Adieu je reste is a sharply comic theatre piece about two women who, betrayed by the same man, forge an unexpected bond. The staging favours intimate domestic detail and brisk, character-driven dialogue, exploring deception, loyalty and female solidarity with warmth and wit. Sparse set and focused performances underline moments of humour and revelation, shifting between farce and tender insight.
In French.
Two unexpected deities arrive by bicycle, guided by a capricious GPS, carrying a very serious object: the Wheel of Fortune. They need the audience—especially children—to spin the wheel and together invent a story about a child to whom nothing seems to go right. Misfortunes pile up, luck sticks to the sneakers and solutions must be imagined. A participatory musical tale where chance and imagination shape a different story each time.
In French. Kids ages 5 and up.
An original, sensory midweek concert that blends live improvisation with a tasting concept. Performers respond in the moment, shaping spontaneous musical textures that intertwine acoustic and electronic timbres. The program favors close listening: fragile motifs, expanded harmonies and dynamic contrasts invite immersion. Lighting and subtle sound design create intimate atmospheres that shift between introspective stillness and eruptive intensity, offering a multi-sensory encounter that foregrounds presence and shared perception.
From Bogotá, Ghetto Kumbé are a trio of singer‑shamans and virtuoso percussionists who fuse electro‑Caribbean beats, techno, house and Afro‑Colombian and West African rhythms into a ritual of dance and trance. Their mesmerising grooves shift between chant and propulsive percussion, creating a physical, communal atmosphere that channels collective vibration and festive resistance. Live, the trio prioritises deep rhythmic immersion and political urgency, inviting bodies into a cathartic, transformative sound experience.
Directed by Valeria Bertolotto, Faire Hamlet! stages a company wrestling with performance and truth as rehearsals of Shakespeare’s prince unravel private tensions. Pierre Banderet, Dylan Poletti and an intergenerational ensemble confront doubt, jealousy and shifting identities while Angèle Colas provides artistic collaboration. Sound by Fred Jarabo, scenography by Fanny Courvoisier, lights by Alessandra Domingues and costumes by Eléonore Cassaigneau shape an intimate, unstable world where fiction bleeds into life.
In French.
Returning for its twentieth edition, Les Aubes brings softness and poetry to Geneva mornings. At dawn, intimate musical encounters offer delicate soundscapes that stir the senses, favouring close listening and subtle atmospheres. The programme highlights a variety of acoustic and experimental projects, from solo performances to chamber ensembles, each designed to awaken the city with refined timbres and attentive pacing. A gentle celebration of morning listening and communal presence.
Caustic Sunsets is an intense, intimate performance exploring heat, decay and late-day tension through layered sound and stark visual choreography. Sparse staging and abrasive sonic textures create a slow-burning atmosphere where silence and sudden crescendos converse. The work focuses on physicality, shadow and the poetics of decline, inviting the audience into a concentrated sensory experience that lingers beyond the lights.
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