Don’t just like it, live it!

29 September 2025 – 1 June 2026

This reading group will explore, in eight sessions, a selection of literary works that have “transcended the time and place of their origin,” in the spirit of Martin Bodmer’s definition of Weltliteratur — or world literature — as dear to Goethe. A literary journey across time and continents, guided by the shared affinities of the participants.

Historian of art, Hélène Leibkutsch moves between languages and cultures, driven by her passion for art, literature, and music. She holds a Master of Arts from the University of Geneva, where she studied art history, general linguistics, and English, as well as a CAS in Cultural Institution Promotion from the University of Neuchâtel. With international experience in art history and the art market, she has maintained a deep interest in literature throughout her career. She served on the board of the Société de Lecture, acting as vice-president for two terms (2008–2010; 2012–2019), and chaired the Reading Commission (2010–2021), where she remains an active member.

In French.

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

30 March – 15 June

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

23 January – 30 April

London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

29 September 2025 – 1 June 2026

This reading group will explore, in eight sessions, a selection of literary works that have “transcended the time and place of their origin,” in the spirit of Martin Bodmer’s definition of Weltliteratur — or world literature — as dear to Goethe. A literary journey across time and continents, guided by the shared affinities of the participants.

Historian of art, Hélène Leibkutsch moves between languages and cultures, driven by her passion for art, literature, and music. She holds a Master of Arts from the University of Geneva, where she studied art history, general linguistics, and English, as well as a CAS in Cultural Institution Promotion from the University of Neuchâtel. With international experience in art history and the art market, she has maintained a deep interest in literature throughout her career. She served on the board of the Société de Lecture, acting as vice-president for two terms (2008–2010; 2012–2019), and chaired the Reading Commission (2010–2021), where she remains an active member.

In French.

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

30 March – 15 June

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

23 January – 30 April

London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

29 September 2025 – 1 June 2026

This reading group will explore, in eight sessions, a selection of literary works that have “transcended the time and place of their origin,” in the spirit of Martin Bodmer’s definition of Weltliteratur — or world literature — as dear to Goethe. A literary journey across time and continents, guided by the shared affinities of the participants.

Historian of art, Hélène Leibkutsch moves between languages and cultures, driven by her passion for art, literature, and music. She holds a Master of Arts from the University of Geneva, where she studied art history, general linguistics, and English, as well as a CAS in Cultural Institution Promotion from the University of Neuchâtel. With international experience in art history and the art market, she has maintained a deep interest in literature throughout her career. She served on the board of the Société de Lecture, acting as vice-president for two terms (2008–2010; 2012–2019), and chaired the Reading Commission (2010–2021), where she remains an active member.

In French.

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

30 March – 15 June

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

23 January – 30 April

London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

3 – 5 April

Pakatrap invites families to explore the glowing streets of the Geneva old town in a playful nighttime adventure. Children equipped with rabbit-shaped lanterns and fluorescent accessories set off to find famous luminous bunnies hidden throughout the Old Town, from Bugs Bunny to the Lapins Crétins. Along the way, young participants explore historic alleys, complete the treasure hunt and earn chocolate Easter treats at the finish.

Ages 4 and up.

3 – 4 April

Explore vine rows searching for colorful Easter eggs hidden by Pak’alapin. Run between sun-warmed vines, listen to birds and laugh as each egg is found. After the hunt, join hands-on workshops to decorate eggs, weave little baskets and craft playful accessories. Children keep their creations and share tasty family moments. While kids play, adults have a chance to taste local wines nearby. Bright colors, soft textures and joyful sounds make the day lively and creative.

Kids ages 0 and up.

28 March – 6 April

Hop into a seasonal adventure filled with egg hunts across parks and gardens, playful treasure trails and hands-on creative workshops. Kids can mold chocolates in a chocolate-making workshop, follow clues in a family-friendly escape game, and parade with glowing lanterns as music and laughter fill the streets. Discover splashes of street art, taste local treats and listen to cheerful sounds while hunting for hidden chocolate treasures. Colors, scents and movement spark curiosity and teamwork.

Kids ages 3 and up.

3 – 6 April

Search for bewitched eggs and follow clues in a lively outdoor hunt. Run between orienteering stations and adventure games as Paka’lapin races to save Easter. Meet the Secret People who tell big stories about nature, listen to birds and buzzing bees, and spot colorful plants. Use a map and game booklet to explore trees, beehives, insect hotels and the vegetable garden. Taste the thrill of discovery and find sweet chocolate surprises along the way.

Kids ages 4–10.

3 – 4 April

Search for colorful Easter eggs among rolling vines and open fields, spotting horses and wide views. Later the lights go black and neon colors glow: children paint and craft their own glow-in-the-dark eggs, hide them among bright decorations, then set off on a family glow hunt. Expect pulsing colors, soft music, sticky paint under small fingers, and the fizz of laughter. Homemade grape juice will be offered during the creative workshop to refresh little explorers.

Kids ages 4 and up.

17 April 2025 – 17 April 2026

The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.

29 September 2025 – 1 June 2026

This reading group will explore, in eight sessions, a selection of literary works that have “transcended the time and place of their origin,” in the spirit of Martin Bodmer’s definition of Weltliteratur — or world literature — as dear to Goethe. A literary journey across time and continents, guided by the shared affinities of the participants.

Historian of art, Hélène Leibkutsch moves between languages and cultures, driven by her passion for art, literature, and music. She holds a Master of Arts from the University of Geneva, where she studied art history, general linguistics, and English, as well as a CAS in Cultural Institution Promotion from the University of Neuchâtel. With international experience in art history and the art market, she has maintained a deep interest in literature throughout her career. She served on the board of the Société de Lecture, acting as vice-president for two terms (2008–2010; 2012–2019), and chaired the Reading Commission (2010–2021), where she remains an active member.

In French.

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

30 March – 15 June

A spring cycle from the Geneva University Film Club marks the 150th anniversary of UNIGE’s Faculty of Medicine, gathering ten films that probe medicine’s moral and emotional terrain. From Alfred Hitchcock’s psychoanalytic intrigue to Ingmar Bergman’s introspective intensity and David Cronenberg’s clinical horror, the program sketches portraits of doctors, caregivers and patients: dream-work, ethical dilemmas, bodily fragility and devoted care. Shot in textures from dreamlike chiaroscuro to clinical close-ups, the films balance unease and tenderness with exacting cinematic rhythms.

In French.

23 January – 30 April

London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Chef Florian Le Bouhec shares his favorite Geneva spots — from his go-to café for inspiration to the cultural discoveries that spark his creativity.
Geneva gave the world the Red Cross, the United Nations, and — as it turns out — the modern comic strip. It's a part of the city's identity that often gets overlooked, but from a 19th-century teacher sketching picture stories by the lake to a new comics museum opening in the works, Geneva's relationship with the ninth art is deeper and more alive than most people realize.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

Array

– CLOSED FOR RENOVATION –

Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

Array

With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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