Thursday 19 March, 18:00

Mapping My Way to Drifted Memories

Booking Required

Mapping My Way to Drifted Memories brings together Marina Skalova, performer and writer, choreographer Ixchel Mendoza Hernández and sound artist Hyewon Suk in a performative evening exploring identity, memory, the body and shifting geographies. The programme juxtaposes a text-based reading-performance with a solo choreographic piece, emphasising proximity, interrelation and the sensory layering of recollection. Exchanges with the artists invite reflection on form and personal narratives, blending intimate storytelling with embodied movement.

Avenue de la Paix 17,
1202 Genève

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21 January – 22 March

Stitches: A Haunted House and Other Ghost Stories

Art & Exhibits

Villa Bernasconi

Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.

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12 March – 9 May

L’ordre mis en jeu – Gerhard Hotter

Art & Exhibits

La Galerie 38

German artist Gerhard Hotter (born 1954) presents a survey of works that unfolds across five decades, exploring play as a mode of learning and experimentation. Early paintings from the 1980s evoke inner labyrinths populated by chess pieces, playing cards and miniature toys; later works evolve into modular constructions inspired by Bauhaus toys, privileging pure form, volume, colour and combinable structures. Hotter employs Langford sequences as compositional tools, situating his practice within concrete art where order becomes an active, playful principle. Recent pieces expand this enquiry through relief, light and spatial interventions.

Opening during the Nuit des Bains, Thursday 12 March, 18:00.

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4 – 29 March

Rez:urgence – Iris Leroyer

Art & Exhibits

Centre culturel du Manoir

Iris Leroyer presents Rez:urgence, a series of material-based works exploring contemporary urgencies—ecological, social and philosophical. Working through matter and its memories, Leroyer probes tipping points between entropic decay and regenerative processes, where the living oscillates between collapse and resurgence. The exhibition gathers tactile, process-oriented pieces that reveal histories embedded in materials and invite reflection on emergence, imbalance and the possible forms of renewal. It forms a chapter of the artist’s Opus Carbone project at the intersection of art and ecology.

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19 – 29 March

ECHO Festival

Art & Exhibits Lectures & Workshops

Le Commun

Echo is a transdisciplinary festival devised by Compagnie sturmfrei that reimagines Ovid’s Metamorphoses through 250 shifting myths. Artists, poets, philosophers and participants inhabit an experimental, two‑level environment transformed into evolving ECHO‑scenographies. The programme assembles performances, participatory formats and workshops that blur genres and invite improvisation, collective dramaturgy and sensory encounters. The work foregrounds mythic transformation, live experimentation and porous collaboration across disciplines.

In French.

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5 March – 4 April

Clara Roumégoux: Day to Day

Art & Exhibits

Palais de l'Athénée

Clara Roumégoux examines production relations and the pressure to be productive through a concise series of works. Addressing food, design and sleep, she subverts everyday objects so they become signifiers of our era. Through moving image, print, installation and playful references to painting, her practice blurs domesticity and industry, care and efficiency. The exhibition questions habitual assumptions and evokes the subtle social forces that shape everyday routines and bodily rhythms.

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13 March – 25 April

Mitja Tušek – Avec Omega, Pomme, Haricot, Cornichon, Rien, Bouteille

Art & Exhibits

Xippas

Mitja Tušek presents two recent groups of paintings that probe the materiality of painting, the instability of the image and the fragility of identity. One series assembles clusters of faces emerging from dense pictorial fields; each face is built from nine black circles forming a compact pictorial ecosystem. The works emphasise surface, repetition and a sculptural use of paint. Tušek (b. 1961, Maribor) studied in Geneva and is based in Brussels; his work has been shown internationally since the 1990s and is held in major public collections.

Opening during the Nuit de Bains on Thursday 12 March at 18:00.

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Mapping My Way to Drifted Memories