More a time capsule than a traditional museum. Step into Countess Zoubov’s elegant 18th-century world, where furniture, paintings, porcelain, and decorative arts remain arranged much as she intended in the 1950s. Among the 525 recorded pieces are numerous objects connected to Catherine II’s Russia.
Ken-You Ferrero presents luminous paper sculptures that explore nature and light. Working with tissue paper and washi, the artist constructs refined, fragile and symbolic forms that dialogue with materiality, balance and the living. The works emphasise translucency, subtle textures and the interplay of shadow and glow, offering a contemplative experience that interrogates fragility, regeneration and the intimate connections between craft and natural phenomena.
Opening: 3 October, 11:00 – 17:00
Closing 24 October, 11:00 – 17:00
Swiss artist Séverin Guelpa presents Rift, a vast immersive installation that shapes a sonic and telluric twilight. The work stages the fault as a porous space of listening, passage and transformation, where subterranean sounds converse with human voices and instrumental resonances. The presentation includes a live sound performance and collaborative vocal interventions with Varoujan Chetirian (sound composition), Antoine Läng (vocals and instrument) and Yvonne Harder (vocals), articulating material, temporal and acoustic relations.
Opening: Friday 18 September, 18:00
Antoine Roth presents a photography exhibition focused on atmospheric and optical phenomena observed over Lake Geneva. Working with a digital camera and a long‑focal lens, he photographs distant horizons where light, water and air converge. The series documents rare mirages, notably the Fata Morgana, exploring the boundary between perceptual illusion and measurable physical event. Through patient field observation and precise framing, Roth examines how light and thermal gradients sculpt landscape appearances and challenge our sense of materiality.
Opening: 27 August, 18:00
EXEM aux urnes – 40 Years of Political Posters brings together 40 political posters by Geneva-based illustrator EXEM between 1988 and 2023. Spanning nearly four decades of Swiss direct democracy, the exhibition explores the distinctive language of political posters at the intersection of graphic art, satire, and political commentary.
Through EXEM’s sharp and engaging imagery, the exhibition traces the political issues and communication styles that have shaped Swiss public life, and offers insight into the artist’s creative process and the stories behind his iconic posters.
Opening: Tuesday 1 September, 18:00
Ferdinand Hodler: Profession of Faith examines for the first time the spiritual dimension in the work of Ferdinand Hodler (1853–1918). Through some twenty-five paintings, the exhibition traces his youthful biblical readings, his rare biblical scenes, and his relation to the Reformation and the city of Geneva. It also considers how notions of creation and the order of nature informed his symbolist language and his meditative landscapes, revealing the interplay between religious themes and formal concerns in his painting.
Franck Bohbot presents a selection of photographs of heritage libraries that open a space for meditation and reverie around the idea of the library.
Alongside these images, contemporary installations and mirrored arrangements that juxtapose photographs of personal libraries create reflective encounters, while a kaleidoscope of texts centers the theme. The exhibition examines how architecture, collection and personal memory shape our relation to knowledge, evoking nostalgia, curiosity and questions about the library as a social and imagined space.
Opening: 2 September, 18:30
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