Clara Roumégoux examines production relations and the pressure to be productive through a concise series of works. Addressing food, design and sleep, she subverts everyday objects so they become signifiers of our era. Through moving image, print, installation and playful references to painting, her practice blurs domesticity and industry, care and efficiency. The exhibition questions habitual assumptions and evokes the subtle social forces that shape everyday routines and bodily rhythms.
Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.
An exhibition presents around sixty works from the Plan-les-Ouates Art Fund, featuring paintings, sculptures, works on paper and installations. Artists such as Ruth Baettig, Carine Bovey, Sarah Carp, Georges Dessouslavy and Maya Rochat explore repetition, materiality and form through varied techniques: collage, printmaking, ceramics, video and mixed media. The selection stages dialogues between generational perspectives and examines how multiples, process and everyday objects shape contemporary artistic practice.
The exhibition delves into the realism, drama, and emotional intensity of 17th-century Dutch artists influenced by Caravaggio. The works of Gerrit van Honthorst and Judith Leyster exemplify the bold use of light and shadow to capture everyday life with theatrical intensity. Their contributions left a significant impact on the art of the era, paving the way for new expressions of the human condition.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.
Belleville-based photographer Souleymane Fofana, known as Commeas and also a player with JA Drancy, presents a body of photographic works that approach football through instinct and immediacy. Using motion, blur and saturated colour, he captures energy rather than fixed form, privileging rhythm, perception and spontaneous gesture over technical precision.
The images emerge from intuitive, in-the-moment shooting, a visual language of movement that evokes play, chaos and collective intensity. The presentation runs alongside the film Belleville nous verra toujours danser.
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
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