Don’t just like it, live it!
This summit examines how finance can be aligned with sustainability, convening stakeholders across finance, public authorities and international organisations to surface investable solutions. Through plenaries, interactive action events and a Solutions Stage of rapid pitches, it explores strategic alliances, high-impact partnerships and practical pathways for scaling sustainable investment. The programme investigates policy, regulatory and market levers that enable collaboration across private and public finance to mobilise capital for measurable systems change.
Three improvisers and composers — Maël Godinat (piano), William Jacquemet (trombone) and Pierre‑François Massy (double bass) — present a program of original material and carefully chosen covers. Arrangements emphasize close harmonies, intimate interplay and attentive listening, letting sparse textures open into rich, resonant chords. The trio’s sound balances lyrical phrasing with rhythmic subtlety; lighting and silence shape moments of suspended time, inviting a contemplative, warm atmosphere that reimagines harmonic conversation in the moment.
Modeselektor — Gernot Bronsert and Sebastian Szary — revisit their canon in Classics Live, a live reworking of their most iconic tracks. Across a sonic spectrum from techno and bass to mutant hip‑hop and adventurous IDM, the duo blends machines, improvisation and sustained tension, transforming familiar motifs into unpredictable experiments. Celebrating twenty‑five years of restless creativity, the performance unfolds as a visceral soundworld where texture, rhythm and bright electronic energy collide and evolve.
Animatou is the leading animation film festival in French-speaking Switzerland, dedicated to showcasing the best of contemporary animated cinema and championing bold, author-driven works that rarely find space in traditional theatres. Both locally rooted and internationally recognised, the festival brings together generations, cultures and sensibilities through a rich programme of competitive short films, special screenings, feature films, retrospectives, workshops and masterclasses. With a strong commitment to education and year-round activities for schools and the wider public, Animatou has become a key platform for animation in Geneva and beyond.
Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Performed by Nicolas Maury, this solo reading of Sarah Kane’s 4.48 Psychosis offers an intimate, unflinching journey into depression and the limits of language. Vanasay Khamphommala’s French translation preserves Kane’s fragmented rhythm and emotional intensity. The staging favors minimalism, with a solitary voice, sparse lighting and focused sound design to magnify the text’s raw immediacy. The performance invites sustained listening and emotional immersion.
In French.
Choreographed by Riyad Fghani and performed by Pockemon Crew, this visceral hip‑hop performance transforms micro‑gestures of daily screen use into an explosive, nervous and vibrant physical language. Under shifting lights and layered projections, bodies collide, sync and dissolve in flows that mirror our connected lives. The piece blends precise street technique with theatrical staging and immersive visuals, inviting a moment of collective attention and presence through rigorous choreography and electric ensemble energy.
This summit examines how finance can be aligned with sustainability, convening stakeholders across finance, public authorities and international organisations to surface investable solutions. Through plenaries, interactive action events and a Solutions Stage of rapid pitches, it explores strategic alliances, high-impact partnerships and practical pathways for scaling sustainable investment. The programme investigates policy, regulatory and market levers that enable collaboration across private and public finance to mobilise capital for measurable systems change.
Three improvisers and composers — Maël Godinat (piano), William Jacquemet (trombone) and Pierre‑François Massy (double bass) — present a program of original material and carefully chosen covers. Arrangements emphasize close harmonies, intimate interplay and attentive listening, letting sparse textures open into rich, resonant chords. The trio’s sound balances lyrical phrasing with rhythmic subtlety; lighting and silence shape moments of suspended time, inviting a contemplative, warm atmosphere that reimagines harmonic conversation in the moment.
Modeselektor — Gernot Bronsert and Sebastian Szary — revisit their canon in Classics Live, a live reworking of their most iconic tracks. Across a sonic spectrum from techno and bass to mutant hip‑hop and adventurous IDM, the duo blends machines, improvisation and sustained tension, transforming familiar motifs into unpredictable experiments. Celebrating twenty‑five years of restless creativity, the performance unfolds as a visceral soundworld where texture, rhythm and bright electronic energy collide and evolve.
Animatou is the leading animation film festival in French-speaking Switzerland, dedicated to showcasing the best of contemporary animated cinema and championing bold, author-driven works that rarely find space in traditional theatres. Both locally rooted and internationally recognised, the festival brings together generations, cultures and sensibilities through a rich programme of competitive short films, special screenings, feature films, retrospectives, workshops and masterclasses. With a strong commitment to education and year-round activities for schools and the wider public, Animatou has become a key platform for animation in Geneva and beyond.
Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Performed by Nicolas Maury, this solo reading of Sarah Kane’s 4.48 Psychosis offers an intimate, unflinching journey into depression and the limits of language. Vanasay Khamphommala’s French translation preserves Kane’s fragmented rhythm and emotional intensity. The staging favors minimalism, with a solitary voice, sparse lighting and focused sound design to magnify the text’s raw immediacy. The performance invites sustained listening and emotional immersion.
In French.
Choreographed by Riyad Fghani and performed by Pockemon Crew, this visceral hip‑hop performance transforms micro‑gestures of daily screen use into an explosive, nervous and vibrant physical language. Under shifting lights and layered projections, bodies collide, sync and dissolve in flows that mirror our connected lives. The piece blends precise street technique with theatrical staging and immersive visuals, inviting a moment of collective attention and presence through rigorous choreography and electric ensemble energy.
This summit examines how finance can be aligned with sustainability, convening stakeholders across finance, public authorities and international organisations to surface investable solutions. Through plenaries, interactive action events and a Solutions Stage of rapid pitches, it explores strategic alliances, high-impact partnerships and practical pathways for scaling sustainable investment. The programme investigates policy, regulatory and market levers that enable collaboration across private and public finance to mobilise capital for measurable systems change.
Three improvisers and composers — Maël Godinat (piano), William Jacquemet (trombone) and Pierre‑François Massy (double bass) — present a program of original material and carefully chosen covers. Arrangements emphasize close harmonies, intimate interplay and attentive listening, letting sparse textures open into rich, resonant chords. The trio’s sound balances lyrical phrasing with rhythmic subtlety; lighting and silence shape moments of suspended time, inviting a contemplative, warm atmosphere that reimagines harmonic conversation in the moment.
Modeselektor — Gernot Bronsert and Sebastian Szary — revisit their canon in Classics Live, a live reworking of their most iconic tracks. Across a sonic spectrum from techno and bass to mutant hip‑hop and adventurous IDM, the duo blends machines, improvisation and sustained tension, transforming familiar motifs into unpredictable experiments. Celebrating twenty‑five years of restless creativity, the performance unfolds as a visceral soundworld where texture, rhythm and bright electronic energy collide and evolve.
Animatou is the leading animation film festival in French-speaking Switzerland, dedicated to showcasing the best of contemporary animated cinema and championing bold, author-driven works that rarely find space in traditional theatres. Both locally rooted and internationally recognised, the festival brings together generations, cultures and sensibilities through a rich programme of competitive short films, special screenings, feature films, retrospectives, workshops and masterclasses. With a strong commitment to education and year-round activities for schools and the wider public, Animatou has become a key platform for animation in Geneva and beyond.
Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Performed by Nicolas Maury, this solo reading of Sarah Kane’s 4.48 Psychosis offers an intimate, unflinching journey into depression and the limits of language. Vanasay Khamphommala’s French translation preserves Kane’s fragmented rhythm and emotional intensity. The staging favors minimalism, with a solitary voice, sparse lighting and focused sound design to magnify the text’s raw immediacy. The performance invites sustained listening and emotional immersion.
In French.
Set in a domestic kitchen, Gnocchi stages an intimate encounter between mother and son as they prepare a meal. The performance weaves memory and everyday gestures into a subtle documentary-theatre fabric, where languages, cultures and temporalities overlap. Between salon and kitchen, echoes of past and future surface through minimalist staging, fragile rhythms and attentive physicality, offering a tender reflection on identity, migration and family life.
Guided by puppeteers Cécile Chevalier and Franck Fedele of Tête-dans-le-sac marionnettes, this hands-on workshop introduces participants to puppet construction and the basics of manipulation. In a playful, practice-focused session, attendees will explore materials, simple mechanisms and performance gestures to bring a creation to life. Suitable for the general public from age nine; children must be accompanied by an adult. Learning outcomes include construction techniques and movement fundamentals.
In French.
FURTHER AFIELD
Build, program, and invent in hands-on workshops designed for curious kids. Work in teams to explore mechanics behind cable systems, then switch to coding with LEGO SPIKE Prime, designing simple video games in Scratch, and shaping worlds in Minecraft. You’ll prototype, test, and see ideas come alive through movement, color, and sound. Short challenges spark logic, creativity, and teamwork while playful tasks make learning about machines and code feel like an adventure.
Kids ages 8–12.
Directed by Fanny Brunet and Carole Schafroth, this theatrical adaptation of Daniel de Roulet’s novel follows ten young women who emigrate to Patagonia to found an egalitarian anarchist community. Using object theatre, the production blends storytelling, projected images and reflective passages to probe anarchist utopias, working-class conditions, migration and the marginalised role of women in history. The staging is intimate and inventive, inviting thought and emotion through tactile imagery and poetic gesture.
In French.
Rien is a poetic, clownish exploration of the human condition performed through table puppets and object theatre. Performed and manipulated by Aurélie Gourvès and Délia Sartor, the piece stages themes of possession, authority, false beliefs, rivalry, fear of the void and boredom with a minimal scenography by Henry Castres. Assistants Cristina Iosif and François Accard support the staging, while Émile Parisien provides the music. A tender, comic and slightly melancholic show for audiences from six years.
In French.
Marie Desroles blends sharp social critique and tender humanity in a stand-up that probes mental health, social inequalities and female sexuality. With a mix of toughness and vulnerability, she breaks conventions through candid storytelling and biting humour, balancing acidity and sweetness. The performance feels authentic, intimate and generous, offering piercing observations wrapped in warmth. Expect bold takes, emotional honesty and a playful yet incisive voice that unsettles and embraces in equal measure.
In French.
Step into a playful weather workshop where children help wake the weather and dress the day. Through lively objects, gentle surprises and playful mishaps, the sun, clouds and rain take on mischievous personalities. The piece blends humor and tenderness, inviting sensory exploration, imagination and close observation. Short, poetic scenes spark wonder for little ones and offer knowing smiles for grown-ups.
In French. Kids ages 3 and up.
Choreographed by Riyad Fghani and performed by Pockemon Crew, this visceral hip‑hop performance transforms micro‑gestures of daily screen use into an explosive, nervous and vibrant physical language. Under shifting lights and layered projections, bodies collide, sync and dissolve in flows that mirror our connected lives. The piece blends precise street technique with theatrical staging and immersive visuals, inviting a moment of collective attention and presence through rigorous choreography and electric ensemble energy.
This summit examines how finance can be aligned with sustainability, convening stakeholders across finance, public authorities and international organisations to surface investable solutions. Through plenaries, interactive action events and a Solutions Stage of rapid pitches, it explores strategic alliances, high-impact partnerships and practical pathways for scaling sustainable investment. The programme investigates policy, regulatory and market levers that enable collaboration across private and public finance to mobilise capital for measurable systems change.
Three improvisers and composers — Maël Godinat (piano), William Jacquemet (trombone) and Pierre‑François Massy (double bass) — present a program of original material and carefully chosen covers. Arrangements emphasize close harmonies, intimate interplay and attentive listening, letting sparse textures open into rich, resonant chords. The trio’s sound balances lyrical phrasing with rhythmic subtlety; lighting and silence shape moments of suspended time, inviting a contemplative, warm atmosphere that reimagines harmonic conversation in the moment.
Modeselektor — Gernot Bronsert and Sebastian Szary — revisit their canon in Classics Live, a live reworking of their most iconic tracks. Across a sonic spectrum from techno and bass to mutant hip‑hop and adventurous IDM, the duo blends machines, improvisation and sustained tension, transforming familiar motifs into unpredictable experiments. Celebrating twenty‑five years of restless creativity, the performance unfolds as a visceral soundworld where texture, rhythm and bright electronic energy collide and evolve.
Animatou is the leading animation film festival in French-speaking Switzerland, dedicated to showcasing the best of contemporary animated cinema and championing bold, author-driven works that rarely find space in traditional theatres. Both locally rooted and internationally recognised, the festival brings together generations, cultures and sensibilities through a rich programme of competitive short films, special screenings, feature films, retrospectives, workshops and masterclasses. With a strong commitment to education and year-round activities for schools and the wider public, Animatou has become a key platform for animation in Geneva and beyond.
Choreographed by María del Mar Suárez (La Chachi), this hybrid flamenco pieces tradition and punk sensibility into a raw, personal language. On stage two musicians and a singer shape a live soundscape that frames La Chachi’s emergence: a dim light reveals her silhouette as she advances and begins an ascension. Her motions coil and break in looping cycles as the music intensifies. Visceral and hypnotic, the performance immerses spectators in concentrated rhythms and fierce corporeal poetry.
Performed by Nicolas Maury, this solo reading of Sarah Kane’s 4.48 Psychosis offers an intimate, unflinching journey into depression and the limits of language. Vanasay Khamphommala’s French translation preserves Kane’s fragmented rhythm and emotional intensity. The staging favors minimalism, with a solitary voice, sparse lighting and focused sound design to magnify the text’s raw immediacy. The performance invites sustained listening and emotional immersion.
In French.
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Celebrating Geneva’s vibrant heartbeat and the stories shaping culture today
Geneva Classics
Visiting for the first time? A quick guide to the city’s top attractions.
An intimate museum in the heart of Geneva, the Musée Tatiana Zoubov presents the refined collection assembled by its namesake collector. Paintings, furniture, porcelain, silverware and decorative objects evoke the atmosphere of a private European collection, offering a glimpse into the tastes and art of living of another era.
In the heart of Geneva’s Old Town, the International Museum of the Reformation traces the history and legacy of the Protestant Reformation from the 16th century to the present day. Historical objects, artworks and immersive displays explore a movement that profoundly shaped Geneva and influenced societies around the world.
Located in the historic heart of Carouge, the Musée de Carouge explores the artistic and cultural heritage of this distinctive town. Its collections and temporary exhibitions bring together fine and decorative arts, local history and contemporary creation, reflecting Carouge’s unique identity and creative spirit.
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