Written by Julie Gilbert and directed by Lou Ciszewski, Quoiqu’il arrive. Respire. follows Joana, a thirty-something MMA teacher running exclusively female classes. After a lost fight and an injury, she reflects on what it means to fight and to stand up as a woman in today’s society. The piece blends physical combat and metaphorical struggle, exploring how women claim space, resist assigned roles and sustain presence. Margot Le Coultre performs in this Loup hors les murs production.
In French.
Coordinated by Stan Breynaert, this double bill presents the personal musical projects of two emerging artists, Benjamin and Yliann. Their distinct worlds meet in an evening of original compositions and exploratory performances, guided by attentive external experts who offer critical feedback. The programme highlights creative risk, youthful experimentation and varied sonic textures, moving between intimate moments and more charged passages. The staging prioritizes close listening and a direct, candid exchange between performers and audience.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
An essential evening of live rock from Geneva, opening with L’affaire Tournesoul blending soul, rhythm’n’blues and funk before Electric Paradise delivers an explosive set enriched by surprise guests. Led by singer André Schmid (Electric Paradise, BlackStone, BACAS), the bill favours high-energy riffs, syncopated grooves and charismatic vocals, promising a raw, danceable atmosphere and dynamic stage chemistry that highlights Geneva’s vibrant rock scene.
Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
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