Don’t miss out: Events running for less than two weeks
Ronnie C. Chan, Hong Kong businessman, philanthropist and Honorary Chair of Hang Lung Properties, draws on decades of international engagement. He examines how China and Europe might shape a relationship that contributes to cooperative solutions rather than new fractures in an era of strained global order. The lecture explores political, economic and diplomatic dimensions and considers pathways for mutual engagement. The session will be introduced by Marie-Laure Salles and moderated by Achim Wennmann.
In English.
Join a relaxed community conversation inviting students, staff and faculty to reflect together on what respect means at the Graduate Institute. Guided by voices and quotes gathered during the Respect Campaign, participants will explore shared themes, tensions and everyday contradictions in classrooms, group work and daily life. This informal Brown Bag Lunch welcomes everyone to listen, share experiences, and contribute to a collective reflection. Light food and drinks will be provided.
Festival des 5 Continents presents a curated panorama of world cinema: competitive and out-of-competition films, special screenings and a section for emerging voices. The programme highlights auteur cinema, daring narratives and diverse perspectives, favouring bold visual styles and intimate storytelling. Through screenings, talks and encounters, the festival offers a space to discover new talents and reassess cinematic traditions, celebrating cross-cultural dialogues and the emotional power of film.
Caramelo y Limón Festival celebrates ten years of Hispanic cinema, bringing together films, conversations and shared thrills on the big screen. Open to everyone, the programme features feature films and short films in their original languages with French subtitles, plus exhibitions and special screenings. Audiences can meet filmmakers, attend talks and discover diverse stories from Spanish-speaking cultures. Families and cinephiles are invited to connect through film and community.
This lecture, given by Jean-François Bayart and Adrian Gasser, examines whether the category of “religion” is a relevant analytical framework for understanding East Asian societies, with a focus on Korea, Japan, and the Chinese world. It explores how religious practices, beliefs, and social structures challenge conventional definitions of religion in the region.
In French.
Directed by Mikhail Kalatozov, Soy Cuba traces multiple stories of Cuban society before the revolution, exploring living conditions, aspirations and contradictions in a country on the brink of political transformation. Produced as a Soviet–Cuban collaboration, the film is famed for its formal audacity: virtuosic camera movements, bold visual compositions and spectacular staging. Long rediscovered after its release, it is now regarded as a landmark in cinema history, an intense, sensory portrait that marries lyricism and political urgency.
In Spanish with French subtitles. Screening in collaboration with Filmar. The screening will be followed by a discussion with Cecilia Cardoso, a member of the festival team.
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Events running for an extended period
Geneva based artist Gregory Bourrilly presents seven sculptures and a photograph that reconsider human-centered narratives in favor of ecological processes. Since 2018 his practice explores living dynamics and natural phenomena, imagining a posthuman world where human culture gradually yields to vegetal and animal recolonization. The works combine sculptural forms and photographic framing to evoke material transformation, decay and emergence, proposing alternative imaginaries of coexistence beyond anthropocentrism.
Opening: Thursday 17 September, 18:00
Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.
Le Nouveau Réalisme brings together works by Arman, César, Christo, François Dufrêne, Yves Klein, Niki de Saint Phalle, Mimmo Rotella, Daniel Spoerri, Jean Tinguely and Jacques Villeglé to examine the movement’s poetic reworking of urban detritus. The exhibition presents sculptures, assemblages, collages and interventions that displace found objects from everyday contexts, juxtaposing industrial materials, advertising fragments and ready‑mades. Through material play and détournement, the show explores urban consumption, collective memory and the politics of visibility.
Opening (Geneva Art Week): Wednesday 16 September, 16:00
Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.
Border Forensics presents an audiovisual exhibition of investigative films documenting violence at borders.
Excerpts from three films, The Death of Blessing Matthew (2022), The Death of Roger Nzoy Wilhelm (2025) and Asymmetric Visions (2023), combine documentary footage with geospatial analysis, data visualization and 3D modeling. The works reconstruct contested events, interrogate aerial surveillance and Mediterranean migration control, and foreground communities affected by border violence. The project examines how images and data can document abuses, challenge official narratives and advance claims for mobility justice.
Opening: September 22, 18h30 – speeches, performance, drinks.
German artist Olaf Holzapfel presents a body of work that quietly investigates landscape, architecture and vernacular traditions. Working across sculpture, drawing, painting and installation, he foregrounds materiality and craftsmanship, transforming humble materials into structures that mediate between nature and the built environment. The works trace textures of memory and labour, proposing subtle dialogues between form and site. The exhibition emphasises process and making, inviting sustained attention to material relationships and artisanal techniques.
Opening: Thursday 17 September, 18:00
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