Don’t just like it, live it!
Directed and performed by Vincent Babel and Alexandre Diakoff, À l’ombre de Calvin blends text, music and film to retrace key moments and hidden facets of John Calvin’s life. Bruno Miquel acts as narrator while Silvia Fabiani contributes evocative video, and a children’s choir prepared by Emmanuel Meliz joins the cathedral choir and instrumental ensemble under Florence Kraft’s direction. The staging balances historical reflection and poetic imagery to engage audiences of all ages.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Pillowgraphies answers a yearning for lightness. It attempts to escape gravity and unfold a dance in which the body dissolves into a soft, buoyant figure — a ghost. The performance plunges into a nocturnal, joyful world where floating replaces walking, sliding becomes movement and walking turns absurd. The company invites playful participation after the show, opening the stage for collective dancing and shared, exuberant moments.
In French.
An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Directed and performed by Vincent Babel and Alexandre Diakoff, À l’ombre de Calvin blends text, music and film to retrace key moments and hidden facets of John Calvin’s life. Bruno Miquel acts as narrator while Silvia Fabiani contributes evocative video, and a children’s choir prepared by Emmanuel Meliz joins the cathedral choir and instrumental ensemble under Florence Kraft’s direction. The staging balances historical reflection and poetic imagery to engage audiences of all ages.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Pillowgraphies answers a yearning for lightness. It attempts to escape gravity and unfold a dance in which the body dissolves into a soft, buoyant figure — a ghost. The performance plunges into a nocturnal, joyful world where floating replaces walking, sliding becomes movement and walking turns absurd. The company invites playful participation after the show, opening the stage for collective dancing and shared, exuberant moments.
In French.
An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Directed and performed by Vincent Babel and Alexandre Diakoff, À l’ombre de Calvin blends text, music and film to retrace key moments and hidden facets of John Calvin’s life. Bruno Miquel acts as narrator while Silvia Fabiani contributes evocative video, and a children’s choir prepared by Emmanuel Meliz joins the cathedral choir and instrumental ensemble under Florence Kraft’s direction. The staging balances historical reflection and poetic imagery to engage audiences of all ages.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Pillowgraphies answers a yearning for lightness. It attempts to escape gravity and unfold a dance in which the body dissolves into a soft, buoyant figure — a ghost. The performance plunges into a nocturnal, joyful world where floating replaces walking, sliding becomes movement and walking turns absurd. The company invites playful participation after the show, opening the stage for collective dancing and shared, exuberant moments.
In French.
An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Directed and performed by Vincent Babel and Alexandre Diakoff, À l’ombre de Calvin blends text, music and film to retrace key moments and hidden facets of John Calvin’s life. Bruno Miquel acts as narrator while Silvia Fabiani contributes evocative video, and a children’s choir prepared by Emmanuel Meliz joins the cathedral choir and instrumental ensemble under Florence Kraft’s direction. The staging balances historical reflection and poetic imagery to engage audiences of all ages.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Pillowgraphies answers a yearning for lightness. It attempts to escape gravity and unfold a dance in which the body dissolves into a soft, buoyant figure — a ghost. The performance plunges into a nocturnal, joyful world where floating replaces walking, sliding becomes movement and walking turns absurd. The company invites playful participation after the show, opening the stage for collective dancing and shared, exuberant moments.
In French.
An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Directed and performed by Vincent Babel and Alexandre Diakoff, À l’ombre de Calvin blends text, music and film to retrace key moments and hidden facets of John Calvin’s life. Bruno Miquel acts as narrator while Silvia Fabiani contributes evocative video, and a children’s choir prepared by Emmanuel Meliz joins the cathedral choir and instrumental ensemble under Florence Kraft’s direction. The staging balances historical reflection and poetic imagery to engage audiences of all ages.
In French.
Led by pianist Sullivan Fortner with Tyrone Allen II (double bass) and Kayvon Gordon (drums), this jazz trio channels the spirit of New Orleans through lyrical melodies and buoyant rhythms. Their repertoire blends original compositions and reworkings, drawing on jazz traditions and Caribbean influences. Subtle interplay and improvisation shape shifting moods, while warm, resonant piano and lively rhythmic drive create an atmosphere of generosity, celebration and inventive freedom that honors heritage while pushing boundaries.
Djadja & Dinaz are an emblematic French rap duo from Meaux. Childhood friends turned collaborators, they blend melodic rap, trap rhythms and atmospheric textures to craft songs that alternate between intimate melodies and powerful urban energy. Their seventh album, Terminal 7, deepens their signature sound with layered vocals and contemporary production. On stage they combine strong hooks and immersive beats, creating a charged yet introspective atmosphere that highlights storytelling and melodic flow.
In French.
Pillowgraphies answers a yearning for lightness. It attempts to escape gravity and unfold a dance in which the body dissolves into a soft, buoyant figure — a ghost. The performance plunges into a nocturnal, joyful world where floating replaces walking, sliding becomes movement and walking turns absurd. The company invites playful participation after the show, opening the stage for collective dancing and shared, exuberant moments.
In French.
An evening in three parts showcasing emerging jazz and electro-acoustic projects. Louis Billette’s 6tet plays generous, jubilant and comforting modern jazz with a pronounced groove. Mohs, featuring Fanny Martin, blends acoustic instruments and electronic effects to shape powerful, luminous soundscapes. Arthur Hnatek, joined by Sophie Le Meillour, unfolds an audiovisual set that oscillates between electronic music, contemporary drumming, improvisation and club-like energy.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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