9 – 30 October

Fred Eerdekens

Free

Belgian artist Fred Eerdekens presents a focused body of work that examines the interplay of sculpture, language, light and perception. More than twenty pieces employ wall-mounted and suspended forms that use projected light to cast words and phrases in shadow, while freestanding sculptures resolve into legible texts only from precise viewpoints. The show foregrounds materiality and temporality, inviting viewers to reconsider reading as an embodied, spatial act where meaning emerges through shifting perspectives and illumination.

Pl. de Longemalle 10-12,
Switzerland

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Photo Credit: Fred Eerdekens © Johan Jozef Wetzels; “air”, 2022 Copper, light source 25 x 36 x 15 cm | 9.8 x 14.2 x 5.9 in; “All that words allow”, 2026 Copper, light source 15 x 58 x 15 cm | 5.9 x 22.8 x 5.9 in

29 January – 25 October

Observatories — Carte blanche to John M Armleder

Art & Exhibits

MAH

John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

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4 – 10 October

Marisa Cornejo: El Taller de la Fragilidad

Art & Exhibits

Halle Nord

On the occasion of her first institutional solo exhibition in Geneva, Marisa Cornejo presents El Taller de la Fragilidad, bringing together new sculptures, drawings, and installations. Born in Chile and based in Switzerland, the artist draws on her experience of exile to explore the relationships between memory, displacement, absence, and repair. Several of the works have been created especially for Halle Nord, examining the forms of resilience that emerge from uprootedness. Recipient of the Fondation Francine Delacrétaz Prize (2023) and a Swiss Art Award (2024), Marisa Cornejo’s practice spans sculpture, drawing, installation, performance, and archival research.

Opening: 3 September, 18:00
Guided tour: 11 September, 18:00
Reading by Pedro Jimenéz Morrás: 11 September, 18:30

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16 July – 13 October

PlasMAH: Flesh and the Siphon

Art & Exhibits

MAH

Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.

Opening: Thursday 16 July, 18:30

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Permanent exhibition

The Archives of Human Diversity

Art & Exhibits

MEG

Objects tell stories here — about people, beliefs, traditions, and the way cultures meet. The MEG draws on collections from around the world, while also asking timely questions about where museum objects come from and how their stories should be told today.

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18 September – 31 October

Olaf Holzapfel

Art & Exhibits

Xippas

German artist Olaf Holzapfel presents a body of work that quietly investigates landscape, architecture and vernacular traditions. Working across sculpture, drawing, painting and installation, he foregrounds materiality and craftsmanship, transforming humble materials into structures that mediate between nature and the built environment. The works trace textures of memory and labour, proposing subtle dialogues between form and site. The exhibition emphasises process and making, inviting sustained attention to material relationships and artisanal techniques.

Opening: Thursday 17 September, 18:00

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16 September – 10 October

Pierre La Police – Retrospective

Art & Exhibits

Papiers Gras

Pierre La Police presents a retrospective of his work, spanning contemporary comics, digital art, installations, video and short film. Renowned for an absurdist sensibility and skewed humour, his practice blends hand-drawn sequences with experimental visual techniques and digital processes. The show traces recurring motifs—playful disruption, narrative fragmentation and visual experimentation—offering a layered survey of an artist who has expanded the language of comic art into installation and moving image.

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Fred Eerdekens