Don’t just like it, live it!

12 – 22 February

“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.

In French.

Tuesday 17 February, 18:30

Samuel Labarthe (reader), cellist Ophélie Gaillard and pianist Philippe Dinkel present a collaborative evening blending spoken word and chamber music. Their interplay highlights narrative rhythm and the tonal qualities of Bouvier’s prose.

The program examines Nicolas Bouvier’s travel writing, notably L’Usage du monde, and investigates how journey, memory and observation shape literary voice. Readings interlace with musical responses to reveal emotional textures of place and the art of travel narrative.

In French.

10 – 22 February

Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.

In French.

17 – 18 February

Choreographed by Ana Pi, Atomic Joy is a visceral dance piece that transforms joy into an act of resistance. Drawing on Grand Paris street dances and afrodiasporic legacies, Ana Pi brings together eight performers in a physically incandescent ensemble where groove, tension and jubilation collide. Between political manifesto and sensory ritual, the work explores resilience, collective renewal and the raw energy of bodies in motion. Produced in collaboration with Festival Antigel and the Ville de Vernier cultural service.

17 – 22 February

Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.

In French.

Tuesday 17 February, 12:30

Carole Fives, a novelist celebrated for Tenir jusqu’à l’aube and Quelque chose à te dire, presents a fourth novel in the Arbalète imprint. Editor Charlotte von Essen, who directs L’Arbalète and has led editorial collections at major French publishers, joins the conversation. Moderated by bookseller and creative-writing facilitator Typhaine Marc, the exchange examines the collection’s particular spirit: singular voices, playfulness, experimental forms and reflections on feminism across ages.

In French.

12 – 22 February

“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.

In French.

Tuesday 17 February, 18:30

Samuel Labarthe (reader), cellist Ophélie Gaillard and pianist Philippe Dinkel present a collaborative evening blending spoken word and chamber music. Their interplay highlights narrative rhythm and the tonal qualities of Bouvier’s prose.

The program examines Nicolas Bouvier’s travel writing, notably L’Usage du monde, and investigates how journey, memory and observation shape literary voice. Readings interlace with musical responses to reveal emotional textures of place and the art of travel narrative.

In French.

10 – 22 February

Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.

In French.

17 – 18 February

Choreographed by Ana Pi, Atomic Joy is a visceral dance piece that transforms joy into an act of resistance. Drawing on Grand Paris street dances and afrodiasporic legacies, Ana Pi brings together eight performers in a physically incandescent ensemble where groove, tension and jubilation collide. Between political manifesto and sensory ritual, the work explores resilience, collective renewal and the raw energy of bodies in motion. Produced in collaboration with Festival Antigel and the Ville de Vernier cultural service.

17 – 22 February

Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.

In French.

Tuesday 17 February, 12:30

Carole Fives, a novelist celebrated for Tenir jusqu’à l’aube and Quelque chose à te dire, presents a fourth novel in the Arbalète imprint. Editor Charlotte von Essen, who directs L’Arbalète and has led editorial collections at major French publishers, joins the conversation. Moderated by bookseller and creative-writing facilitator Typhaine Marc, the exchange examines the collection’s particular spirit: singular voices, playfulness, experimental forms and reflections on feminism across ages.

In French.

12 – 22 February

“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.

In French.

Tuesday 17 February, 18:30

Samuel Labarthe (reader), cellist Ophélie Gaillard and pianist Philippe Dinkel present a collaborative evening blending spoken word and chamber music. Their interplay highlights narrative rhythm and the tonal qualities of Bouvier’s prose.

The program examines Nicolas Bouvier’s travel writing, notably L’Usage du monde, and investigates how journey, memory and observation shape literary voice. Readings interlace with musical responses to reveal emotional textures of place and the art of travel narrative.

In French.

10 – 22 February

Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.

In French.

17 – 18 February

Choreographed by Ana Pi, Atomic Joy is a visceral dance piece that transforms joy into an act of resistance. Drawing on Grand Paris street dances and afrodiasporic legacies, Ana Pi brings together eight performers in a physically incandescent ensemble where groove, tension and jubilation collide. Between political manifesto and sensory ritual, the work explores resilience, collective renewal and the raw energy of bodies in motion. Produced in collaboration with Festival Antigel and the Ville de Vernier cultural service.

17 – 22 February

Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.

In French.

Tuesday 17 February, 12:30

Carole Fives, a novelist celebrated for Tenir jusqu’à l’aube and Quelque chose à te dire, presents a fourth novel in the Arbalète imprint. Editor Charlotte von Essen, who directs L’Arbalète and has led editorial collections at major French publishers, joins the conversation. Moderated by bookseller and creative-writing facilitator Typhaine Marc, the exchange examines the collection’s particular spirit: singular voices, playfulness, experimental forms and reflections on feminism across ages.

In French.

Saturday 21 February, 20:00

Georgio, the acclaimed Parisian rapper known for his hit album “Années Sauvages,” is making his stage comeback with two new singles. He will perform at the Alhambra as part of the Festival Antigel. Tickets are already on sale for his upcoming Adidas Arena show in January 2026, and more tour dates are anticipated.

11 – 22 February

Choreographer Ugo Dehaes replaces his human troupe with extravagant robot-dancers endowed with an artificial intelligence that invents their own choreography. Intimate and unsettling, the performance invites the audience to sit around a table as the mechanised performers execute an uncanny, rhythmic ballet. Marie Peeters’ dramaturgy frames questions about labour, profit and the place of culture, while Wannes Deneer’s scenography and musical composition shape a tactile, immersive atmosphere. The piece blends humour, critique and physical precision.

Friday 20 February, 23:59

Héctor Oaks leads a night of fierce techno and acid, blending post-industrial thrust, ghetto‑tech grooves and searing acid for an explosive, focused set. Phase Fatale b2b Audrey Danza weave complex basslines and cinematic, relentless soundscapes into a hypnotic, immersive journey. In a second room, Hirma and Magz deliver high‑voltage sets mixing Afro‑influenced rhythms, Jersey, drum’n’bass, house and hip‑hop; other artists add warm, colourful DJ sets and garage/breaks/bass flavours.

19 – 22 February

FURTHER AFIELD

Set in the prestigious ski resort of Gstaad, this boutique winter salon brings together a curated selection of leading international galleries and creators across modern and contemporary art, historical masterpieces, collectible design, and high jewelry.

For its third edition, the salon will return to the Festival-Zelt, right in the center of the village. Its scale allows for a focused presentation and meaningful encounters between exhibitors, collectors, and visitors.

17 – 22 February

Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.

In French.

Saturday 21 February, 14:00

This hands-on workshop introduces basic 3D modeling using SketchUp, guiding participants to design objects, sculptures or game elements for a public square. You will learn to draw in volume, explore the software’s 3D object library, and experiment with forms that are intriguing, useful or surprising. Working individually or in groups, participants develop spatial thinking, basic modeling techniques and strategies to present ideas for houses, accessories or imagined urban landscapes.

In French.

12 – 22 February

“Les Trois Soeurs à Trois” by Collectif BPM at Maison Saint-Gervais presents an inventive reinterpretation of Chekhov’s play. Artists Catherine Büchi, Léa Pohlhammer, and Pierre Mifsud transform this classic by portraying journalists recording a radio show. They narrate the real or imagined stories of different productions of the play, while sharing personal and family anecdotes, providing a humorous and sharp reflection on their own dreams and illusions.

In French.

Tuesday 17 February, 18:30

Samuel Labarthe (reader), cellist Ophélie Gaillard and pianist Philippe Dinkel present a collaborative evening blending spoken word and chamber music. Their interplay highlights narrative rhythm and the tonal qualities of Bouvier’s prose.

The program examines Nicolas Bouvier’s travel writing, notably L’Usage du monde, and investigates how journey, memory and observation shape literary voice. Readings interlace with musical responses to reveal emotional textures of place and the art of travel narrative.

In French.

10 – 22 February

Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.

In French.

17 – 18 February

Choreographed by Ana Pi, Atomic Joy is a visceral dance piece that transforms joy into an act of resistance. Drawing on Grand Paris street dances and afrodiasporic legacies, Ana Pi brings together eight performers in a physically incandescent ensemble where groove, tension and jubilation collide. Between political manifesto and sensory ritual, the work explores resilience, collective renewal and the raw energy of bodies in motion. Produced in collaboration with Festival Antigel and the Ville de Vernier cultural service.

17 – 22 February

Catherine Gaillard offers “unexpected journeys” that spark our imagination and challenge our assumptions. By weaving together stories, times, and places, she honors an art form that unites us. Her tales delve into both the profane and the sacred, childhood innocence, and mythical creatures, all while examining the diverse facets of human nature. With palpable passion, Gaillard invites us on introspective and enlightening journeys where everyone can discover a piece of their own story.

In French.

Tuesday 17 February, 12:30

Carole Fives, a novelist celebrated for Tenir jusqu’à l’aube and Quelque chose à te dire, presents a fourth novel in the Arbalète imprint. Editor Charlotte von Essen, who directs L’Arbalète and has led editorial collections at major French publishers, joins the conversation. Moderated by bookseller and creative-writing facilitator Typhaine Marc, the exchange examines the collection’s particular spirit: singular voices, playfulness, experimental forms and reflections on feminism across ages.

In French.

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CoolBytes

Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today

Cultural director of the Société de Lecture, Emmanuel Tagnard shares his Geneva essentials — from must-see landmarks and favorite chocolatiers to the book currently on his bedside table.
Founder of cult eco-soap company The Soap and the Sea, Lucia Rochat, shares her Geneva favorites, from her go-to chocolate to hidden local spots, and the cultural event she wouldn’t miss for anything.

Geneva Classics

Visiting for the first time? A quick guide to the city’s top attractions.

The MEG is a renowned museum dedicated to the exploration and presentation of cultural diversity from around the world. Located in the heart of Geneva, it houses an extensive collection of over 80,000 objects, including artifacts, textiles, and artworks that highlight the rich traditions and histories of various communities. The museum emphasizes interactive and immersive exhibitions, engaging visitors with contemporary issues related to culture and identity.

Cool fact: The e-MEG app serves as a digital twin of the permanent exhibition, providing an audio guide and detailed descriptions along with photographs of all displayed objects.

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Since its opening in 1994, the MAMCO Geneva (Musée d’art moderne et contemporain)  has staged 450 exhibitions with works dating from the 1960s to the present day. Mamco’s holdings include works by Christo, Martin Kippenberger, Jenny Holzer, Dan Flavin, Sarkis, Franz Erhard Walther and Sylvie Fleury, among many others.

Cool fact: The MAMCO is the epicenter of the “Nuit des Bains”, held three times a year.  During this event, the district around the museum is transformed into a large gallery and attracts thousands of art lovers and sightseers each night.

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With a collection of 27,000 items from Switzerland, Europe and the Middle and Far East, and a witness to twelve centuries of ceramic art from the Middle Ages to modern times, the Ariana is one of Europe’s great museums specializing in glass and ceramics.

Cool fact: On the first Sunday of each month, the Ariana Museum opens its temporary exhibitions to the public.

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