3 July – 5 September

Critical Girls

Artists Chloé Delarue, Miriam Laura Leonardi and Gaia Vincensini, curated by Manuella Denogent, present a group exhibition that interrogates systems of representation, value and desire in contemporary society. Through sculpture, installation, photography, video, object-making and light-based interventions, the works reconfigure familiar forms and visual codes to reveal hidden hierarchies and emotional economies. The exhibition emphasises material experimentation and spatial strategies, inviting reflective engagement with how images and objects shape social meanings.

Opening; Thursday 2 July, 18:00

Rue des Sablons 6,
1205 Geneva
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2 July – 10 October

Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.

Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.

Opening: Wednesday 1 July, 18:00

29 October – 30 September

Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

12 July – 1 October

Photographer Florian Luthi’s Fantômes Météores is inspired by the 1954 wave of UFO sightings across France, especially along the Franco‑Swiss border. From one of these accounts he revisits childhood landscapes—mist‑shrouded forests, deserted villages and the Jura—and composes a photographic narrative where truth wavers and legends endure. The series uses long exposures, muted palettes and staged absence to probe memory, collective fear and the boundary between documentary and myth. A collaboration with Fondation Convergences.

Artist talk with Florian Luthi Thursday 27 August 2026, 18:30
In French

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

23 June – 9 September

Maliza Kiasuwa and Gavin Goodman present a black-and-white duo exploring emergence, connection and material memory.
Kiasuwa’s “Rhizomes” comprises sculptures of rope and woven elements that evoke roots and organic networks, invoking Deleuzean rhizomes to probe multiplicity, transformation and fragile relational structures.
Goodman’s “Vela” consists of photographic, hand‑painted works that reinterpret traditional garments through minimalist restraint, allowing motifs of appearance and becoming to surface.
Together the projects juxtapose sculptural tactility and photographic restraint to question how tradition and form reappear in contemporary practice.

Closing event: Wednesday 9 September, 18:00

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