Adieu je reste is a sharply comic theatre piece about two women who, betrayed by the same man, forge an unexpected bond. The staging favours intimate domestic detail and brisk, character-driven dialogue, exploring deception, loyalty and female solidarity with warmth and wit. Sparse set and focused performances underline moments of humour and revelation, shifting between farce and tender insight.
In French.
Performed and directed by Eve Aouizerate, this incisive solo creation blends autofiction and faux stand-up to turn fairy-tale promises into a sharp satire. Using humour and precise stagecraft, Aouizerate interrogates reactionary online imaginaries and the contemporary allure of tradwives, exposing tensions between domestic idealisation and feminist inheritance. The piece mixes intimate confession, comic timing and critical observation to probe identity, boredom and the pressures shaping women’s lives.
In French.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
Neverland is a chamber opera directed by Julien Chavaz with music by Sarah Nemtsov and performed with Ensemble Contrechamps. The piece inverts the Peter Pan myth, presenting an unsettling child who refuses to grow and becomes trapped in a frozen eternity. Nemtsov’s score blends whispered voices, dense orchestral textures and electronic fragments to shape a fragile, tectonic sound world. Staging, lighting and costumes transform a shifting house where memory, fear and metamorphosis are embodied.
British vocalist Lucy Thomas joins pianist James Breckon in an intimate piano-and-voice recital that bridges classical crossover, pop and musical theatre. Thomas’s soaring timbre and theatrical phrasing reinterpret film themes and Broadway melodies alongside original songs, while Breckon’s sensitive accompaniment ranges from delicate pianissimos to rich, organ-tinged textures. The programme favors emotional clarity and lyrical storytelling; sparse lighting and nuanced pacing heighten moments of hush and catharsis, drawing listeners into a vividly cinematic soundworld.
Festival Kurai x Gesa gathers leading and emerging electronic artists across two outdoor stages over three days. The programming blends immersive live sets, modular synthesis and DJ performances with curated production design and light textures that shift from late-afternoon warmth to nocturnal intensity. Expect layered soundscapes, rhythmic drive and communal dance energy, framed by careful sound engineering and stage dramaturgy. Free shuttles link festival stages and the late-night club programme.
Swiss mezzo-soprano Marina Viotti and American pianist Todd Camburn form a close musical partnership, presenting a programme that juxtaposes Wagner’s Wesendonck Lieder with Chausson’s Poème de l’amour et de la mer. The recital also includes Duparc’s intimate mélodies, Poulenc’s nuanced songs and a brief solo piano Improvisation, plus chansons by Jacques Brel and Léo Ferré in an arrangement by Guy‑François Leuenberger commissioned for the occasion. Gregory Rauber provides a contextual introduction. The evening unfolds with oceanic textures, luminous phrasing and intense lyric intimacy.
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