Don’t just like it, live it!
Anaïs Emery, Paola Gazzani Marinelli, Alexandre Iordachescu and Guillaume Schmid take part in this session presented with the Fondation pour la création numérique. Their discussion reflects on four years of work to strengthen the structure, funding and recognition of digital arts and culture in Romandy.
The talk introduces NEXUS, a new support programme for digital creation, and examines how such initiatives can drive cultural, social and educational transformation. It offers insight into the priorities shaping digital arts support in French-speaking Switzerland.
In English.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Presented in partnership with the Institut National Genevois, this closing concert brings together prizewinners of the Geneva Competition: violist Brian Isaacs and the Quatuor Elmire. The programme centres on Beethoven’s Quintet alongside two contrasting works, offering intimate chamber music textures. The performers favour clarity of line and heated interplay, shaping a narrative of tenderness and tension. Lighting and staging are understated, focusing attention on timbral richness and communicative ensemble playing to create a luminous, emotionally precise evening.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Dr. Jean‑Yves Sovilla, neurologist specializing in sleep medicine, offers a historical and scientific survey of major epidemics. He examines the two greatest plague waves — late antique and 14th‑century Black Death — and recounts Alexandre Yersin’s role in identifying the plague bacillus. Recent genetic discoveries tracing plague evolution, the history and impact of influenza, AIDS and COVID, and the principles behind mRNA vaccine technology are also discussed.
In French.
Choreographed by Soraya Leila Emery, Coming Soon reimagines Ingres’s La Grande Odalisque through a playful, subversive lens. A single performer shifts between tableaux—seductive, mischievous, defiant—using grotesque exaggeration and theatrical excess to unsettle the orientalist gaze. Sparse objects, bold gestures and a keen sense of timing create alternating moments of intimacy and farce, opening space for new narratives of desire and agency. Created in collaboration with Emergentia and local partners, the work feels simultaneously imminent and elusive.
Kino is an intimate, atmospheric independent film that traces the fragile intersections between memory and desire. Through lingering compositions, grainy textures and a measured, contemplative pace, the narrative follows a small ensemble as they negotiate loss, longing and quiet acts of repair. The film favours observational performances and visual storytelling, inviting the viewer into moments of emotional ambiguity and sensory detail rather than explicit resolution.
In French.
Anaïs Emery, Paola Gazzani Marinelli, Alexandre Iordachescu and Guillaume Schmid take part in this session presented with the Fondation pour la création numérique. Their discussion reflects on four years of work to strengthen the structure, funding and recognition of digital arts and culture in Romandy.
The talk introduces NEXUS, a new support programme for digital creation, and examines how such initiatives can drive cultural, social and educational transformation. It offers insight into the priorities shaping digital arts support in French-speaking Switzerland.
In English.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Presented in partnership with the Institut National Genevois, this closing concert brings together prizewinners of the Geneva Competition: violist Brian Isaacs and the Quatuor Elmire. The programme centres on Beethoven’s Quintet alongside two contrasting works, offering intimate chamber music textures. The performers favour clarity of line and heated interplay, shaping a narrative of tenderness and tension. Lighting and staging are understated, focusing attention on timbral richness and communicative ensemble playing to create a luminous, emotionally precise evening.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Dr. Jean‑Yves Sovilla, neurologist specializing in sleep medicine, offers a historical and scientific survey of major epidemics. He examines the two greatest plague waves — late antique and 14th‑century Black Death — and recounts Alexandre Yersin’s role in identifying the plague bacillus. Recent genetic discoveries tracing plague evolution, the history and impact of influenza, AIDS and COVID, and the principles behind mRNA vaccine technology are also discussed.
In French.
Choreographed by Soraya Leila Emery, Coming Soon reimagines Ingres’s La Grande Odalisque through a playful, subversive lens. A single performer shifts between tableaux—seductive, mischievous, defiant—using grotesque exaggeration and theatrical excess to unsettle the orientalist gaze. Sparse objects, bold gestures and a keen sense of timing create alternating moments of intimacy and farce, opening space for new narratives of desire and agency. Created in collaboration with Emergentia and local partners, the work feels simultaneously imminent and elusive.
Kino is an intimate, atmospheric independent film that traces the fragile intersections between memory and desire. Through lingering compositions, grainy textures and a measured, contemplative pace, the narrative follows a small ensemble as they negotiate loss, longing and quiet acts of repair. The film favours observational performances and visual storytelling, inviting the viewer into moments of emotional ambiguity and sensory detail rather than explicit resolution.
In French.
Anaïs Emery, Paola Gazzani Marinelli, Alexandre Iordachescu and Guillaume Schmid take part in this session presented with the Fondation pour la création numérique. Their discussion reflects on four years of work to strengthen the structure, funding and recognition of digital arts and culture in Romandy.
The talk introduces NEXUS, a new support programme for digital creation, and examines how such initiatives can drive cultural, social and educational transformation. It offers insight into the priorities shaping digital arts support in French-speaking Switzerland.
In English.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Presented in partnership with the Institut National Genevois, this closing concert brings together prizewinners of the Geneva Competition: violist Brian Isaacs and the Quatuor Elmire. The programme centres on Beethoven’s Quintet alongside two contrasting works, offering intimate chamber music textures. The performers favour clarity of line and heated interplay, shaping a narrative of tenderness and tension. Lighting and staging are understated, focusing attention on timbral richness and communicative ensemble playing to create a luminous, emotionally precise evening.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Dr. Jean‑Yves Sovilla, neurologist specializing in sleep medicine, offers a historical and scientific survey of major epidemics. He examines the two greatest plague waves — late antique and 14th‑century Black Death — and recounts Alexandre Yersin’s role in identifying the plague bacillus. Recent genetic discoveries tracing plague evolution, the history and impact of influenza, AIDS and COVID, and the principles behind mRNA vaccine technology are also discussed.
In French.
Choreographed by Soraya Leila Emery, Coming Soon reimagines Ingres’s La Grande Odalisque through a playful, subversive lens. A single performer shifts between tableaux—seductive, mischievous, defiant—using grotesque exaggeration and theatrical excess to unsettle the orientalist gaze. Sparse objects, bold gestures and a keen sense of timing create alternating moments of intimacy and farce, opening space for new narratives of desire and agency. Created in collaboration with Emergentia and local partners, the work feels simultaneously imminent and elusive.
Set between domestication and escape, La zone nono follows a troupe of ragged yet endearing animals seeking community and freedom. Two table puppeteers and two musicians bring to life quirky creatures through live music and songs, blending humour and poetry. The staging balances intimacy and playful invention, exploring solidarity, resilience and the pull of the wild. The show is performed in French and mixes witty storytelling with musicality and inventive puppetry.
In French.
Part of the Saison du 150ᵉ, this opening chapter gathers young musicians from the HEM to reimagine Geneva’s musical heritage through operetta and classical repertoire. Programmes range from Offenbach and Fauré to Jaques‑Dalcroze and Mussorgsky, presented by Compagnie MoZaïk’s, La Compagnie à Trois Temps and soloists Eva Viegas and Xaverine Lefebvre. The evenings balance historical intimacy and theatrical storytelling, blending lyricism, playful wit and vivid narration to create a warm, reflective experience.
In French.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Le Salon du Design presents a focused selection of twentieth‑century furniture, lighting and design objects from 1910 to 1990. About thirty vetted professional dealers from Switzerland and across Europe offer original and collectible pieces signed by modern and postmodern designers. Emphasising authenticity, craftsmanship and provenance, the fair appeals to discerning collectors and enthusiasts. The presentation foregrounds curated, high-quality vintage pieces rather than flea-market finds or contemporary studio work, inviting close study of form, material and design history.
François-Christian Marzal’s film follows Jean-Luc as he launches into a headlong performance of Don Quixote on the stage of La Comédie. Moving between theatre, memory, fiction and the echoes of Swiss cinema, it becomes a vertiginous meditation on representation itself. With references to Tanner, Goretta, Soutter and Godard, the film blends playfulness and reflection.
O.V. French
In the presence of cinematographer Séverine Barde and the director.
Step behind the scenes of the UNIGE Faculty of Medicine for a lively day of discovery. Explore hands-on workshops, exhibitions, stands, guided visits, short talks and screenings that open a window onto medicine and health. The programme is designed for curious visitors of all ages, with activities that invite families and friends to learn, observe and take part together.
Calema’s brothers bring a warm blend of soulful vocals, pop melodies and Afro‑Portuguese rhythms. Their music balances intimate ballads and uplifting anthems, driven by close harmonies and rhythmic guitar patterns. Expect a performance that moves between tender emotion and contagious energy, highlighted by nuanced arrangements and heartfelt delivery. The duo’s commanding stage presence invites close listening and joyful participation, offering an evocative journey through love, identity and rhythmic tradition.
Kino is an intimate, atmospheric independent film that traces the fragile intersections between memory and desire. Through lingering compositions, grainy textures and a measured, contemplative pace, the narrative follows a small ensemble as they negotiate loss, longing and quiet acts of repair. The film favours observational performances and visual storytelling, inviting the viewer into moments of emotional ambiguity and sensory detail rather than explicit resolution.
In French.
Anaïs Emery, Paola Gazzani Marinelli, Alexandre Iordachescu and Guillaume Schmid take part in this session presented with the Fondation pour la création numérique. Their discussion reflects on four years of work to strengthen the structure, funding and recognition of digital arts and culture in Romandy.
The talk introduces NEXUS, a new support programme for digital creation, and examines how such initiatives can drive cultural, social and educational transformation. It offers insight into the priorities shaping digital arts support in French-speaking Switzerland.
In English.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Presented in partnership with the Institut National Genevois, this closing concert brings together prizewinners of the Geneva Competition: violist Brian Isaacs and the Quatuor Elmire. The programme centres on Beethoven’s Quintet alongside two contrasting works, offering intimate chamber music textures. The performers favour clarity of line and heated interplay, shaping a narrative of tenderness and tension. Lighting and staging are understated, focusing attention on timbral richness and communicative ensemble playing to create a luminous, emotionally precise evening.
Text by Erri De Luca. Directed by Barbara Baker and F‑X Fernandez‑Cavada, Impossible unfolds after a man falls from a steep trail in the Dolomites. Blending investigation, memory and love letters, the staging probes guilt, betrayal and political history as two former members of the same terrorist group confront a shared past. The production balances documentary clarity and poetic fragments, offering a tense, intimate reflection on vengeance and the echoes of the 20th century into the present.
In French.
Dr. Jean‑Yves Sovilla, neurologist specializing in sleep medicine, offers a historical and scientific survey of major epidemics. He examines the two greatest plague waves — late antique and 14th‑century Black Death — and recounts Alexandre Yersin’s role in identifying the plague bacillus. Recent genetic discoveries tracing plague evolution, the history and impact of influenza, AIDS and COVID, and the principles behind mRNA vaccine technology are also discussed.
In French.
Choreographed by Soraya Leila Emery, Coming Soon reimagines Ingres’s La Grande Odalisque through a playful, subversive lens. A single performer shifts between tableaux—seductive, mischievous, defiant—using grotesque exaggeration and theatrical excess to unsettle the orientalist gaze. Sparse objects, bold gestures and a keen sense of timing create alternating moments of intimacy and farce, opening space for new narratives of desire and agency. Created in collaboration with Emergentia and local partners, the work feels simultaneously imminent and elusive.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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