19:30

Geneva Brass celebrates its identity and journey in a portrait-like concert led by Antoine Courvoisier. The first half honours works that shaped the quintet, blending major repertoire pages and emblematic pieces for brass. The second half plunges the audience into a cabaret world inspired by the Roaring Twenties, mixing energy, humour and theatricality. The programme is virtuosic and festive, rooted in collective joy and sharing, staged with careful mise-en-scène.

Saturday 26 September, 19:00

An energetic night celebrating videogame culture where competition and play collide. Expect a giant Super Smash Bros tournament with live commentary from Kuma Sensei, a full-size Just Dance arena with official scoring, racing simulators, virtual reality initiations and an area for experimental indie games. Try a typing contest, hop on free-play stations for Mario Kart, GeoGuessr and Chronophoto, and enjoy retro consoles amid festive, starlit party vibes.

Wednesday 23 September, 19:00

Sun Tzu taught us the art of war. Renowned political scientist Bertrand Badie invites us to consider what we might gain if we finally learned the art of peace. Drawing on his latest book, The Art of Peace, he explores how dialogue, cooperation, and collective action can help shape a different approach to conflict and international relations.

The Geneva Peace Forum brings together decision-makers, experts, civil society and international organisations to reflect on today’s most pressing challenges around peace and conflict prevention.

In partnership with the Geneva Peace Forum.

In French.

19 – 27 September

PCC 2024 presents a city-wide parcours of contemporary ceramics by a collective of local and regional ceramists. The programme showcases functional and sculptural work, installations and experimental glazing techniques that interrogate surface, form and material memory. Through dialogues between craft and concept, the parcours highlights processes such as wheel-throwing, hand-building and mixed-media collaborations, inviting reflection on the cultural and tactile histories embedded in clay.

Wednesday 23 September, 20:00

Presented by Horan Sounds, this two-part programme brings together the Rokh Quartet and the Sepidâr Ensemble to explore Persian classical repertoire and contemporary compositions. Sepidâr’s set, titled “Tendre tourmente”, interweaves delicate modal improvisations and rhythmic patterns with the quartet’s intimate string textures. The project frames heritage and renewal, highlighting musicians trained in Iran and their dialog with modern expression. Sparse, luminous sonorities and intricate ornamentation create a meditative yet electric atmosphere, transporting listeners into a nuanced sonic landscape.

Wednesday 23 September, 19:00

An invited artist curates a 90-minute listening set drawn from the MEG’s Marco Botta sound collection. Nearly 5,000 LPs—mostly from the 1960s and 1970s—are mined for hidden grooves, rare labels and global sound textures. The performance reanimates archival recordings into a live sonic narrative, folding analog warmth, surprising juxtapositions and tactile vinyl crackle into an intimate, exploratory experience. It foregrounds listening as an active, communal act and offers new perspectives on musical memory.

22 September – 4 October

Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.

In French.

Wednesday 23 September, 12:30

Philippe Charlier, forensic physician, anthropologist and director of research, presents an investigation into the circulating metaphysics of spirits in the vodun of Benin and the voodoo traditions of Haiti. Following the avenging deity Heviosso, the egungun dances of Benin and the flight of spirits associated with zombi phenomena in Haiti, he examines rituals that position these entities as intermediaries between the living, the souls and the ancestors.

In French.

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