Calvin, Geneva, and a movement that reshaped Europe. Just steps from St Peter’s Cathedral, the MIR traces the Reformation through paintings, manuscripts, rare books, objects and multimedia — turning a complex chapter of religious and political history into an accessible visit.
Rousseau was born right here in 1712. Today, his birthplace pairs a permanent journey through his ideas with a lively programme devoted to contemporary literature. Philosophy, freedom, education, nature: centuries later, the questions raised inside these walls still feel remarkably current.
Photographer Bertrand Carlier presents a series of large-format portraits that foreground women working across Geneva’s agricultural landscape. The photographs depict market gardeners, winegrowers, fruit growers, livestock farmers and cellar managers in their working environments, using natural light and documentary framing.
The project explores gender, labour and continuity, revealing how women’s labour shapes rural economies and biocultural traditions. Set against the UN’s International Year of the Woman Farmer 2026, the work invites renewed attention to the diversity of skills and trajectories within contemporary Geneva agriculture.
An Imagined World invites visitors into the singular and captivating universe of Mary Shalizi. Created instinctively, Shalizi’s works unfold through vivid colour, intricate patterns and recurring symbols. Figures, animals, architectural forms and imagined beings inhabit compositions that balance memory, imagination and inner experience. The exhibition brings together a selection of works on paper, offering an intimate view of the artist’s personal visual language developed over many years.
Béchir Boussandel presents a body of work that unfolds from shadow and the heat of desert palettes. Through paintings, sculptures and delicate bird watercolours populated by anonymous figures, he examines displacement, crossing and survival within North African desert landscapes. The pieces use ochres, reds and material contrast to evoke memory and shifting identities, employing an atmospheric visual language that balances figuration and absence.
One museum, centuries of stories. Geneva’s largest museum brings archaeology, fine arts, and decorative arts under one roof, moving from ancient civilisations to major European and Swiss artists. A classic for a reason — and big enough to warrant more than one visit.
On the occasion of her first institutional solo exhibition in Geneva, Marisa Cornejo presents El Taller de la Fragilidad, bringing together new sculptures, drawings, and installations. Born in Chile and based in Switzerland, the artist draws on her experience of exile to explore the relationships between memory, displacement, absence, and repair. Several of the works have been created especially for Halle Nord, examining the forms of resilience that emerge from uprootedness. Recipient of the Fondation Francine Delacrétaz Prize (2023) and a Swiss Art Award (2024), Marisa Cornejo’s practice spans sculpture, drawing, installation, performance, and archival research.
Opening: 3 September, 18:00
Guided tour: 11 September, 18:00
Reading by Pedro Jimenéz Morrás: 11 September, 18:30
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