Don’t just like it, live it!

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

7 – 16 May

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

Friday 15 May, 21:30

Directed by a creative team and performed by a tight ensemble, Bambino explores memory, identity and the fragile bonds between generations. Sparse staging, intimate choreography and attentive lighting create shifting moods that move between tenderness and unease. The production balances physical theatre with poetic imagery, inviting the audience into a contemplative, sensory experience where gestures and silences carry emotional weight.

In Tunisian.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Reserved for previous participants of the Grand Chantier, this workshop deepens marionette staging and performance practice. Facilitated by Chine Curchod and Joël Hefti. Using puppets supplied by the TMG and excerpts from classical and contemporary texts, participants will investigate spatial composition, scenographic devices and dramaturgy, and refine ensemble manipulation and character work. The atelier emphasizes practical exercises, collective exploration and staged fragments to advance technical control and theatrical storytelling.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

7 – 16 May

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

Friday 15 May, 21:30

Directed by a creative team and performed by a tight ensemble, Bambino explores memory, identity and the fragile bonds between generations. Sparse staging, intimate choreography and attentive lighting create shifting moods that move between tenderness and unease. The production balances physical theatre with poetic imagery, inviting the audience into a contemplative, sensory experience where gestures and silences carry emotional weight.

In Tunisian.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Reserved for previous participants of the Grand Chantier, this workshop deepens marionette staging and performance practice. Facilitated by Chine Curchod and Joël Hefti. Using puppets supplied by the TMG and excerpts from classical and contemporary texts, participants will investigate spatial composition, scenographic devices and dramaturgy, and refine ensemble manipulation and character work. The atelier emphasizes practical exercises, collective exploration and staged fragments to advance technical control and theatrical storytelling.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

7 – 16 May

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

Friday 15 May, 21:30

Directed by a creative team and performed by a tight ensemble, Bambino explores memory, identity and the fragile bonds between generations. Sparse staging, intimate choreography and attentive lighting create shifting moods that move between tenderness and unease. The production balances physical theatre with poetic imagery, inviting the audience into a contemplative, sensory experience where gestures and silences carry emotional weight.

In Tunisian.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Reserved for previous participants of the Grand Chantier, this workshop deepens marionette staging and performance practice. Facilitated by Chine Curchod and Joël Hefti. Using puppets supplied by the TMG and excerpts from classical and contemporary texts, participants will investigate spatial composition, scenographic devices and dramaturgy, and refine ensemble manipulation and character work. The atelier emphasizes practical exercises, collective exploration and staged fragments to advance technical control and theatrical storytelling.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

14 – 17 May

Presented by the Association des Comédies Musicales de l’Université de Genève, Projet 51 follows two friends, Robin and Bobby, who encounter a whimsical alien and embark on a time-transcending odyssey. Through original songs and theatrical tableaux, the piece explores family, love and the act of telling one’s life. Staged as an intimate yet expansive musical, it blends humour, tenderness and imagination to create vivid moments that shift between playful wonder and heartfelt reflection.

In French.

15 – 16 May

Thibaud Agoston offers a frank, intimate stand-up that navigates love, friendship, sexuality and loss through the frame of a recent breakup. In this third and most personal show he mixes sharp observation and self-deprecating humour to transform sadness into laugh-out-loud moments. A leading figure of Swiss stand-up, Agoston brings experience from radio and televised columns and major comedy festivals to a compact, emotionally charged hour on stage.

In French.

12 – 24 May

Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.

In French.

14 – 16 May

Entre guillemets presents a titleless performance where objects fall, slide and unsettle the stage. The company blends circus, theatre and visual performance to probe the fragility of everyday life and the challenge of keeping emotional and physical balance. Recovered objects from each venue become autonomous elements within a poetic, chaotic set. The piece mixes physical humour, gravity and touching moments. Performers include Camille Boitel, Sève Bernard, Kenzo Bernard and Étienne Charles, with alternating casts.

In French.

Saturday 16 May, 14:00

Paint a giant yellow floor mural together. Run through hopscotch squares, curl along an earthworm, spin on Twister rings and trace a snail’s spiral as children add bright colors and playful shapes. Little brushes, big sweeps, laughing voices and splashes of paint bring the design to life. This hands-on activity invites families to create patterns, step into games, and discover how simple marks can become a shared artwork full of movement and color.

Kids ages 0 and up.

Saturday 16 May, 21:00

Led by bassist John Hébert, this quartet navigates the tension between jazz tradition and adventurous exploration. Hébert’s compositions foreground dissonance and spontaneous interplay woven into melody and groove, informed by his apprenticeship with pianist Andrew Hill. Tenor saxophonist Ohad Talmor, pianist Mathieu Rossignelly and drummer Domenic Egli respond with attentive dialogue, shaping a collective sound that values listening, empathy and risk. The music unfolds as demanding, communal invention, where improvisation converts each encounter into a shared, kinetic experience.

Friday 15 May, 14:15

Vincent Duclert, senior researcher at CESPRA (EHESS‑CNRS) and former director, discusses how historians approach representations of catastrophe. Drawing on his research on genocide and cinema, he examines the intersections of memory, image and historical testimony and reflects on how film shapes and challenges historical understanding. The session includes a screening of the documentary «Ce que je sais. Paroles pour l’histoire. 1992-2022.» It is presented in the context of Valentina Calzolari’s transversal course.

In French.

7 – 16 May

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

Friday 15 May, 21:30

Directed by a creative team and performed by a tight ensemble, Bambino explores memory, identity and the fragile bonds between generations. Sparse staging, intimate choreography and attentive lighting create shifting moods that move between tenderness and unease. The production balances physical theatre with poetic imagery, inviting the audience into a contemplative, sensory experience where gestures and silences carry emotional weight.

In Tunisian.

Friday 15 May, 20:00

Goran Bregović leads his Orchestra in a jubilant sonic celebration that blends Balkan folk, Roma brass, Bulgarian choirs and pop. Known for the Wedding and Funeral Band, Bregović draws on his rock roots with Bijelo Dugme and his acclaimed film scores for Emir Kusturica to create music that is powerful, ecstatic and deeply moving. The performance moves between ritual and dance, mixing raucous brass with lyrical textures to create warmth, humor and communal intensity.

14 – 17 May

Reserved for previous participants of the Grand Chantier, this workshop deepens marionette staging and performance practice. Facilitated by Chine Curchod and Joël Hefti. Using puppets supplied by the TMG and excerpts from classical and contemporary texts, participants will investigate spatial composition, scenographic devices and dramaturgy, and refine ensemble manipulation and character work. The atelier emphasizes practical exercises, collective exploration and staged fragments to advance technical control and theatrical storytelling.

In French.

6 – 17 May

Antoine Piron-Meyer (Agni) presents paintings alongside archival documents and publications that trace his singular artistic trajectory. Combining realism, poetic imagery and rich imagination, his canvases evoke mythic, often Bosch-inspired narratives while archival photographs and documents illuminate his mural and public-art engagements and teaching practice.
The exhibition balances intimate studio works with documentary materials to reveal how historical references, urban interventions and pedagogical commitments shaped a multifaceted practice. Curated by his niece Anouk‑Eva Meyer, it invites reflection on artistic continuity and urban cultural history.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Writer, interviewer, collector of conversations. Alain Elkann has sat across from presidents, cardinals, artists, and Nobel Prize winners — thousands of conversations spanning decades — and never once posed a question he wasn't willing to abandon. I met him at his home in Geneva to talk a bit about everything: the craft of the interview, the future of books, why common sense might be the most underrated virtue of our time, and the advice that has stayed with him since childhood.
Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

Array

– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

Array

With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

Array

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