Adieu je reste is a sharply comic theatre piece about two women who, betrayed by the same man, forge an unexpected bond. The staging favours intimate domestic detail and brisk, character-driven dialogue, exploring deception, loyalty and female solidarity with warmth and wit. Sparse set and focused performances underline moments of humour and revelation, shifting between farce and tender insight.
In French.
Choreographed and created by Vanessa Riera, this défilé-performance brings together a mixed community of young people in migration, artistic trainees and youth experiencing social rupture, who prepared the work through workshops and perform as the runway cast. The creative team includes a musician, a scenographer, an assistant, a technician and a make-up artist. Reclaimed garments sourced from textile bins and a social wardrobe are reshaped into sculptural, elegant costumes. The piece blends fashion and choreography to explore belonging, identity and material transformation.
Sara Hebe is a major figure in Latin American rap and contemporary urban music. Renowned for her commanding stage presence and blunt, politically charged lyrics, she presents material from her seventh album, Negocionismo. The project fuses driving techno, heavy dubstep, electronic punk and raw hip-hop while preserving her singular voice. Live, her performances mix tense rhythmic propulsion, confrontational delivery and moments of cathartic release, creating an intense, immersive experience that blends dancefloor energy with sharp social commentary.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Anthony Kavanagh returns with a polished stand-up evening that mixes sharp social observation, warm storytelling and physical comedy. On stage he navigates identity, family and contemporary life with infectious energy and precise timing, inviting laughter that often shifts into quieter reflection. The show balances wit and sincerity, offering moments of absurdity alongside pointed critique, and showcases Kavanagh’s ability to connect intimately with audiences through voice, gesture and character-driven sketches.
In French.
Choreographed by Cindy Van Acker with Cie Greffe, Les Impromptus grew from the choreographer’s solitary encounters with the paintings of Léon Spilliaert. These ephemeral, site-responsive performances are invented in the moment: short, spontaneous pieces shaped by interactions with artworks, spaces and present spectators. Emphasising proximity and improvisation, the work unfolds through the company’s refined movement vocabulary, exploring presence, memory and the play of light and silence to create intimate, immediate compositions rooted in the here and now.
Created by Manon Bril and Etienne Lautrette and directed by Théo Comby Lemaitre, this hybrid lecture-performance blends scholarly rigour with theatrical wit. Historian Manon Bril guides the audience through surprising episodes of human history, overturning assumptions with a sharp, offbeat humour and playful staging. The show mixes clear popular-science explanation, theatrical images and comic timing to reveal that nothing has “always been like this”.
In French.
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