Nicolas Folmer leads So Miles, a modern jazz and bebop project drawn from the musical world and aesthetic of Miles Davis. Folmer’s trumpet engages in close dialogue with special guest Rick Margitza, supported by Emil Spanyi on piano, Olivier Louvel on guitar, Philippe Bussonnet on bass and Stéphane Huchard on drums. The programme balances lyrical introspection and fiery improvisation, foregrounding tone, space and groove in intimate ensemble interplay.
Directed by Alexander Zeldin, The Other Place is a contemporary reading of Antigone that carves a tragic family drama out of everyday life. On the anniversary of their father’s death, two estranged sisters confront memories, renovation works and an uncle determined to move on. With Jerry Killick among the cast and a strikingly realistic scenography, the production exposes hidden violences, irreconcilable trajectories and raw emotional fractures in a finely observed, tense staging.
In English.
Led by composer-conductor Martin Palmeri, this performance of his Misatango gathers a large amateur choir, soloist Céline Rimet, pianist Valentine Mercier, bandoneonist Jérémy Vannereau and the William Garcin string orchestra. The music blends liturgical severity and tango rhythms, creating tense, tender passages that shift from intimate whispers to surging climaxes. The evening frames a communal gesture of solidarity, using the power of voice and ensemble color to evoke compassion and resilience.
Directed by Céline Goormaghtigh and written by Anne Berest, LA VISITE probes maternal instinct with sharp humour and urgent intensity. In a compact domestic setting, a young mother at the limits of endurance confronts visitors while her defenses dissolve; a trio of actresses whirl and collide, delivering a caustic torrent of language and revealing movement. The work explores ‘matraissance’—the birth of motherhood—balancing lucidity, rage and tenderness to unsettle familiar myths about maternal bliss.
In French.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
Written by Julie Gilbert and directed by Lou Ciszewski, Quoiqu’il arrive. Respire. follows Joana, a thirty-something MMA teacher running exclusively female classes. After a lost fight and an injury, she reflects on what it means to fight and to stand up as a woman in today’s society. The piece blends physical combat and metaphorical struggle, exploring how women claim space, resist assigned roles and sustain presence. Margot Le Coultre performs in this Loup hors les murs production.
In French.
Je ne suis pas Johnny is a theatrical exploration of identity, memory and the weight of cultural myth. Combining intimate staging, physical sensitivity and moments of dark humour, the piece unsettles familiar narratives and invites audiences to reconsider how personas are constructed and performed. Sparse lighting and a fluid rhythm shape an intense, close-up experience, where silence and gesture reveal hidden tensions and unexpected tenderness.
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