Friday 6 November, 21:00

Rempis / Adasiewicz / Corsano Trio

Booking Required

This trio brings together three leading improvisers from Chicago whose music resonates far beyond the United States. Through attentive listening and deep rapport they create spontaneous, evolving soundscapes where every gesture reshapes the moment. Their approach blends intense interplay, extended textures and rhythmic surprise, moving between delicate silence and powerful eruptions. The performance presents material from their debut album Dial Up on Aerophonic Records, offering an immersive, unpredictable exploration of contemporary improvisation.

Rue des Alpes 10,
1201 Genève
{"title":"Rempis \/ Adasiewicz \/ Corsano Trio","description":"\u003Cp\u003EThis trio brings together three leading improvisers from Chicago whose music resonates far beyond the United States. Through attentive listening and deep rapport they create spontaneous, evolving soundscapes where every gesture reshapes the moment. Their approach blends intense interplay, extended textures and rhythmic surprise, moving between delicate silence and powerful eruptions. The performance presents material from their debut album Dial Up on Aerophonic Records, offering an immersive, unpredictable exploration of contemporary improvisation.\u003C\/p\u003E","start_date":"2026-11-06","end_date":"2026-11-06","date":"Friday 6 November, 21:00","timings":[{"timing_start_date":"20261106T190000Z","timing_end_date":"20261106T210000Z"}]}
Photo Credit: DR

You might also like

22 September – 29 November

Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.

In French.

7 – 17 October

Je ne suis pas Johnny is a theatrical exploration of identity, memory and the weight of cultural myth. Combining intimate staging, physical sensitivity and moments of dark humour, the piece unsettles familiar narratives and invites audiences to reconsider how personas are constructed and performed. Sparse lighting and a fluid rhythm shape an intense, close-up experience, where silence and gesture reveal hidden tensions and unexpected tenderness.

1 – 31 October

JazzContreBand celebrates its 30th anniversary with a new creation led by trumpeter Erik Truffaz. Franco‑Swiss musicians join forces with the Orchestre des Alpes et du Léman in Side by Side, a programme that blends classical writing, jazz phrasing and open-ended improvisation. The project explores textural contrasts, orchestral colours and solo interplay, shifting from intimate chamber passages to wide, cinematic swells. Expect nuanced dynamics, luminous timbres and collaborative dialogue across genres.

9 – 16 October

Music and songs by Stephen Sondheim with a libretto by George Furth and a French translation by Stéphane Laporte. This intimate, razor-sharp musical follows Robert (Bobby), a charming New Yorker confronting bachelorhood, friendship and the compromises of coupledom. The production blends incisive lyrics, lively choreography and a close ensemble cast to reveal joyful neuroses, hidden desires and fragile bonds. The staging alternates warmth and irony, inviting reflection on love, loneliness and the elusive art of staying together.

Sung in English; dialogues in French.

25 September – 18 October

For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.

In French.

13 – 14 October

Choreographed by Trajal Harrell, M2M reimagines a crossing of postmodern Judson Church minimalism with the exuberant voguing balls of Harlem. Conceived for three dancers, the piece fuses formal restraint and performative flamboyance, foregrounding jazz, funk and R&B inflections within an improvisational dance language. Harrell’s staging negotiates historical narrative and speculative fiction, shifting between precise postmodern phrasing and vivid gesture to evoke community, desire and the politics of movement.

Oops! It seems there
are no events matching your selection!

Please adjust your criteria to see more results.

Password was reset

Your password has been reset successfully. You can now log in with your new password.

Check your Inbox

We’ve sent you a password reset email to the address provided. Please check your inbox and/or spam folder.

Thank you!

Please check your inbox for a verification email to complete your sign-up.

Newsletter

Culture, curated weekly.

Add to Calendar

Select the date to be saved in your Google calendar.

calendar placeholder

Done!

Event removed from your CoolAgenda.

Yeah!

Event Saved to your CoolAgenda

Add to CoolAgenda

In your CoolAgenda

Date

Title

Location

Description

calendar placeholder

Reset password

Forgot your password?

Sign Up

Create your Account and Culture Up!