Tucked inside the historic Commanderie de Compesières, this unusual collection traces the military and humanitarian history of the Order of Malta through uniforms, paintings, manuscripts, medals and coins. A niche museum with a setting to match — visits are by appointment, so a little planning is required.
Skateboards belong in museums too. Pulp68 traces skate culture from the 1950s to today through boards, graphics, objects, books, and stories collected over decades. Raw, personal and refreshingly far from the white-cube museum experience.
Dia al-Azzawi presents a new ensemble of recent paintings and sculptures that trace a dialogue between the artist’s interior worlds and his engagement with landscape. In the “Inner Worlds” strand he probes memory, introspection, human relationships and domestic spaces that inform his imagery. In “Under Open Skies” the gaze widens to gardens, light and natural vistas, with recurring references to the Jardin Majorelle in Marrakech. The works combine expressive painting techniques with sculptural presence and a poetic modernist language.
Opening: Thursday 17 September, 18:00
Two thousand years, one site. Opened in September 2026, Geneva’s newest archaeological space brings together a Roman dwelling, a medieval cemetery and a church, and 16th-century fortifications. Archaeology meets contemporary architecture — with temporary art projects adding another layer to the story.
Photographer Bertrand Carlier presents a series of large-format portraits that foreground women working across Geneva’s agricultural landscape. The photographs depict market gardeners, winegrowers, fruit growers, livestock farmers and cellar managers in their working environments, using natural light and documentary framing.
The project explores gender, labour and continuity, revealing how women’s labour shapes rural economies and biocultural traditions. Set against the UN’s International Year of the Woman Farmer 2026, the work invites renewed attention to the diversity of skills and trajectories within contemporary Geneva agriculture.
John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.
Franck Bohbot presents a selection of photographs of heritage libraries that open a space for meditation and reverie around the idea of the library.
Alongside these images, contemporary installations and mirrored arrangements that juxtapose photographs of personal libraries create reflective encounters, while a kaleidoscope of texts centers the theme. The exhibition examines how architecture, collection and personal memory shape our relation to knowledge, evoking nostalgia, curiosity and questions about the library as a social and imagined space.
Opening: 2 September, 18:30
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