Choreographers and performers Katerina Andreou and Mélissa Guex devise SHOUT TWICE as a physical, hybrid concert-performance where the body and voice become material. The piece transforms raw cries into collective energy, mixing movement, vocal textures and improvised dynamics. Intense and immediate, the work invites shared ritual, opening space for excess, play and communal release. The staging is nomadic and non-verbal, driven by bodily resonance and embodied sound.
Created by Aurélie Hubeau and Lucie Hanoy, L’IMPOSTURE is a comic and poetic exploration of doubt, self-image and belonging. The piece follows a woman who describes herself as too small, obese, ugly and a tomboy, and recounts how she forged an identity in today’s world. Using objects, clothing and puppets manipulated with inventive choreography, the performance weaves humor, poetry and music — from Patrick Bruel to gospel and karaoke — to celebrate difference and question social norms, delivering warmth and poignancy.
In French.
Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.
Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.
Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.
In English.
The play “Coloscopie d’un supermarché” by Marie van Berchem and Vanessa Ferreira Vicente, showcased at Maison Saint-Gervais, follows Melissa as she navigates the Micop supermarket, where she finds meat eerily resembling human bodies. Blending documentary with satire, the fiction critiques overproduction, the absurdity of capitalism, and manipulative sales tactics, delving into the pitfalls of a consumer-driven society.
In French.
The Festival Voix de Fête welcomes Oxmo Puccino and Yao for a concert at the Alhambra. Oxmo Puccino, a towering figure in francophone rap, embarks on a new tour with his final album, offering a last embrace to his audience with his distinctive voice and elegant lyrics. Yao, an urban poet, combines soul, funk, alternative hip-hop, and slam to deliver powerful and vibrant performances. Celebrated as an exceptional lyricist within Canadian francophonie, Yao crafts deeply immersive and lingering moments on stage.
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