Belgian artist Fred Eerdekens presents a focused body of work that examines the interplay of sculpture, language, light and perception. More than twenty pieces employ wall-mounted and suspended forms that use projected light to cast words and phrases in shadow, while freestanding sculptures resolve into legible texts only from precise viewpoints. The show foregrounds materiality and temporality, inviting viewers to reconsider reading as an embodied, spatial act where meaning emerges through shifting perspectives and illumination.