18 September – 31 October

Pierre André Ferrand

Free

Swiss artist Pierre André Ferrand presents a restrained body of work that examines the conditions of image-making and the illusionistic nature of painting. The show brings together oils on canvas and works on paper, employing a deliberate economy of means, pared visual codes, and an intimate awareness of artistic limits. For more than thirty years his practice has pursued an intellectual and spiritual enquiry, inviting a slow, contemplative viewing that seeks out potential and subtle perceptual shifts.

Rue des Vieux-Grenadiers 9,
1205 Geneva

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Photo Credit: Pierre André Ferrand, IC XC, 2011. Les deux portes, Muriaux, septembre 2012

26 September – 31 March

From Shadow to Light

Art & Exhibits

MAH

This evolving exhibition explores Geneva painting from public collections, bringing together 82 works created between 1444 and 1782. Unfolding in three acts, the exhibition evolves alongside the museum’s ongoing research and restoration work.

Act I: Before 1535, Surviving the Storm – 26 September 2026 – 21 March 2027
Rare works that survived the Protestant iconoclasm of 1535, including Konrad Witz’s 1444 panels.

Act II: 1536–1685, The Secular Turn – 23 March – 19 September 2027
Following the Reformation, Geneva’s artistic landscape was transformed, with artists increasingly turning to secular subjects for both private and public settings.

Act III: 1685–1782, A Spectacular Flourishing – 25 September 2027 – March 2028
The Age of Enlightenment saw painting flourish in Geneva, with portraits and landscapes by artists including Robert Gardelle, Barthélemy Guillibaud and Jean-Étienne Liotard.

An ever-evolving journey through nearly three centuries of painting in Geneva, revealing its history, artistic techniques and the fascinating work behind its conservation.

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27 October – 19 November

Live Language Model

Art & Exhibits

Centre d'édition contemporaine

Artist Carmen-Sibha Keiso presents a continuation of her exhibition, featuring new works that explore ambivalence and the bystander’s gaze. The show includes sculptural and installation pieces alongside printed editions by Fabrice Gygi, Roman Signer and Marie Sacconi. A recently published volume by Keiso accompanies the presentation, extending the exhibition’s themes into a printed, multi-voiced format. The installation work favours material contrasts and subtle gestures that probe perception, memory and relational dynamics.

Opening: Friday 23 October, 18:00

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22 September – 30 August

Investigating Border Violence, Promoting ‘Mobility Justice’

Art & Exhibits

Uni Mail

Border Forensics presents an audiovisual exhibition of investigative films documenting violence at borders.
Excerpts from three films, The Death of Blessing Matthew (2022), The Death of Roger Nzoy Wilhelm (2025) and Asymmetric Visions (2023), combine documentary footage with geospatial analysis, data visualization and 3D modeling. The works reconstruct contested events, interrogate aerial surveillance and Mediterranean migration control, and foreground communities affected by border violence. The project examines how images and data can document abuses, challenge official narratives and advance claims for mobility justice.

Opening: September 22, 18h30 – speeches, performance, drinks.

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15 October – 14 November

Marguerite Roesgen-Champion

Art & Exhibits

HEM Dufour

This presentation honours Marguerite Roesgen-Champion, the Geneva-born composer, pianist and harpsichordist, through an exhibition and related programme. Archival manuscripts, scores and recordings illuminate her compositional voice, keyboard repertoire and chamber works. The displays emphasise contrapuntal clarity, timbral detail and performance practice, situating her within the circle of contemporary harpsichordists. Curatorial texts and integrated media explore her contribution to Swiss musical life and interpretive traditions.

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28 October – 16 January 2028

Exposition 1602 & Compagnie

Art & Exhibits

Maison Tavel

Compagnie de 1602 presents a centenary exhibition that unveils the behind-the-scenes life of a long-standing civic tradition.
Through costumes, ceremonial objects, musical gestures and archival memories, the display juxtaposes individual passions with the collective narrative of communal celebration. The presentation foregrounds performative ritual, material culture and intergenerational transmission, revealing how public pageantry sustains identity and belonging. It evokes the sustained energy of popular commemoration and the work required to keep ceremonial histories alive.

Opening: Tuesday 27 October, 18:00 – 20:00

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28 October – 8 November

Quelque chose a changé

Art & Exhibits

Usine Kugler

Lola Jay investigates memory, imagery and the ways we reconstruct our past. Working at the intersection of painting and visual culture, she produces oil paintings and painted-objects that reinterpret family photographs, film stills and found images. Her compositions borrow photographic framing to isolate gestures and everyday fragments, questioning how selection, framing and repetition transform recollection. The exhibition examines the porous boundary between intimate and collective memory, showing how images do not merely preserve the past but reshape and remake it. Lola Jay is based in Geneva.

Opening : 28 October, 18:00
Closing : 8 October, 17:00

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Pierre André Ferrand