Voltaire lived here — and that alone makes Les Délices worth knowing about. The historic residence houses manuscripts, artworks, and documents related to the philosopher and the Enlightenment. Access is more limited than at a conventional museum, so it works best as a special-visit recommendation.
More a time capsule than a traditional museum. Step into Countess Zoubov’s elegant 18th-century world, where furniture, paintings, porcelain, and decorative arts remain arranged much as she intended in the 1950s. Among the 525 recorded pieces are numerous objects connected to Catherine II’s Russia.
One museum, centuries of stories. Geneva’s largest museum brings archaeology, fine arts, and decorative arts under one roof, moving from ancient civilisations to major European and Swiss artists. A classic for a reason — and big enough to warrant more than one visit.
Le Nouveau Réalisme brings together works by Arman, César, Christo, François Dufrêne, Yves Klein, Niki de Saint Phalle, Mimmo Rotella, Daniel Spoerri, Jean Tinguely and Jacques Villeglé to examine the movement’s poetic reworking of urban detritus. The exhibition presents sculptures, assemblages, collages and interventions that displace found objects from everyday contexts, juxtaposing industrial materials, advertising fragments and ready‑mades. Through material play and détournement, the show explores urban consumption, collective memory and the politics of visibility.
Opening (Geneva Art Week): Wednesday 16 September, 16:00
Abdul Rahman Katanani presents a contemplative exhibition curated by Barbara Polla that gathers artistic, philosophical and literary propositions to rethink the world and imagine solutions. The centrepiece is the drawings series «The Story Portals», created for this presentation. Through narratively charged drawings, Katanani probes memory, migration and collective imaginaries, inviting reflection on how visual storytelling can articulate ethical and social alternatives. The work balances poetic gesture and rigorous conceptual inquiry.
Opening: 8 October
Through textiles, photography, performance, and writing, Vanessa Riera explores the visible and invisible burdens that permeate women’s experiences: norms, legacies, and inherited traumas, but also care, healing, and resistance. The title evokes those micromovements that allow the body to endure, adapt, and transform—gestures sometimes imperceptible, yet profoundly meaningful.
Opening during Geneva Art Week on September 16, 18:00
Swiss artist Pierre André Ferrand presents a restrained body of work that examines the conditions of image-making and the illusionistic nature of painting. The show brings together oils on canvas and works on paper, employing a deliberate economy of means, pared visual codes, and an intimate awareness of artistic limits. For more than thirty years his practice has pursued an intellectual and spiritual enquiry, inviting a slow, contemplative viewing that seeks out potential and subtle perceptual shifts.
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