Staged by Juan Crespillo and performed by Compagnie le Phénix, this adaptation by and starring Anne Martinet dramatizes Stefan Zweig’s novella about a chance, obsessive encounter. Madame C, an aristocratic widow, is swept into a twenty-four-hour passion that unsettles her memory and loosens long-held constraints. Sparse staging and focused acting foreground inner turmoil, while the production explores desire, guilt and liberation with tense intimacy, drawing audiences into a fragile psychological world.

In French.

Chœur des Trois-Chêne and Belle-Terre Chante unite their voices in a programme that weaves two choral traditions into a single, resonant arc. Intimate a cappella moments alternate with soaring, richly layered textures, revealing the choirs’ distinct timbres and shared commitment to expressive singing. The collaboration explores dialogue, contrast and harmonic colour, inviting listeners into warm, communal soundscapes that move from hushed reflection to jubilant release.