Two centuries of Geneva history told through uniforms, photographs, posters, equipment, and personal objects. Rather than simply lining up military artefacts, the museum places them back into the events and stories that shaped the canton from the Restoration to the present day.
Artists Ana D and Noora K present a dreamlike photographic project probing transparency, memory and perception. Through layered photographs, lenticular prints and sculptural extensions of the image, the duo uses superposition, diffusion and formal alteration to reveal overlapping temporalities and interior images.
The works deploy spatial configurations where fragments of lived experience shift, associate and recombine, positioning photography as a territory of projection and transformation. Curated by Myriam Bongard‑Stadler, Dreams navigates the border between sleep and wakefulness.
Jean-Étienne Liotard’s portraits of the imperial family, notably Marie‑Antoinette, include eleven drawings widely regarded as masterpieces. This project examines the identification of the sitter children and the works’ provenance through a cross-disciplinary investigation. In collaboration with the University of Oxford, the Idiap research institute and the School of Criminal Sciences at the University of Lausanne, historians of art and specialists in the eighteenth century join AI researchers and forensic experts to reveal new insights into authorship and history.
Rousseau was born right here in 1712. Today, his birthplace pairs a permanent journey through his ideas with a lively programme devoted to contemporary literature. Philosophy, freedom, education, nature: centuries later, the questions raised inside these walls still feel remarkably current.
American artist Rachel Marks presents an original work conceived during a research residency responding to the museum’s collection, notably the Pozzi fonds. The project is research-led and site-specific, articulating a dialogue between archival objects and contemporary practice. Using material inquiry and layered processes, Marks investigates provenance, display conventions and the traces of personal histories embedded in collections. The commissioned piece will enter the museum’s permanent holdings, extending the collection’s narrative through contemporary intervention.
Opening: Thursday 8 October, 18:00
Painter Gustave Didelot presents a structured practice around his concept the ‘Monde de peinture’, developed through accumulation and sustained observation. The exhibition comprises canvases that blend figural fragments, architectural motifs, and cultural references—from video games to contemporary art—producing a visual language that oscillates between mirror and distortion. Using layered paint and attentive composition, Didelot sketches a utopian elsewhere: paintings work as windows that invite projection, reveal alternative narratives, and occasionally suggest emergent forms that entangle play and perception.
Opening: 1 October, 18h30
Geneva, before it became the Geneva we know. Set in the city’s oldest surviving private residence, Maison Tavel tells the story of local life from the Middle Ages to the 19th century. Don’t miss the impressive Magnin Relief, a huge model of Geneva before its fortifications disappeared.
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