Nuit des Bains presents an evening when the city’s contemporary art circuit opens as a collective exhibition.
Emerging and established local and international artists activate spaces with installations, performances, painting, photography, and video, offering a multifaceted survey of contemporary practices. The event emphasizes encounter and public imagination, revealing tensions between intimacy and urban spectacle, and questioning how art inhabits shared environments.
Our eyes are naturally drawn to light and what shines. Yet what could be more fascinating than shadow? Shadows have enabled many fundamental discoveries: the shape of the Earth, the calculation of its circumference, the identification of electrons, and the understanding of planetary motion. They accompany us and enrich our thinking. Come and explore them to learn more about their role in science.
Exhibition in French & in English.
An exhibition presenting work by Garry Fabian Miller, Ptolemy Mann and Marit Tingleff, curated by Sarah Griffin. Across photography, weaving and ceramics, the show explores the darkroom, the dye lab and the kiln as sites of material transformation. The artists draw on deep embodied knowledge and long practice, using process, environment and material behaviour to shape outcomes. The works probe attention to texture, colour and time, revealing subtle relations between technique and the natural conditions that inform each practice.
Opening: Thursday 17 September, 18:00
Two centuries of Geneva history told through uniforms, photographs, posters, equipment, and personal objects. Rather than simply lining up military artefacts, the museum places them back into the events and stories that shaped the canton from the Restoration to the present day.
Two thousand years, one site. Opened in September 2026, Geneva’s newest archaeological space brings together a Roman dwelling, a medieval cemetery and a church, and 16th-century fortifications. Archaeology meets contemporary architecture — with temporary art projects adding another layer to the story.
Belgian artist Fred Eerdekens presents a focused body of work that examines the interplay of sculpture, language, light and perception. More than twenty pieces employ wall-mounted and suspended forms that use projected light to cast words and phrases in shadow, while freestanding sculptures resolve into legible texts only from precise viewpoints. The show foregrounds materiality and temporality, inviting viewers to reconsider reading as an embodied, spatial act where meaning emerges through shifting perspectives and illumination.
Swiss artist Pierre André Ferrand presents a restrained body of work that examines the conditions of image-making and the illusionistic nature of painting. The show brings together oils on canvas and works on paper, employing a deliberate economy of means, pared visual codes, and an intimate awareness of artistic limits. For more than thirty years his practice has pursued an intellectual and spiritual enquiry, inviting a slow, contemplative viewing that seeks out potential and subtle perceptual shifts.
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Culture, curated weekly.
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