Thursday 22 October, 20:30

Sara Hebe

Booking Required

Sara Hebe is a major figure in Latin American rap and contemporary urban music. Renowned for her commanding stage presence and blunt, politically charged lyrics, she presents material from her seventh album, Negocionismo. The project fuses driving techno, heavy dubstep, electronic punk and raw hip-hop while preserving her singular voice. Live, her performances mix tense rhythmic propulsion, confrontational delivery and moments of cathartic release, creating an intense, immersive experience that blends dancefloor energy with sharp social commentary.

Place des Volontaires,
4

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Photo Credit: DR

Wednesday 7 October, 21:30

Anthony Pateras

Performances

Cave12

Anthony Pateras presents a new solo piano set that synthesizes compositional and improvisational practices from the twentieth and twenty-first centuries. Drawing on electroacoustic techniques and radical sound exploration, the performance assembles a lexicon of approaches, textures and extended techniques into a single structural live block. Expect a rigorous, curiosity-driven sonic journey that blurs composition and improvisation, revealing virtuosity, meticulous timbral detail and adventurous formal thinking.

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15 September – 11 October

Une heure de tranquillité

Performances

Théâtre du Crève-Coeur

A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.

In French.

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7 – 11 October

Amor

Performances

Théâtre le douze dix-huit

Amor follows a forty‑something couple, attached yet weary from routine, confronting unspoken truths and the pull toward emancipation. This intimate, humanist theatre piece probes love’s contradictions—between inherited models and contemporary norms—through subtle staging and concentrated performances. Marjolaine Minot and Guillaume Prin embody the emotional shifts with delicate nuance, drawing the audience into a relational interior where choices, desire and restraint collide.

In French.

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6 – 7 October

#Hashtag Déclic

Performances

Théâtre du Forum Meyrin

Choreographed by Riyad Fghani and performed by Pockemon Crew, this visceral hip‑hop performance transforms micro‑gestures of daily screen use into an explosive, nervous and vibrant physical language. Under shifting lights and layered projections, bodies collide, sync and dissolve in flows that mirror our connected lives. The piece blends precise street technique with theatrical staging and immersive visuals, inviting a moment of collective attention and presence through rigorous choreography and electric ensemble energy.

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6 – 8 October

María del Mar Suárez – La Chachi / Los inescalables Alpes, buscando a Currito

Performances

Choreographed and performed by Andalusian artist María del Mar Suárez, known as La Chachi, this hybrid flamenco piece blends reverence and deconstruction of tradition with a punk expressivity. Two musicians and a singer form a driving, looping soundscape that slowly reveals La Chachi’s silhouette as she advances, her movements coiling and breaking like the music’s escalating cycles. Visceral and hypnotic, the work explores the effort to overcome the seemingly insurmountable, building tense intimacy and ritualized ascent.

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7 – 17 October

Je ne suis pas Johnny

Performances

Théâtre Alchimic

Je ne suis pas Johnny is a theatrical exploration of identity, memory and the weight of cultural myth. Combining intimate staging, physical sensitivity and moments of dark humour, the piece unsettles familiar narratives and invites audiences to reconsider how personas are constructed and performed. Sparse lighting and a fluid rhythm shape an intense, close-up experience, where silence and gesture reveal hidden tensions and unexpected tenderness.

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Sara Hebe