An intimate evening-length performance by Camille Lorente that traces memory, presence and emotional landscapes through a poetic theatrical language. The production favours atmospheric staging, close attention to rhythm and the body, and a fluid interplay between silence and sound. Expect a contemplative, sensory experience that invites the audience to inhabit fragile, resonant moments and to reflect on the traces we leave in personal and collective memory.
In French.
British singer-songwriter Amaria BB brings a bold fusion of R&B, dancehall and contemporary pop to the GET OUT project. Her smoky vocals and syncopated rhythms mingle with tightly produced beats, while the evening’s DJs — Spice&Curls, Guessi, Senjadi and Bobby Melo — weave seamless transitions that keep the energy taut and immersive. The program highlights contrasts between introspective balladry and dancefloor-ready grooves, delivered with London grit and a playful, modern edge.
Francis Poulenc’s opera stands as a pillar of 20th-century French lyric theatre. This production places students in the demanding solo roles under the musical direction of Emmanuel Olivier, in a staging inspired by Yves Coudray. The story follows a religious community swept up in the turmoil of the French Revolution, exploring fear, faith and the need for redemption. Intimate choral textures, stark dramatic contrast and a restrained yet intense staging aim to immerse listeners in the women’s communal life and moral trials.
In French.
Born in Cornwall around musician Will Greenham, Blind Yeo blends psych‑folk, krautrock and psychedelic rock into expansive, trance‑like songs. Electric guitars weave repetitive patterns over deep bass and insistent rhythms, while occasional vocal lines drift into the instrumental texture. The project functions as a constellation of collaborators: Sam Pert (drums), Phil Self (guitars), Henry Greenham (synths), Philippa Blum (cello), Jake Sheridan (bass), Anouska Helm (voice, guitar) contribute to a fluid, evolving sound that favors slow-building, immersive grooves.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Produced by Maress and COXOG Karpet, Og Karpet First Date assembles a charged lineup: 26Keuss, Trafalgar, Awuni, McMaams and Mohciss. The performance moves between US and French R&B, rap, Afro rhythms and Shatta energy, blending polished grooves with raw street intensity. Tight vocal exchanges, layered production and call-and-response sequences foreground communal dance and a nocturnal, electric atmosphere. The staging favours close interaction and club-oriented dynamics.
Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.
In French.
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