12 March – 9 May

L’ordre mis en jeu – Gerhard Hotter

German artist Gerhard Hotter (born 1954) presents a survey of works that unfolds across five decades, exploring play as a mode of learning and experimentation. Early paintings from the 1980s evoke inner labyrinths populated by chess pieces, playing cards and miniature toys; later works evolve into modular constructions inspired by Bauhaus toys, privileging pure form, volume, colour and combinable structures. Hotter employs Langford sequences as compositional tools, situating his practice within concrete art where order becomes an active, playful principle. Recent pieces expand this enquiry through relief, light and spatial interventions.

Opening during the Nuit des Bains, Thursday 12 March, 18:00.

Rue des Bains 24,
Switzerland
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12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

17 April – 30 May

This exhibition presents portraits and personal testimonies of about twenty Swiss centenarians alongside results from the SWISS100 interdisciplinary research project. Photographs, audio testimonies, archival documents and data visualisations dialogue to reveal everyday realities of longevity. The display combines portraiture and research to challenge clichés, exploring memory, loss, care and social infrastructures that shape life after a hundred. Visitors encounter intimate narratives framed by scientific analysis and visual storytelling.

Opening: Thursday 16 April, 18:30 – 20:30

29 April – 28 June

Presented from the private collection of Giuseppe Garrera and curated by Andrea Bellini and Giuseppe Garrera, this exhibition assembles an array of diminutive found objects — trinkets, charms, gadgets, toys, lucky charms and fragments of wood, cloth and glass — rescued from mundane life by artists’ gestures. Hovering between toy, everyday artefact and artwork, the presentation explores the thaumaturgic qualities of objects and childhood as a site of refuge and wonder.

Opening: Tuesday 28 April, 16:00 – 21:00

Guided tours (in English)
Sunday 17 May, 16:00
Thursday 21 May, 18:30 – 19:30 (FR or EN)
Sunday 7 June, 16:00

12 March – 20 June

May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.

22 April – 2 May

Build and explore a metal city inspired by Miquel Navarro’s game-like installation. Guided by a cultural mediator, children and adults imagine streets, towers and public spaces, assembling a shared city from more than a thousand metal pieces. A parallel exhibition shows maps, drawings and texts created by pupils with migration backgrounds after exploratory city walks. The project invites hands-on creativity, collaborative problem solving and sensory play with textures and forms.

In French.

Saturday 25 April, 13:30 – 18:00
Wednesday 29 April, 13:30 – 18:00
Saturday 2 May, 13:30 – 18:00

22 January – 9 May

This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.

Opening during the Nuit des Bains, Thursday 22 January, from 18:00.

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