Led by Pablo Agudo López and performed by Ensemble Les Impertinences, this baroque concert blends seventeenth century idioms with Venezuelan and broader Latin American influences. The project reimagines Pietro Antonio Cesti’s Il pomo d’oro as a dialogue between Cesti’s musical language and contemporary Venezuelan textures. A core period instrumental group is enriched by piano, cuatro venezolano, seven string guitar, Afro American percussion and minimoog. Ten soloists take on multiple roles, reinforcing the performance’s theatrical and fluid character. Coproduced with Les Impertinences and HEM Genève.
