Don’t just like it, live it!

8 – 10 September

An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.

In French.

Tuesday 8 September, 18:30

This exchange brings together young activists from over fifteen countries to examine the role of youth in defending human rights. Participants will discuss advocacy strategies, transnational solidarity, and grassroots mobilization, and explore practical skills for international campaigning. The session investigates how young people shape public discourse, influence policy, and build coalitions across borders, offering tools to strengthen collective action and strategic advocacy in human-rights movements.

In French.

8 – 9 September

Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.

In French.

8 – 13 September

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Tuesday 8 September, 17:00

Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.

Tuesday 8 September, 20:30

Stephen Apkon’s compelling documentary explores the possibility of choosing a different path in the face of conflict, bringing together personal stories, dialogue, and powerful reflections on peace and non-violence. At the heart of the film is the belief that reconciliation and human connection can break cycles of violence and open the way towards a more peaceful future. The screening offers an intimate and thought-provoking perspective on what it means to move beyond division and imagine another way forward.

Followed by a discussion in English with Sulaiman Khatib (Palestine) and Iris Gur (Israel) — two members of Combatants for Peace — and director Stephen Apkon on peacebuilding, non-violent resistance, and the search for alternatives to conflict.

In English with French subtitles.

8 – 10 September

An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.

In French.

Tuesday 8 September, 18:30

This exchange brings together young activists from over fifteen countries to examine the role of youth in defending human rights. Participants will discuss advocacy strategies, transnational solidarity, and grassroots mobilization, and explore practical skills for international campaigning. The session investigates how young people shape public discourse, influence policy, and build coalitions across borders, offering tools to strengthen collective action and strategic advocacy in human-rights movements.

In French.

8 – 9 September

Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.

In French.

8 – 13 September

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Tuesday 8 September, 17:00

Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.

Tuesday 8 September, 20:30

Stephen Apkon’s compelling documentary explores the possibility of choosing a different path in the face of conflict, bringing together personal stories, dialogue, and powerful reflections on peace and non-violence. At the heart of the film is the belief that reconciliation and human connection can break cycles of violence and open the way towards a more peaceful future. The screening offers an intimate and thought-provoking perspective on what it means to move beyond division and imagine another way forward.

Followed by a discussion in English with Sulaiman Khatib (Palestine) and Iris Gur (Israel) — two members of Combatants for Peace — and director Stephen Apkon on peacebuilding, non-violent resistance, and the search for alternatives to conflict.

In English with French subtitles.

8 – 10 September

An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.

In French.

Tuesday 8 September, 18:30

This exchange brings together young activists from over fifteen countries to examine the role of youth in defending human rights. Participants will discuss advocacy strategies, transnational solidarity, and grassroots mobilization, and explore practical skills for international campaigning. The session investigates how young people shape public discourse, influence policy, and build coalitions across borders, offering tools to strengthen collective action and strategic advocacy in human-rights movements.

In French.

8 – 9 September

Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.

In French.

8 – 13 September

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Tuesday 8 September, 17:00

Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.

Tuesday 8 September, 20:30

Stephen Apkon’s compelling documentary explores the possibility of choosing a different path in the face of conflict, bringing together personal stories, dialogue, and powerful reflections on peace and non-violence. At the heart of the film is the belief that reconciliation and human connection can break cycles of violence and open the way towards a more peaceful future. The screening offers an intimate and thought-provoking perspective on what it means to move beyond division and imagine another way forward.

Followed by a discussion in English with Sulaiman Khatib (Palestine) and Iris Gur (Israel) — two members of Combatants for Peace — and director Stephen Apkon on peacebuilding, non-violent resistance, and the search for alternatives to conflict.

In English with French subtitles.

Saturday 12 September, 20:00

Led by musical director Horacio Salinas, Inti-Illimani Histórico revisits a five-decade legacy of Latin American song with layered melodies and precise ensemble interplay. Joined by José Seves and Horacio Durán, the group blends folk traditions, instrumental virtuosity and poetic arrangement, moving between intimate refrains and sweeping, communal choruses. The music evokes memory and collective dreams, built from acoustic textures and resilient rhythms that travel across cultures, creating an immersive, reflective soundworld.

Saturday 12 September, 19:30

Festival de piano 2026 presents a programme of concentrated virtuosity and lyrical depth. The Orchestre de Chambre L’Orange Bleue joins pianist Marc Pantillon for Jean‑Sébastien Bach’s D minor concerto, pairing baroque clarity with romantic expressivity. Later, pianist Katherine Nikitine undertakes Chopin’s complete 24 études, an intense, poetic survey of technique and sound. The evening balances orchestral colour and solo introspection, promising refined ensemble interplay and performances of intense emotional focus.

11 – 12 September

The Cartiglobe Festival is back to celebrate its 15th edition, themed around the Four Cardinal Points. From the Scandinavian chill to the desert heat of the Sahara, through traditional Japan and the dense jungles of Colombia: join them for a magical weekend trip around the world! Live concerts, DJ sets, food, …

5 – 19 September

Three organ recitals offering intimate portraits of the instrument through contrasting programmes by Damien Desbenoit, Stéphane Mottoul and Jan Lehtola. Each recital balances baroque, romantic and contemporary repertoire, emphasizing registration, timbral contrasts and the acoustic dialogue between instrument and space. Performances favour attentive, contemplative listening and showcase the performers’ interpretive finesse. Programme notes and detailed PDFs are available for each recital.

2 – 13 September

Luis Marques presents DEEP BLUE and INTERMITTENCES, two series of drawing-based works that transform line into landscape, rhythm and breath. DEEP BLUE offers expansive fields of blue where delicate marks build textured, contemplative seascapes. INTERMITTENCES reworks reclaimed screen-print test papers, letting traces, stains and accidents enter a patient process of repeated lines. Using pens, markers and even sewing thread, Marques negotiates control and chance, producing intimate topographies that meditate on time, repetition, memory and material transformation.

Opening: 2 September, 18:00
Closing: 13 September, 18:00

9 – 20 September

Students from the Centre de formation professionnelle en Arts (CFP Arts) present collective projects imagining Geneva in the second half of the twenty‑first century. Through garments, jewellery, ceramics, videos, comics, choreography, urban furniture, installations and digital or graphic works, they stage speculative scenarios—from utopian reinventions to dystopian provocations. Employing craft, performance, film and design strategies, the works probe technological, environmental and social futures, asking how everyday life, material culture and public space might be transformed.

Opening: Wednesday 9 September, 18:00.

8 – 10 September

An emblematic stand-up showcase celebrating the club’s ninth anniversary, presenting the best of Romand humour across three nights. Eighteen talented comedians alternate on stage in an intimate, vaulted-cellar setting, delivering sharp observations, playful storytelling and rapid-fire sketches. The programme blends established voices and emerging talent, shifting between satirical edge and warm, observational comedy to create an electric, convivial atmosphere.

In French.

Tuesday 8 September, 18:30

This exchange brings together young activists from over fifteen countries to examine the role of youth in defending human rights. Participants will discuss advocacy strategies, transnational solidarity, and grassroots mobilization, and explore practical skills for international campaigning. The session investigates how young people shape public discourse, influence policy, and build coalitions across borders, offering tools to strengthen collective action and strategic advocacy in human-rights movements.

In French.

8 – 9 September

Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.

In French.

8 – 13 September

Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.

Tuesday 8 September, 17:00

Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.

Tuesday 8 September, 20:30

Stephen Apkon’s compelling documentary explores the possibility of choosing a different path in the face of conflict, bringing together personal stories, dialogue, and powerful reflections on peace and non-violence. At the heart of the film is the belief that reconciliation and human connection can break cycles of violence and open the way towards a more peaceful future. The screening offers an intimate and thought-provoking perspective on what it means to move beyond division and imagine another way forward.

Followed by a discussion in English with Sulaiman Khatib (Palestine) and Iris Gur (Israel) — two members of Combatants for Peace — and director Stephen Apkon on peacebuilding, non-violent resistance, and the search for alternatives to conflict.

In English with French subtitles.

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Søren Henrichsen blends Scandinavian simplicity with Swiss precision and craftsmanship. His designs are quiet, purposeful and made to last. For him, curiosity and courage are at the heart of good design.
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Discover one of the world’s most remarkable libraries and museums, home to an exceptional collection of manuscripts, rare books, and historical documents spanning over 5,000 years of human history. Located in Cologny overlooking Lake Geneva, the Fondation Martin Bodmer offers a unique journey through literature, philosophy, religion, science, and the arts, bringing together some of humanity’s most significant written treasures.

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