Emma Lamadji channels the spirit of Bob Marley in a luminous musical tribute that revisits the Jamaican legend’s most enduring songs — No Woman No Cry, Redemption Song and One Love. Her warm, expressive voice and subtle arrangements bring fresh emotional depth to familiar melodies, blending reverence and personal interpretation. The programme highlights themes of resilience, hope and unity, delivered with intimate staging and a focus on vocal expression.
Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.
In French.
Conceived and directed by Ágnes Havas, this itinerant festival combines cycle-tourism with a rich musical programme. Concerts range from classical and baroque to opera and jazz, presented across lakeside stages that dialogue with the landscape. The project foregrounds sustainable cyclo-tourism and cross-border artistic cooperation, pairing performances with local gastronomy. Lighting and acoustic choices favour intimacy and clarity, while artists of international calibre create moments of contemplative lyricism, conviviality and sensory immersion around the rhythms of the lake.
Presented in collaboration with Fonderie Kugler, Celebration gathers a new generation of creators across contemporary dance, visual arts and electronic music. Choreographic works include Anemoia — created by Milla Ansermet with Thalya Graf, Nora Gisler, Nora Gatti and Elise Gobet — and Dahlia, a solo by Juliette Kuster. Qigong teacher Kiara Lavanchy and DJ sets by Mé and AIEAIEAIE weave movement, improvised scores and electronic textures into a communal tapestry of memory and shared experience.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
Born in Cornwall around musician Will Greenham, Blind Yeo blends psych‑folk, krautrock and psychedelic rock into expansive, trance‑like songs. Electric guitars weave repetitive patterns over deep bass and insistent rhythms, while occasional vocal lines drift into the instrumental texture. The project functions as a constellation of collaborators: Sam Pert (drums), Phil Self (guitars), Henry Greenham (synths), Philippa Blum (cello), Jake Sheridan (bass), Anouska Helm (voice, guitar) contribute to a fluid, evolving sound that favors slow-building, immersive grooves.
Set during a bitter winter in 1980s Turkey amid a military coup, Kar Korsanlari (Snow Pirates) follows three boys who scavenge for coal to survive the cold. With intimate, observational imagery and restrained yet powerful storytelling, the film contrasts the harsh authority of soldiers with the fragile, playful solidarity of childhood. A quietly political and poetic debut, it exposes the mechanisms of repression while celebrating youthful resilience and small acts of compassion.
Screening, concert on Place du Marché (Dara Macit and Ismail Tumen) et exhibition at bar Vehbi Koca
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